The webcasting industry-backed Internet Radio Fairness Act, introduced to both chambers of Congress on Friday (see RAIN here), made The New York Times this morning, and journalist Ben Sisario presented the complicated manner in as clear and straightforward a way as we've seen.
"Willing buyer, willing seller. Those four words would seem innocuous, but in the world of Internet radio nothing is more contentious," read the opening paragraph.
As we reported, the bill would move noninteractive webcast services from the "willing buyer, willing seller" standard to the one used to determine rates for SiriusXM Radio and cable radio like Music Choice (known as 801(b), which is also the standard that record labels are happy is used when the rates for royalty rates they pay to songwriters and publishers are determined).
"That model would let the panel of federal judges that set the rates consider evidence both on the value of the music and on the effect the royalty rate would have on the industry overall. Pandora and its supporters believe that standard would yield lower rates," according to The Times. "Record labels and artists... believe that the existing rates are fair and accuse Pandora and others of wanting to deprive copyright holders of the income they deserve."
Congress will likely wait to deliberate the issue until after the national elections in November ("and probably into the spring," wrote Sisario).
We highly recommend Sisario's concise and even-handed treatment of the matter, and recommend you share it with listeners and clients. You can see it in The New York Times here. Finally, for a clear and entertaining analogy that demonstrates why "willing buyer, willing seller" can't work, please see RAIN publisher Kurt Hanson's "State of the Industry Address" from last week's RAIN Summit Dallas here (you can also launch the audio from the box in the right-hand margin of RAIN) -- scroll ahead, it's near the end (about 20 minutes in) of the speech.



In his opening remarks at Tuesday's RAIN Summit Dallas, consultant Walter Sabo emphasized the need for radio to develop "original, exclusive content" to weather the transition to the digital medium (see coverage of, and listen to, Sabo's opening remarks here), and even made a point that he was looking forward to the afternoon's "Innovating Online Content" panel (which immediately followed his opening).
And one could sense the sincerity of Ross, lifelong radio devotee himself, when he implored his panel for a strategy to "repatriate" today's 22 year-old to radio. To that last concern, ESPN Radio Director of Digital & Print Media Revenue & Operations Cory Smith (left, with the two RAIN Internet Radio Awards won by ESPN Audio) suggested that maybe getting young people to actually listen to the AM/FM broadcast wasn't the point. We "give content
to listeners in the format they prefer," whether on-demand, video, blogs, SMS..."let the user decide," he said. "Pushing everyone to radio might be a real challenge."
Hill and Kempf concluded (and often agreed while at it) by passing along some programming wisdom. On the perennial issue of understaffing at programming departments, Hill make an unconventional point: "Radio has always been, and we should keep it, a 'lightweight' medium," he said. There's a danger in "becoming the incumbent" -- that is, slow and inflexible and stifling innovation. "Keep on the lookout for disruptors" on your staff, he suggested, "those
willing to experiment." He and Kempf agreed that partnering outside your department (or company, even) can help lighten the load.
But how do you finance all that experimentation? How do you get the best ROI when you come upon something that does work?
We're happy to announce our second-annual RAIN Summit Europe industry event, May 23 in gorgeous Brussels, Belgium. We'll gather with Internet radio leaders from across Europe and around the world at the Hotel Bloom for a full day of informative panels, presentations and networking.














