Special
issue coming soon: Most indicators seem to be pointing (finally!)
toward a more-successful 2003 for both broadcasters and webcasters.
To help you in your planning process for next year, RAIN's
upcoming "Planning for 2003"
issue will showcase products and services that will help youreduce your expenses
and increase your revenues
in 2003!
For
YOUR firm to be included, call RAIN at 1-312-527-3869
or e-mail kurt@kurthanson.com
BY
KURT HANSON Last week's passage in Congress of the "Small Webcaster
Settlement Act (SWSA)" has apparently raised as many questions
as it has answered, based on phone calls and e-mail coming into
the RAIN offices.
As such, in the next couple of days, we'll take a look at
the details of the bill and the implications thereof.
What are the terms of the deal?
The SWSA bill (click here,
type in "HR 5469," and click on the SWSA version to read
the bill in HTML format, or the image below for Adobe Acrobat's
.pdf format) seems primarily designed to permit the parties involved
to implement terms of the agreement agreed to during several days
of negotiations in Rep. Sensenbrenner's office in early October:
To quote from the bill: "Congress finds the following:
(1) Some small webcasters who did not participate in the [CARP]
proceeding...have
expressed reservations about the fee structure set forth in such
order, and have expressed their desire for a fee based on a percentage
of revenue. (2) Congress has strongly encouraged representatives
of copyright owners of sound recordings and representatives of the
small webcasters to engage in negotiations
to arrive at an agreement that would include a fee based on a percentage
of revenue. (3) The representatives have
arrived at an agreement that they can accept in the extraordinary
and unique circumstances here presented, specifically as to the
small webcasters... (7) It is, nevertheless, in the public interest
for the parties to be able to enter into such an agreement without
fear of liability for deviating from the fees and terms of the July
8 order..."
The "agreement" referred to in the billis
pretty clearly the agreement documented in the version of the H.R.
5469, then called the "Small Webcaster
Amendment Act (SWAA),"
that the House passed on October 7th.
RAIN's October 8th summary of the House-passed SWAA is
here.
Very briefly, it documents an offer from the RIAA and SoundExchange
to allow small commercial webcasters with less than $1 million in
revenues to date, if they so desire, to pay a retroactively royalty
of 8% of revenues or 5% of expenses (whichever is higher)
and to continue to pay a royalty based on a percentage of revenues
for the next two years if they continue to fall under certain revenue
size caps (which change each year).
The version of the bill that was passed by both houses of Congress
last week, the SWSA, permits
SoundExchange to offer an agreement on those terms (by relieving
them of any liability if non-SoundExchange members object) but does
not require them to offer such an agreement. ("The
receiving agent shall be under no obligation to negotiate any such
agreement").
The bill does describe certain characteristics of the agreement(s)
that SoundExchange may offer ("Any such agreement for small
commercial webcasters shall include provisions for payment of royalties
on the basis of a percentage of revenue or expenses, or both, and
include a minimum fee. Any such agreement may include other terms
and conditions, including requirements by which copyright owners
may receive notice of the use of their sound recordings...").
However, the bill forces SoundExchange to move
quickly if it wants to extend such an offer to small
commercial webcasters: "(F) The authority to make settlements
pursuant to subparagraph (A) shall expire
December 15, 2002." (Note: SoundExchange's authority
to make settlements with noncommercial webcasters continues
until May 31, 2003.)
So, can SoundExchange renege on
the deal? As part of their lobbying efforts to get the SWSA passed,
the record industry made a verbal commitment
to top Congressional
leaders last week that they would offer small webcasters
a deal similar to the the one document in the SWAA, and according
to RAIN's sources in Washington, it would be
political suicide for them to renege on the deal totally
and extremely poor form
take away deal points that were previously agreed to.
However, the parties now have almost a month to work
together to clear up deal points that they just didn't
have time to address during their marathon negotiation session in
Sensenbrenner's office that long weekend.
And of course Congressional leaders would have no reason
to feel betrayed if SoundExchange were to offer better
terms to webcasters or expand the deal to include more
small webcasters.
Was
Sen. Jesse Helms really a hero in this?!? RAIN's
best guessis
that he blocked the bill as a favor for one or two of his constituents
and that his legislative staff used
their PR skills to characterize
his move as trying to "help" small webcasters.
But it was a huge risk.
If the U.N. vote on Iraq,
for example, had gone the other way during the Congressional recess,
the reconvened Congress would have never had time to spend on such
a relatively-trivial issue as webcasting royalties. His blocking
the bill would have destroyed small webcasters.
The good news is,we
got lucky. Congress does
have time to deal with relatively-trivial issues in this lame-duck
session, and Helms' legislative staff, in their final weeks on the
job (as Helms is retiring shortly), stepped up to the plate and
did
help a better-structured deal come together -- i.e., with stronger
non-precedential language and better technique for dealing with
noncomms.
