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H.R. 5469
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H.R. 5469 pulled,
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Artists willing to kill
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RAIN's summary
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How to save the bill
VOW letter to Senate
Copyright Office
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We'll send you a brief daily summary of each day's stories with a clickable link to the RAIN home page.

 

 

Today's lead story was a RAIN News Flash from earlier this morning, but remains without a doubt our biggest story of the day. You can read more of Friday's news, plus RAIN Reader Feedback, by scrolling down, or simply clicking here.


Headline: Congress passes SWSA! Small Webcaster Settlement Act (H.R. 5469) passes in both Senate and House; supported by virtually all players
BY KURT HANSON
Image: Bill textIn a stunning victory for webcasting, both the Senate and the House of Representatives unanimously passed a revised version of H.R. 5469 late last night that clears the way for copyright owners to offer webcasters a percentage-of-revenues royalty rate, essentially allowing the parties to mutually agree to override the CARP decision of last spring.

The Senate passed the bill at 10:32PM ET and the House passed it at 2:44AM. It now goes to President Bush for his signature.

The bill was actively supported by virtually all players on both sides of the debate this year, including the record industry, artist representatives, large webcasters, small webcasters,Photo: Sen. Jesse Helms college radio representatives, and religious broadcasters.

In what was viewed as a surprise by some observers, the legislative staff in the office of retiring Sen. Jesse Helms (R-NC) (pictured) apparently played an active and valuable role in crafting what the parties concluded was a much better piece of legislation than the one Helms blocked at the last moment late last month (here).

Rates and terms removed from legislation
The key difference between the bill that the House passed in October and the revised bill, renamed the "Small Webcaster Settlement Act of 2002," is that Congress did not establish any definition of "small webcaster" or set any royalty rates in the final version of the legislation.

Rather, the bill grants both sides the right to enter into a voluntary agreement "without fear of liability for deviating from the fees andLink: SoundExchange terms of the July 8 order" (i.e., the Librarian of Congress's modified CARP decision).

Specifically, the bill does so by permitting the receiving agent of royalty payments (i.e., SoundExchange) to negotiate on behalf of all copyright owners, whether they are members of SoundExchange or not, for the period beginning October 28, 1998 (i.e., the passage of the DMCA) and ending December 31, 2004.

Under the new mechanism established by this act,
the voluntary agreement envisioned would be submitted to the Copyright Office, published in the Federal Register, and subsequently made available to all qualifying webcasters.

However, the bill grants the receiving agent that authority
to make a settlement with the small commercial webcasters only until December 15th -- so the clock is ticking for both sides to "paper the deal."       (CONTINUED)

RAIN Vendor Guide Ver.3.0 Special issue coming soon: Most indicators seem to be pointing (finally!) toward a more-successful 2003 for both broadcasters and webcasters. To help you in your planning process for next year, RAIN's upcoming "Planning for 2003" issue will showcase products and services that will help you reduce your expenses and increase your revenues in 2003!
Link: ABC Radio Networks
Link to Backbone
Link to: Bean Bag Entertainment Link to BRS Media Inc. Link: Compuone.net Link: DiMA
Link to DotFM Link: Hiwire Link to IM Networks Link: Interep Link to Interep Interactive
Link: International Webcasting Association Link to Measurecast Link to The Media Audit Link to Radio Web Stuff Link to Sabo Media
Link: Stream Madness Link to Surfer Network    
For YOUR firm to be included, call RAIN at 1-312-527-3869 or e-mail kurt@kurthanson.com

(CONTINUED FROM ABOVE)
Royalty payments from noncomms
suspended until next June

The version of the bill passed last night also suspends ALL royalty payments due from noncommercial webcasters until June 30, 2003, giving both sides time to work out a new voluntary royalty structure.

Furthermore, the bill adds a new definition of "noncommercial" that permits webcasters who are currently for-profit entities to file for nonprofit status and take advantage of this option as long as they have a "commercially reasonable expectation that such exemption shall be granted."

This provision seems to permit any "hobbyist" webcaster to make a choice of whether they would like to be a for-profit business or a nonprofit. The bill gives the parties involved until May 31, 2003 to negotiate their voluntary license.

Stronger non-precedential language added
The bill contains new and very strong language intended to prevent the deal negotiated in Sensenbrenner's office from being used as precedent in future CARPs.

One example: "It is the intent of Congress that any royalty rates, rate structure, definitions, terms, conditions, or notice and recordkeeping requirements, included in such agreements shall be considered as a compromise motivated by the unique business, economic and political circumstances of small Photo: Capitol buildingwebcasters, copyright owners, and performers rather than as matters that would have been negotiated in the marketplace between a willing buyer and a willing seller."

