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| ABBETT JOINED HUNDREDS of Internet broadcasters in a “Day of Silence” to protest proposed royalties that many of them say would put their small operations out of business and deal a blow to musical diversity online in favor of a few large outlets playing the same roster of Top 40 hits. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||
Internet broadcasters have won small but fiercely loyal audiences, many offering eclectic tune selections and appealing to niche tastes. Unlike traditional radio, webcasting doesn’t require federal licenses, transmitters or other expensive equipment. While some Internet broadcasting is by over-the-air stations that pipe their signals online, many are like Abbett’s 7-year-old Internet Radio Hawai’i: They operate on a shoestring, are listener-supported and get a few thousand listeners at most. If the royalty rates for Internet-only broadcasters — $1.40 per song heard by one thousand listeners — are approved later this month, Abbett says he may have to pull the plug. “People will be left with Britney Spears, Michael Jackson and hip-hop,” said Abbett, a former radio rock ’n roll deejay. “Hawaiian music, Louisiana music, world music and gospel music will disappear.” NEW ROYALTIES ON TOP OF OLD ONES Webcasters and over-the-air radio stations already pay composers and music publishers royalties for the music they play, based typically on a percentage of their revenues. |
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But traditional radio broadcasters have been exempt from paying the
royalties now being applied to Webcasters after successfully arguing
before lawmakers that they already were promoting the music. The new royalties, which would go to music labels and musicians, had long been sought by the recording industry from traditional broadcasters without success. So, the industry turned to webcasters and got its wish in a 1998 law. In February, a Washington, D.C., arbitration panel set royalty rates that could cost Abbett $10,000 a year — a third of his budget and nine times what he now pays composers and publishers. Larger Webcasters could owe hundreds of thousands of dollars annually. Under procedures established by Congress, the U.S. Copyright Office has until May 21 to accept, reject or modify those rates — which are retroactive to 1998. GROWING POPULARITY Internet radio is now popular at work and is becoming popular in homes as more people get high-speed connections. It is expected to become more mainstream as wireless devices proliferate, allowing listeners to tune in while walking or driving. |
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The official, John Simson, also rejected arguments that broadcasters — be they traditional or on the Web — are chiefly promoters of music and deserve royalty breaks. “Radio is not in the music business,” Simson said. “They may be playing songs, but what they are trying to do is aggregate people so they can sell advertising.” The union that represents recording artists backed the recording industry. Performers “need to be compensated when a business is built on their work,” said Ann Chaitovitz, national director of sound recordings at the American Federation of Television & Radio Artists. However, some Internet legal experts say lawmakers need to be careful to balance the public interest for free expression on the Internet with the rights of copyright holders. Jonathan Zittrain, co-director of Harvard Law School’s Berkman Center for Internet & Society, considers the move to impose royalties on webcasters “part of a push to make the Internet as a distinct experience go away, (leaving) a conduit for carrying the traditional, familiar, consolidated forms of media.” © 2002 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed. |
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