Can SoundExchange negotiate deals
for other classes of webcasters? For example, could SoundExchange offer a "broadcast
simulcast" rate to, say, large terrestrial broadcasters? Apparently
not. The bill seems to authorize settlements for two classes of
webcasters only: "small commercial webcasters" and "noncommercial
webcasters."
However, since the bill does not define "small,"
except for alluding to the agreement reached in Sensenbrenner's
office, it would seem that SoundExchange has some latitude in how
they define the term. Again, as noted above, it would seem to be
a violation of their pledge to Congressional leaders if they were
to narrow the definition from
that defined in October 7th's SWAA, although it would seem as if
there's room to clean up and,
at SoundExchange's option, expand
the definition somewhat.
Clearly, Congress intended the agreement to cleaned up: The
SWSA authorizes a delay in webcasters' obligations "for a period
determined by [SoundExchange] to allow
negotiations" as permitted by the bill.
Tomorrow in RAIN, we'll take a look at the elements of the
deal that SoundExchange may wish to clear
up in the final draft of the proposed voluntary license,
now that they and webcasters have a couple of weeks to work on it.
(Q&A TO
BE CONTINUED TOMORROW IN RAIN)
[an error occurred while processing this directive]
From the AOL press release: "America Online, Inc. today
announced the launch of Broadband Radio@AOL,
the first online
radio service designed exclusively for AOL Broadband members.
"Offering the same great features made popular by Radio@AOL,
a service embraced by millions of AOL members who tune in every month,
Broadband Radio@AOL is available only with AOL 8.0 and brings a new
set of features and enhanced functionality that take full advantage
of the broadband connection...
"Shawn Hardin, Senior Vice President of Programming for
AOL Broadband [said], 'Broadband Radio@AOL is a key example of how
we're differentiating the AOL Broadband service
to create a valuable, compelling and entertaining online experience...'
"Broadband Radio@AOL is available only on AOL
Broadband with AOL 8.0 and includes: CD-quality sound (128
kbps) on more than 125 stations...commercial free listening
without banner advertising...live streams from KCRW, WDST, WOXY, KPIG,
WFMU and Sportingnews.com..."
... Note: We tested this product last week using a beta version,
and it seemed as if they're offering almost the exact same
channels as Radio@AOL (a/k/a Radio@Netscape, a/k/a
Spinner). ...
BY PAUL MALONEY Players from all facets of the industry are weighing in publicly
with their reactions to the Congressional passage of H.R. 5469,
and in some cases offering site visitors their own analysis of the
measure.
Beethoven.com'sKevin Shively
contributed an essay to this issue (please see below). We've compiled
some of the reaction from elsewhere in the industry below.
Noted industry author and columnistBrad
Hill has an excellent analysis and commentary on
the new law on his
Digital Songstream site (here).
He says the bill offers, "small Webcasters some kind of
escape hatch from the dire CARP agreement, which requires a
per-song, per-listener royalty scheme -- one which would certainly
drive hundreds or thousands of small stations right out of business."
But he warns, "Whether small Webcasters will be able to
negotiate acceptable agreements with SoundExchange (on behalf
of the labels) remains to be seen."
On hisSomaFM.com
site, webcaster Rusty Hodge
is optimistic, but just as cautious as Hill. He does in fact mention
that the
measure will be good for broadcasters, religious broadcasters, and
almost all categories of webcasters.
However, he admits that he's "still not sure if this
new form will be good for us," and adds "I don't think
this deal does ANYTHING to help hobby webcasters -- one group that
was vocally opposing the previous incarnation of HR5469." He
suggests the costs of filing for 501(c)(3) status (to be a true
noncommercial entity) ("I've heard estimates that the costs
for all the fees and required accounting reviews can easily exceed
$2000 a year") might make this route prohibitive for the smallest
of hobbyist webcasters.
The agency appointed to collect the sound recording
royalties, SoundExchange,
called the development "a positive step," and executive
director John Simson called
upon broadcasters and webcasters to conduct the upcoming
negotiations in a cooperative spirit.
"Looking to the future, we hope that the costly
and uncertain roads of litigation
and legislation will not
be necessary. We urge webcasters, broadcasters and others to
meet us in good faith to find marketplace solutions, rather
than fighting in court and other forums. It's now time for us
all to work together to realize a vigorous digital media marketplace
that recognizes the value and contributions of artists and record
companies.
"We are pleased that Congress found a way to implement
the rates and terms for small webcasters that the
House proposed last month. We will work expeditiously toward
putting those rates and terms into effect as Congress has requested."
Remember, the new law contains no actual rates or percentages
(so that those rates could not be seen as precedential), but
does allow for the settlement reached between the RIAA and small
commercial webcasters. Simson's complete comments are here.