Another example: "Nothing in the Small Webcaster Settlement Act of 2002...shall be taken into account by the United States Court of Appeals for the District of Columbia Circuit in its review of the determination by the Librarian of Congress of July 18, 2002, of rates and terms for the digital performance of sound recordings and ephemeral recordings."

Such language apparently satisfied the concerns of terrestrial broadcasters (e.g., the NAB and the National Religious Broadcasters) about the early version of the bill.


...
RAIN Analysis

...
Victory!
An amazing combination of influences has come together to craft a solution that should Photo: Kurt Hansonallow webcasting to move forward to a healthier 2003 and beyond, with benefits for copyright holders, webcasters, and consumers alike.

This is NOT a victory of webcasters over record labels (or, for that matter, vice versa). It is a victory for common sense, as all parties involved will benefit from a healthy webcasting space.

The record industry has apparently come to realize that webcasting should not be lumped in with CD burning and file sharing as one of their enemies, but rather that the new medium has the potential to offer real benefits for them if everyone quits acting as if they're adversaries.

And everyone else seemed to work together as well: Broadcasters did not flex their political might in Washington to try to quash this bill (and thus kill a potential new set of competitors), and Internet-only webcasters didn't use the negotiations to try to get themselves a leg up over broadcasters.

And record labels and recording artists -- the two factions that share in royalty payments -- used the bill to clarify the functioning of SoundExchange in a manner that had benefits for both sides.

Congress paid attention!
Finally, it's amazing to me that such a bill was able to get the attention of Congress -- and unanimous passage! -- during a lame duck session designed to focus on critical "homeland security" issues.

I'd like to think that last May's "Day of Silence" and the resulting press coverage (and support from listeners) played at least some small role in making this an issue that Senators and Congressmen were willing to pay attention to.

Now we can move forward
And now, let's see if copyright holders and webcasters can't execute those envisioned voluntary licenses and then start working together to, among other things, help break new artists, promote genres of music that have not gotten their fair share of terrestrial radio airplay in the past, and help sell records! - KH
...


Look for more details on this bill and industry reaction later today in RAIN.

The Reuters story on these events can be found here (among other places). L.A. Times columnist Jon Healey's (somewhat dated, but still good) article filed late last night is here.
 

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Headline: Industry reacts with optimism, and caution, to new webcast law
BY PAUL MALONEY
Players from all facets of the industry are weighing in publicly with their reactions to the Congressional passage of H.R. 5469, and in some cases offering site visitors their own analysis of the measure.

Beethoven.com's Kevin Shively contributed an essay to this issue (please see below). We've compiled some of the reaction from elsewhere in the industry below.

Noted industry author and columnist Brad Hill has an excellent analysis and commentary on the new law on hisLink: Digital Songstream Digital Songstream site (here). He says the bill offers, "small Webcasters some kind of escape hatch from the dire CARP agreement, which requires a per-song, per-listener royalty scheme -- one which would certainly drive hundreds or thousands of small stations right out of business." But he warns, "Whether small Webcasters will be able to negotiate acceptable agreements with SoundExchange (on behalf of the labels) remains to be seen."

On his SomaFM.com site, webcaster Rusty Hodge is optimistic, but just as cautious as Hill. He does in fact mention that theLink: SomaFM measure will be good for broadcasters, religious broadcasters, and almost all categories of webcasters.

However, he admits that he's "still not sure if this new form will be good for us," and adds "I don't think this deal does ANYTHING to help hobby webcasters -- one group that was vocally opposing the previous incarnation of HR5469." He suggests the costs of filing for 501(c)(3) status (to be a true noncommercial entity) ("I've heard estimates that the costs for all the fees and required accounting reviews can easily exceed $2000 a year") might make this route prohibitive for the smallest of hobbyist webcasters.

The agency appointed to collect the sound recording royalties, SoundExchange, called the development "a positive step," and executive director John Simson called upon broadcasters and webcasters to conduct the upcomingLink: SoundExchange negotiations in a cooperative spirit.

"Looking to the future, we hope that the costly and uncertain roads of litigation and legislation will not be necessary. We urge webcasters, broadcasters and others to meet us in good faith to find marketplace solutions, rather than fighting in court and other forums. It's now time for us all to work together to realize a vigorous digital media marketplace that recognizes the value and contributions of artists and record companies.

