Today's
lead story was a RAIN News Flash from earlier this
morning, but remains without a doubt our biggest story of
the day. You can read more of Friday's news, plus RAIN
Reader Feedback, by scrolling down, or simply clicking here.
BY KURT HANSON In
a stunning victory for webcasting, both the Senate and
the House of Representatives unanimously passed a revised version
of H.R. 5469 late last night that clears the way for copyright owners
to offer webcasters a percentage-of-revenues
royalty rate, essentially allowing the parties to mutually
agree to override the CARP decision of last spring.
The Senate passed the bill at 10:32PM ET and the House passed
it at 2:44AM. It now goes to President Bush for his signature.
The bill was actively supported by virtually all players
on both sides of the debate this year, including the record industry,
artist representatives, large webcasters, small webcasters,
college radio representatives, and religious broadcasters.
In what was viewed as a surprise by some observers, the legislative
staff in the office of retiring Sen. Jesse
Helms (R-NC) (pictured) apparently played an active and
valuable role in crafting what the parties concluded was a much
better piece of legislation than the one Helms blocked
at the last moment late last month (here).
Rates and terms removed from legislation The key difference between the bill that the House passed
in October and the revised bill, renamed the "Small Webcaster
Settlement Act of 2002," is that Congress did not
establish any definition of "small webcaster" or set any
royalty rates in the final version of the legislation.
Rather, the bill grants both sidesthe right to enter into a
voluntary agreement "without fear of liability for
deviating from the fees and
terms of the July 8 order" (i.e., the Librarian of Congress's
modified CARP decision).
Specifically, the bill does so by permitting the receiving
agent of royalty payments (i.e., SoundExchange) to negotiate on
behalf of all copyright owners, whether
they are members of SoundExchange or not, for the period
beginning October 28, 1998 (i.e., the passage of the DMCA) and ending
December 31, 2004.
Under the new mechanism established by this act, the voluntary
agreement envisioned would be submitted to the Copyright Office,
published in the Federal Register, and subsequently made available
to all qualifying webcasters.
However, the bill grants the receiving agent that authority
to make a settlement with the small commercial webcasters only until
December 15th --
so the clock is ticking for both sides to "paper the deal."
(CONTINUED)
Special
issue coming soon: Most indicators seem to be pointing (finally!)
toward a more-successful 2003 for both broadcasters and webcasters.
To help you in your planning process for next year, RAIN's
upcoming "Planning for 2003"
issue will showcase products and services that will help youreduce your expenses
and increase your revenues
in 2003!
For
YOUR firm to be included, call RAIN at 1-312-527-3869
or e-mail kurt@kurthanson.com
(CONTINUED FROM ABOVE) Royalty payments from noncomms
suspended until next June The version of the bill passed last night also suspends
ALL royalty payments due from noncommercial webcasters
until June 30, 2003, giving both sides time to work out a new voluntary
royalty structure.
Furthermore, the bill adds a new definition of "noncommercial"
that permits webcasters who are currently for-profit entities to file
for nonprofit status and take advantage of this option as long as
they have a "commercially reasonable expectation that such exemption
shall be granted."
This provision seems to permit any "hobbyist" webcaster
to make a choice of whether they would like to be a for-profit business
or a nonprofit. The bill gives the parties involved until May 31,
2003 to negotiate their voluntary license.
Stronger non-precedential language
added The bill contains new and very strong language intended to
prevent the deal negotiated in Sensenbrenner's office from being used
as precedent in future CARPs.
One example: "It is the intent of Congress that any royalty
rates, rate structure, definitions, terms, conditions, or notice and
recordkeeping requirements, included in such agreements shall be considered
as a compromise motivated by the unique business, economic and political
circumstances of small webcasters,
copyright owners, and performers rather than
as matters that would have been negotiated in the marketplace
between a willing buyer and a willing seller."
Another example: "Nothing in the Small Webcaster Settlement
Act of 2002...shall be taken into account by the United States Court
of Appeals for the District of Columbia Circuit in its review of the
determination by the Librarian of Congress of July 18, 2002, of rates
and terms for the digital performance of sound recordings and ephemeral
recordings."
Such language apparently satisfied the concerns of terrestrial
broadcasters (e.g., the NAB and the National Religious Broadcasters)
about the early version of the bill.