Interestingly, while the Recording
Industry Association of America (RIAA), in their
statement (here),
chose to distance themselves
from the element of the law that enables SoundExchange to negotiate
terms even for non-RIAA/non-SoundExchange artists and labels, they
too expressed support.
"The recording industry did not seek nor propose this authorization.
Although the intent of the House bill was to preclude the use of
the rates and terms in the bill as precedent in future negotiations
and rate proceedings, certain broadcasters were concerned that it
did not adequately achieve that objective and proposed the approach
in the Senate compromise as a means of addressing that concern.
In an effort to support the goal of the bill passed by the House,
we support the Senate language."
Thomas
F. Lee, president ofAmerican
Federation of Musicians (AFM), the members of which
are among the beneficiaries of collected fees, was among the
most supportive of the measure. He expressed his pleasure not
only for the stipulated "direct payment" of artists,
but the afforded relief of smaller and noncommercial webcasters.
The group of smaller webcasters that
had been adamantly opposed to the SWAA-version of H.R. 5469 is represented
by a group called the Webcaster
Alliance. In fact, just last Monday the organization published
the first installments of a multi-part "exposé"
on the small webcaster version of the law called "American
Injustice: H.R. 5469."
However, the group has now expressed optimism that the new
law has indeed eliminated the dangers they saw in its earlier incarnation.
Webcaster Alliance president Ann Gabriel,
in a statement (here),
said, "We are hopeful that webcasters and the RIAA will work
together and negotiate in good faith for fair and equitable rates
that will allow the streaming media community to grow into a healthy,
profitable and viable industry. The webcasting community applauds
and appreciates the effort and the support we have received from
Senator Helms. We look forward to an equitable resolution!"
Largely, small commercial webcasters themselves expressed
thanks. Jim and
Wanda Atkinson, webcasters
who operate 3WK.com,
are viewing the new law in a more positive light, and expressed
their appreciation for listeners' support.
"This version of the bill is much better than the
original (thanks to Jesse Helms
of all people)...Just think -- every one of you who phoned/faxed/emailed
your Representatives helped get a bill passed in Congress. You
changed webcasting forever!"
Onion River Radio's Frank
Schliemann (right), in a statement to RAIN, expressed
his gratitude to his state's
senator.
"Onion River Radio and our loyal listeners thank Vermont's
Senator Patrick Leahy, whose
leadership on behalf of Internet radio catalyzed Congress's attention
to our cause...Today's Congressional approval of the Small Webcaster
Settlement Act of 2002 ensures that our audience will continue to
enjoy Onion River Radio's
'freeform' style of programming."
Some in the industry had expressed the belief that
Senator Jesse Helms, who
had placed the "hold" on the SWAA-version of the law
before Congress recessed, had acted merely to kill the bill
in the interests
of noncommercial and religious broadcasters. Many were surprised
to learn that indeed, Helms's staff was instrumental in getting
the bill passed.
One person not surprised was Deborah
Proctor (left), general manager of non-comm broadcaster
WCPE, a Helms constituent.
She wrote to RAIN before the bill was passed, "I
have read many things that people who have never met Mr. Helms
have said about him. I know many people have strong feelings
about him -- but I have never heard anyone who worked with him
say that he didn't keep his word -- and from personal experience,
when he called me up and told me that he would help WCPE, he
kept his word."
Webcasting
lobby organization Digital Media
Association's(DiMA) Jonathan Potter hailed
the approval of the act as "a victory for all consumers and all
providers of Internet radio," as it will "help stabilize
and promote the entire industry by promoting programming diversity
and consumer adoption at this very early stage of a new medium."
BY
KEVIN SHIVELY
for RAIN: Radio And Internet Newsletter
How should webcasters react to the passage of the amended bill
passed by the Congress giving SoundExchange the legal authority
to negotiate binding deals for retroactive royalties?
Do we dance? Do we dig into the trenches?
The answer is:neither.
We roll up our sleeves and find a way to get something accomplished
that will set the stage for our industry to succeed going forward.
In order to do this, however, we are going to have to suspend some
of our preconceived notions and come together
-- among ourselves and with the copyright holders.
That's right! I said we must come together with the copyright
holders. We are a part of the music business, don't let anyone tell
you we aren't. We need to work with copyright holders to ensure
that our budding relationship is something that is good for the
music industry as a whole. We should be partners
with them instead of adversaries. More on that in a moment.
What the deal means First, I applaud the actions of Sen.
Helms in making sure a deal would not be ensconced in
law that could be bad for
all or a large section of our industry. He stood by his word and
we have a much improved situation as a result. It is a major advantage
for webcasters to have SoundExchange with the legal authority to
negotiate binding deals on the retroactive royalties for our industry.
It should be noted that this was an option that small commercial
webcasters, in their negotiations with the RIAA, tried several times
to offer as a compromise. I think many of us are grateful for Sen.