"We are pleased that Congress found a way to implement the rates and terms for small webcasters that the House proposed last month. We will work expeditiously toward putting those rates and terms into effect as Congress has requested."

Remember, the new law contains no actual rates or percentages (so that those rates could not be seen as precedential), but does allow for the settlement reached between the RIAA and small commercial webcasters. Simson's complete comments are here.

Interestingly, while the Recording Industry Association of America (RIAA), in their statement (here), chose to distance themselvesLink: RIAA from the element of the law that enables SoundExchange to negotiate terms even for non-RIAA/non-SoundExchange artists and labels, they too expressed support.

"The recording industry did not seek nor propose this authorization. Although the intent of the House bill was to preclude the use of the rates and terms in the bill as precedent in future negotiations and rate proceedings, certain broadcasters were concerned that it did not adequately achieve that objective and proposed the approach in the Senate compromise as a means of addressing that concern. In an effort to support the goal of the bill passed by the House, we support the Senate language."

Thomas F. Lee, president of American Federation of Musicians (AFM), the members of which are among the beneficiaries of collected fees, was among the most supportive of the measure. He expressed his pleasure not only for the stipulated "direct payment" of artists, but the afforded relief of smaller and noncommercial webcasters.

The group of smaller webcasters that had been adamantly opposed to the SWAA-version of H.R. 5469 is represented by a group called the Webcaster Alliance. In fact, just last Monday the organization published the first installments of a multi-part "exposé" on the small webcaster version of the law called "American Injustice: H.R. 5469."

However, the group has now expressed optimism that the new law has indeed eliminated the dangers they saw in its earlier incarnation. Webcaster Alliance president Ann Gabriel, in a statement (here), said, "We are hopeful that webcasters and the RIAA will work together and negotiate in good faith for fair and equitable rates that will allow the streaming media community to grow into a healthy, profitable and viable industry. The webcasting community applauds and appreciates the effort and the support we have received from Senator Helms. We look forward to an equitable resolution!"

Largely, small commercial webcasters themselves expressed thanks. Jim and Wanda Atkinson, webcastersLink: 3WK who operate 3WK.com, are viewing the new law in a more positive light, and expressed their appreciation for listeners' support.

"This version of the bill is much better than the original (thanks to Jesse Helms of all people)...Just think -- every one of you who phoned/faxed/emailed your Representatives helped get a bill passed in Congress. You changed webcasting forever!"

Onion River Radio's Frank Schliemann (right), in a statement to RAIN, expressed his gratitude to his state'sPhoto: Frank Schliemann senator.

"Onion River Radio and our loyal listeners thank Vermont's Senator Patrick Leahy, whose leadership on behalf of Internet radio catalyzed Congress's attention to our cause...Today's Congressional approval of the Small Webcaster Settlement Act of 2002 ensures that our audience will continue to enjoy Onion River Radio's 'freeform' style of programming."

Some in the industry had expressed the belief that Senator Jesse Helms, who had placed the "hold" on the SWAA-version of the law before Congress recessed, had acted merely to kill the bill in the interestsPhoto: Deborah Proctor of noncommercial and religious broadcasters. Many were surprised to learn that indeed, Helms's staff was instrumental in getting the bill passed.

One person not surprised was Deborah Proctor (left), general manager of non-comm broadcaster WCPE, a Helms constituent. She wrote to RAIN before the bill was passed, "I have read many things that people who have never met Mr. Helms have said about him. I know many people have strong feelings about him -- but I have never heard anyone who worked with him say that he didn't keep his word -- and from personal experience, when he called me up and told me that he would help WCPE, he kept his word."
 


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RAIN Guest Essay
Headline: With the deal sealed, it's time to get down to the real work ahead
Photo: Kevin ShivelyBY KEVIN SHIVELY
for RAIN: Radio And Internet Newsletter

How should webcasters react
to the passage of the amended bill passed by the Congress giving SoundExchange the legal authority to negotiate binding deals for retroactive royalties?

Do we dance? Do we dig into the trenches?

The answer is: neither. We roll up our sleeves and find a way to get something accomplished that will set the stage for our industry to succeed going forward. In order to do this, however, we are going to have to suspend some of our preconceived notions and come together -- among ourselves and with the copyright holders.

That's right! I said we must come together with the copyright holders. We are a part of the music business, don't let anyone tell you we aren't. We need to work with copyright holders to ensure that our budding relationship is something that is good for the music industry as a whole. We should be partners with them instead of adversaries. More on that in a moment.