...
... Victory! An amazing combination
of influences has come together to craft a solution that
should allow
webcasting to move forward
to a healthier 2003 and beyond, with benefits for copyright
holders, webcasters, and consumers alike.
This is NOT
a victory of webcasters over record labels
(or, for that matter, vice versa). It
is a victory for common sense, as all
parties involved will benefit from a healthy webcasting
space.
The record industry has apparently come to realize
that webcasting should not be lumped in with CD burning and
file sharing as one of their enemies,
but rather that the new medium has the potential to offer
real benefits for them
if everyone quits acting as if they're adversaries.
And everyone else seemed to work together as well:
Broadcasters did not flex their political might in Washington
to try to quash this bill (and thus kill a potential new set
of competitors), and Internet-only webcasters didn't use the
negotiations to try to get themselves a leg up over broadcasters.
And record labels and recording artists -- the two
factions that share in royalty payments -- used the bill to
clarify the functioning of SoundExchange in a manner that
had benefits for both sides.
Congress paid attention! Finally, it's amazing to me that such a bill was able
to get the attention of Congress -- and unanimous passage!
-- during a lame duck session designed to focus on critical
"homeland security" issues.
I'd like to think that last May's "Day
of Silence" and the resulting press coverage
(and support from listeners) played at least some small role
in making this an issue that Senators and Congressmen were
willing to pay attention to.
Now we can
move forward And now, let's see if copyright holders and
webcasters can't execute those envisioned voluntary licenses
and then start working together to, among other things, help
break new artists, promote genres of music that have not gotten
their fair share of terrestrial radio airplay in the past,
and help sell records!
- KH ...
Look for more details on this bill and industry reaction later
today in RAIN.
The Reuters story on these events can be found here
(among other places). L.A. Times columnist Jon
Healey's (somewhat dated, but still good) article filed
late last night is here.
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BY PAUL MALONEY Players from all facets of the industry are weighing in publicly
with their reactions to the Congressional passage of H.R. 5469,
and in some cases offering site visitors their own analysis of the
measure.
Beethoven.com'sKevin Shively
contributed an essay to this issue (please see below). We've compiled
some of the reaction from elsewhere in the industry below.
Noted industry author and columnistBrad
Hill has an excellent analysis and commentary on
the new law on his
Digital Songstream site (here).
He says the bill offers, "small Webcasters some kind of
escape hatch from the dire CARP agreement, which requires a
per-song, per-listener royalty scheme -- one which would certainly
drive hundreds or thousands of small stations right out of business."
But he warns, "Whether small Webcasters will be able to
negotiate acceptable agreements with SoundExchange (on behalf
of the labels) remains to be seen."
On hisSomaFM.com
site, webcaster Rusty Hodge
is optimistic, but just as cautious as Hill. He does in fact mention
that the
measure will be good for broadcasters, religious broadcasters, and
almost all categories of webcasters.
However, he admits that he's "still not sure if this
new form will be good for us," and adds "I don't think
this deal does ANYTHING to help hobby webcasters -- one group that
was vocally opposing the previous incarnation of HR5469." He
suggests the costs of filing for 501(c)(3) status (to be a true
noncommercial entity) ("I've heard estimates that the costs
for all the fees and required accounting reviews can easily exceed
$2000 a year") might make this route prohibitive for the smallest
of hobbyist webcasters.
The agency appointed to collect the sound recording
royalties, SoundExchange,
called the development "a positive step," and executive
director John Simson called
upon broadcasters and webcasters to conduct the upcoming
negotiations in a cooperative spirit.
"Looking to the future, we hope that the costly
and uncertain roads of litigation
and legislation will not
be necessary. We urge webcasters, broadcasters and others to
meet us in good faith to find marketplace solutions, rather
than fighting in court and other forums. It's now time for us
all to work together to realize a vigorous digital media marketplace
that recognizes the value and contributions of artists and record
companies.
"We are pleased that Congress found a way to implement
the rates and terms for small webcasters that the
House proposed last month. We will work expeditiously toward
putting those rates and terms into effect as Congress has requested."
Remember, the new law contains no actual rates or percentages
(so that those rates could not be seen as precedential), but
does allow for the settlement reached between the RIAA and small
commercial webcasters. Simson's complete comments are here.