Helms's assistance in making this a reality.
Second, we now have a situation where the issue may actually
get a significant level of resolution. If the copyright holders
view this as a way to develop a more inclusive deal with small webcasters
-- which must, in my opinion, include small broadcast stations that
simulcast their stations online -- and take the previous "deal"
as a starting point, then we could have a resolution
that ensures that the legal headaches for both sides are, at least
for a significant time going forward, healed.
If, however, they insist that the deal in its previous form
is a take it or leave it offer, then a small subset of our industry
will probably feel compelled to sign it, but it will not resolve
the issue and the fight will continue for both sides.
Hope for the hobbyist? What about hobbyists and non-profit webcasters? In some ways,
they come out best of all with
this deal with six more
months to work out a solution.
In other ways, however, some of them have a very serious
decision in front of them. Will they become officially noncommercial
(as defined in the bill), or do they eventually want to run this
as a money-making business? If it's the former, it seems obvious
that they need to align themselves with the groups
speaking for this cause (CBI,
IBS, etc.) and make sure
their concerns are heard. If it's the latter, it may be more difficult.
Unless there is a way to inject exceptions for the very small audience,
there will likely be a cost-of-doing-business in this marketplace
that may, in fact, exclude some. But, then again, that is true for
any industry.
Time to cooperate So, how do we become true partners with copyright holders
in the business of music? For one thing, we have to address any
concerns as to our promotional ability
for the record industry. Rightly or wrongly, those concerns have
been raised and we must be willing to
look objectively at them and find ways to address them.
We also need to make it clear that we have more
to offer copyright holders than simple cash payments
(if we even have that to offer!). We have a direct link to consumers
and can offer ways for them to get their concerns and messages out
to the public with our support and backing. In short, we can be
a bully pulpit.
So, what's next? Open dialogue and engagement seem an obvious
first step. We cannot crawl into a hole and hide from it. Webcasters
must work together, broadcast simulcasters included, to ensure that
the proper concerns are front and center. It will only make it more
difficult for all of us if another solution comes along that does
not cover enough of those who need and deserve relief from the current
liabilities. If we've learned anything, it should be this.
Kevin Shively is head of Business and Web Development at Classical
webcaster Beethoven.com.
He is a founding member of Voice of Webcasters and has been active
in promoting the interests of the Internet radio industry in Washington,
DC.
Excerpted
from
Spanish-language
pop & rock (18 channels)
[MC]
Radio
for the Baby Boomer generation
Sports
news & talk 24 hours a
day
Hundreds
of channels! (for Canadians) [MC]
Not
just oldies, KillerOldies.com
Multichannel
of classical, jazz, world, and pop
[MC]
Here's a collection of some of the comments we've received
from RAIN readers regarding this morning's news:
"Phhewww!! at least I can eat tuna fish again...;-0)"
"Kurt, Paul and The RAIN Gang: You share bigtime in this
victory. You have been a vigilant and informative friend of both "Radio
And Internet." THANK YOU VERY MUCH!"
"I'M FLABBERGASTED, NEVER DID I REALLY FEEL THAT
WE HAD A CHANCE, MY DAY,WEEK, MONTH AND YEAR ARE MADE. THANKS
TO EVERYONE FOR THE SUPERHUMAN EFORTS"
"Thank God! And considering how unprecedented this kind
of cooperation is....maybe it was God! :)"
"As a former artist from the 50s I am overjoyed
when the web broadcasters play either a record on which I performed
or I wrote. It's not about the money and I am happy to see the
Congress use some common sense, for a change. Up to this point
most of the legislation proposed tended to be somewhat mean-spirited,
either by the recording industry or other profit-motivated parties."
"Senator Helms pulled all of this together for us. He
was in it from the start to the finish; HELMS IS THE ONE WHO MADE
THIS HAPPEN. He did all he could to open the door for us so that in
the next session of Congress, and in the negotiations that we now
have the right to seek, we can move forward together to seek and gain
fair and equitable webcasting regulations and royalty schedules."
"KURT -- CONGRATULATIONS ON THE LARGE ROLE YOU
AND YOUR ASSOCIATES HAVE PLAYED IN THIS VICTORY!"
"The unanimous passage of a revised H.R. 5469 is the best
news I have heard all year. I am still concerned about the hobbyist
and non-profit webcaster, whom a resolution still needs to be found.
But at least this compromise is better than no deal at all. I would
like to take my hat off to you and Paul for being at the forefront
of this difficult issue, and I am hopeful that the webcasting industry
can now begin to develop and evolve."
Publications
R&R
RBR
Radio
Ink
All
Access
Inside
Radio
Internet Pubs.
Red Herring
Business 2.0
Other Publications
(was eRadio)
(Taz Media)
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