What the deal means
First, I applaud the actions of Sen. Helms in making sure a deal would not be ensconced in law that could be bad forPhoto: Sen. Jesse Helms all or a large section of our industry. He stood by his word and we have a much improved situation as a result. It is a major advantage for webcasters to have SoundExchange with the legal authority to negotiate binding deals on the retroactive royalties for our industry. It should be noted that this was an option that small commercial webcasters, in their negotiations with the RIAA, tried several times to offer as a compromise. I think many of us are grateful for Sen. Helms's assistance in making this a reality.

Second, we now have a situation where the issue may actually get a significant level of resolution. If the copyright holders view this as a way to develop a more inclusive deal with small webcasters -- which must, in my opinion, include small broadcast stations that simulcast their stations online -- and take the previous "deal" as a starting point, then we could have a resolution that ensures that the legal headaches for both sides are, at least for a significant time going forward, healed.

If, however, they insist that the deal in its previous form is a take it or leave it offer, then a small subset of our industry will probably feel compelled to sign it, but it will not resolve the issue and the fight will continue for both sides.

Hope for the hobbyist?
What about hobbyists and non-profit webcasters? In some ways, they come out best of all with this deal with six moreLink: Collegiate Broadcasters Inc. months to work out a solution.

In other ways, however, some of them have a very serious decision in front of them. Will they become officially noncommercial (as defined in the bill), or do they eventually want to run this as a money-making business? If it's the former, it seems obvious that they need to align themselves with the groupsLink: IBS speaking for this cause (CBI, IBS, etc.) and make sure their concerns are heard. If it's the latter, it may be more difficult. Unless there is a way to inject exceptions for the very small audience, there will likely be a cost-of-doing-business in this marketplace that may, in fact, exclude some. But, then again, that is true for any industry.

Time to cooperate
So, how do we become true partners with copyright holders in the business of music? For one thing, we have to address any concerns as to our promotional ability for the record industry. Rightly or wrongly, those concerns have been raised and we must be willing toLink: Beethoven.com look objectively at them and find ways to address them.

We also need to make it clear that we have more to offer copyright holders than simple cash payments (if we even have that to offer!). We have a direct link to consumers and can offer ways for them to get their concerns and messages out to the public with our support and backing. In short, we can be a bully pulpit.

So, what's next? Open dialogue and engagement seem an obvious first step. We cannot crawl into a hole and hide from it. Webcasters must work together, broadcast simulcasters included, to ensure that the proper concerns are front and center. It will only make it more difficult for all of us if another solution comes along that does not cover enough of those who need and deserve relief from the current liabilities. If we've learned anything, it should be this.

Kevin Shively is head of Business and Web Development at Classical webcaster Beethoven.com. He is a founding member of Voice of Webcasters and has been active in promoting the interests of the Internet radio industry in Washington, DC.

 
Life's rich pageant
Excerpted from
Link to: RadioJump.com
Link to Batanga Spanish-language pop & rock (18 channels) [MC]
Link to: Boomer Radio Radio for the Baby Boomer generation
Sports news & talk 24 hours a day
Link toThe Iceberg Hundreds of channels! (for Canadians) [MC]
Link to Killer Oldies Not just oldies, KillerOldies.com Link to Moontaxi Multichannel of classical, jazz, world, and pop [MC]
Link to: OperadiO.com Symphonic, opera, and Broadway music Hit music FM from Sydney, Australia
Link to: Standard Radio Links to 13 top Canadian pop & rock stations [MC] Link to WFUV Public radio from Fordham University
     More coming soon! (Submit your station by e-mailing radiojump@kurthanson.com)
       
 

Reader Feedback
Here's a collection of some of the comments we've received from RAIN readers regarding this morning's news:

"Phhewww!! at least I can eat tuna fish again...;-0)"

"Kurt, Paul and The RAIN Gang: You share bigtime in this victory. You have been a vigilant and informative friend of both "Radio And Internet." THANK YOU VERY MUCH!"

"I'M FLABBERGASTED, NEVER DID I REALLY FEEL THAT WE HAD A CHANCE, MY DAY,WEEK, MONTH AND YEAR ARE MADE. THANKS TO EVERYONE FOR THE SUPERHUMAN EFORTS"

"Thank God! And considering how unprecedented this kind of cooperation is....maybe it was God! :)"
 

We'll send you a brief daily summary of each day's stories with a clickable link to the RAIN home page.

...
Silenced by royalties

Our list of webcasters and broadcasters who've chosen to forgo their music streaming due to royalty fees has moved to its own page here. Please feel free to link to it.

Also, we haven't been able to keep up to date as well as we'd like with the list, but we're working on it!
 
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