Interestingly, while the Recording
Industry Association of America (RIAA), in their
statement (here),
chose to distance themselves
from the element of the law that enables SoundExchange to negotiate
terms even for non-RIAA/non-SoundExchange artists and labels, they
too expressed support.
"The recording industry did not seek nor propose this authorization.
Although the intent of the House bill was to preclude the use of
the rates and terms in the bill as precedent in future negotiations
and rate proceedings, certain broadcasters were concerned that it
did not adequately achieve that objective and proposed the approach
in the Senate compromise as a means of addressing that concern.
In an effort to support the goal of the bill passed by the House,
we support the Senate language."
Thomas
F. Lee, president ofAmerican
Federation of Musicians (AFM), the members of which
are among the beneficiaries of collected fees, was among the
most supportive of the measure. He expressed his pleasure not
only for the stipulated "direct payment" of artists,
but the afforded relief of smaller and noncommercial webcasters.
The group of smaller webcasters that
had been adamantly opposed to the SWAA-version of H.R. 5469 is represented
by a group called the Webcaster
Alliance. In fact, just last Monday the organization published
the first installments of a multi-part "exposé"
on the small webcaster version of the law called "American
Injustice: H.R. 5469."
However, the group has now expressed optimism that the new
law has indeed eliminated the dangers they saw in its earlier incarnation.
Webcaster Alliance president Ann Gabriel,
in a statement (here),
said, "We are hopeful that webcasters and the RIAA will work
together and negotiate in good faith for fair and equitable rates
that will allow the streaming media community to grow into a healthy,
profitable and viable industry. The webcasting community applauds
and appreciates the effort and the support we have received from
Senator Helms. We look forward to an equitable resolution!"
Largely, small commercial webcasters themselves expressed
thanks. Jim and
Wanda Atkinson, webcasters
who operate 3WK.com,
are viewing the new law in a more positive light, and expressed
their appreciation for listeners' support.
"This version of the bill is much better than the
original (thanks to Jesse Helms
of all people)...Just think -- every one of you who phoned/faxed/emailed
your Representatives helped get a bill passed in Congress. You
changed webcasting forever!"
Onion River Radio's Frank
Schliemann (right), in a statement to RAIN, expressed
his gratitude to his state's
senator.
"Onion River Radio and our loyal listeners thank Vermont's
Senator Patrick Leahy, whose
leadership on behalf of Internet radio catalyzed Congress's attention
to our cause...Today's Congressional approval of the Small Webcaster
Settlement Act of 2002 ensures that our audience will continue to
enjoy Onion River Radio's
'freeform' style of programming."
Some in the industry had expressed the belief that
Senator Jesse Helms, who
had placed the "hold" on the SWAA-version of the law
before Congress recessed, had acted merely to kill the bill
in the interests
of noncommercial and religious broadcasters. Many were surprised
to learn that indeed, Helms's staff was instrumental in getting
the bill passed.
One person not surprised was Deborah
Proctor (left), general manager of non-comm broadcaster
WCPE, a Helms constituent.
She wrote to RAIN before the bill was passed, "I
have read many things that people who have never met Mr. Helms
have said about him. I know many people have strong feelings
about him -- but I have never heard anyone who worked with him
say that he didn't keep his word -- and from personal experience,
when he called me up and told me that he would help WCPE, he
kept his word."
BY
KEVIN SHIVELY
for RAIN: Radio And Internet Newsletter
How should webcasters react to the passage of the amended bill
passed by the Congress giving SoundExchange the legal authority
to negotiate binding deals for retroactive royalties?
Do we dance? Do we dig into the trenches?
The answer is:neither.
We roll up our sleeves and find a way to get something accomplished
that will set the stage for our industry to succeed going forward.
In order to do this, however, we are going to have to suspend some
of our preconceived notions and come together
-- among ourselves and with the copyright holders.
That's right! I said we must come together with the copyright
holders. We are a part of the music business, don't let anyone tell
you we aren't. We need to work with copyright holders to ensure
that our budding relationship is something that is good for the
music industry as a whole. We should be partners
with them instead of adversaries. More on that in a moment.
What the deal means First, I applaud the actions of Sen.
Helms in making sure a deal would not be ensconced in
law that could be bad for
all or a large section of our industry. He stood by his word and
we have a much improved situation as a result. It is a major advantage
for webcasters to have SoundExchange with the legal authority to
negotiate binding deals on the retroactive royalties for our industry.
It should be noted that this was an option that small commercial
webcasters, in their negotiations with the RIAA, tried several times
to offer as a compromise. I think many of us are grateful for Sen.
Helms's assistance in making this a reality.
Second, we now have a situation where the issue may actually
get a significant level of resolution. If the copyright holders
view this as a way to develop a more inclusive deal with small webcasters
-- which must, in my opinion, include small broadcast stations that
simulcast their stations online -- and take the previous "deal"
as a starting point, then we could have a resolution
that ensures that the legal headaches for both sides are, at least
for a significant time going forward, healed.
If, however, they insist that the deal in its previous form
is a take it or leave it offer, then a small subset of our industry
will probably feel compelled to sign it, but it will not resolve
the issue and the fight will continue for both sides.
Hope for the hobbyist? What about hobbyists and non-profit webcasters? In some ways,
they come out best of all with
this deal with six more
months to work out a solution.
In other ways, however, some of them have a very serious
decision in front of them. Will they become officially noncommercial
(as defined in the bill), or do they eventually want to run this
as a money-making business? If it's the former, it seems obvious
that they need to align themselves with the groups
speaking for this cause (CBI,
IBS, etc.) and make sure
their concerns are heard. If it's the latter, it may be more difficult.
Unless there is a way to inject exceptions for the very small audience,
there will likely be a cost-of-doing-business in this marketplace
that may, in fact, exclude some. But, then again, that is true for
any industry.
Time to cooperate So, how do we become true partners with copyright holders
in the business of music? For one thing, we have to address any
concerns as to our promotional ability
for the record industry. Rightly or wrongly, those concerns have
been raised and we must be willing to
look objectively at them and find ways to address them.
We also need to make it clear that we have more
to offer copyright holders than simple cash payments
(if we even have that to offer!). We have a direct link to consumers
and can offer ways for them to get their concerns and messages out
to the public with our support and backing. In short, we can be
a bully pulpit.
So, what's next? Open dialogue and engagement seem an obvious
first step. We cannot crawl into a hole and hide from it. Webcasters
must work together, broadcast simulcasters included, to ensure that
the proper concerns are front and center. It will only make it more
difficult for all of us if another solution comes along that does
not cover enough of those who need and deserve relief from the current
liabilities. If we've learned anything, it should be this.
Kevin Shively is head of Business and Web Development at Classical
webcaster Beethoven.com.
He is a founding member of Voice of Webcasters and has been active
in promoting the interests of the Internet radio industry in Washington,
DC.
Excerpted
from
Spanish-language
pop & rock (18 channels)
[MC]
Radio
for the Baby Boomer generation
Sports
news & talk 24 hours a
day
Hundreds
of channels! (for Canadians) [MC]
Not
just oldies, KillerOldies.com
Multichannel
of classical, jazz, world, and pop
[MC]
Here's a collection of some of the comments we've received
from RAIN readers regarding this morning's news:
"Phhewww!! at least I can eat tuna fish again...;-0)"
"Kurt, Paul and The RAIN Gang: You share bigtime in this
victory. You have been a vigilant and informative friend of both "Radio
And Internet." THANK YOU VERY MUCH!"
"I'M FLABBERGASTED, NEVER DID I REALLY FEEL THAT
WE HAD A CHANCE, MY DAY,WEEK, MONTH AND YEAR ARE MADE. THANKS
TO EVERYONE FOR THE SUPERHUMAN EFORTS"
"Thank God! And considering how unprecedented this kind
of cooperation is....maybe it was God! :)"
... Our list of webcasters and broadcasters
who've chosen to forgo their music streaming due to royalty
fees has moved to its own page here.
Please feel free to link to it.
Also, we haven't been able to keep up to date as well
as we'd like with the list, but we're working on it!
Publications
R&R
RBR
Radio
Ink
All
Access
Inside
Radio
Internet Pubs.
Red Herring
Business 2.0
Other Publications
(was eRadio)
(Taz Media)
FMQB
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