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1999 magazine article portrays Cuban at his competitve best
The cover story of the May 1999 edition of Success magazine featuring streaming aggregator Broadcast.com founders Mark Cuban and Todd Wagner reads particularly interestingly here in mid-2002, offering insight into the aggressive and competitive nature of Cuban. It was of course this nature that would lead him to plan a business strategy by which (among other things), to quote the article, "build barriers to shut out potential rivals."

Since that article was published, Cuban sold his company to Yahoo!, whose subsequent royalty deal with the recording industry was used as the basis for the Librarian of Congress's determination of a statutory rate for the rest of the webcasting industry.

After the Librarian agreed that arbitrators' use of the deal as a benchmark for a statutory rate was not arbitrary, Cuban revealed in an e-mail RAIN that the deal was specifically crafted by Yahoo! to shut out small webcasters and decrease competition. Specifically, he wanted a "per stream" (as opposed to a "percentage of revenue" rate), since smaller webcasters would most likely not be able to afford to compete in that structure. The thinking was that smaller webcasters, who would be unable to afford to webcast on their own under such terms (because of the fixed rates), would be compelled to use the services of well-funded aggregators like the Yahoo! Broadcast service. See our full coverage of this story here.

It is now -- against this royalty determination -- that the industry of small webcasters is now fighting for their very existence.

Below are excerpts from the original Success piece:

"One of the hottest companies in cyberspace occupies a converted warehouse in Deep Ellum, an old, honky-tonk neighborhood nestled near the glass towers of Dallas's central business district. The warehouse roof bristles with satellite dishes that pull in TV and radio broadcasts from all over the country and, increasingly, the world. Downstairs, in a large room full of rack-mounted computer equipment, technicians transfer the sound and images to a Web site called www.broadcast.com...

"At the heart of this enterprise are Mark Cuban and Todd Wagner, the visionary odd couple who run Broadcast.com Inc. Together, these men have built the Internet's leading broadcast company. Their initial public offering (IPO) was one of the most successful win Wall Street history. Broadcast.com stock rose by 249 percent on its first day of trading, July 17, 1998. Cuban, Wagner, and the other original investors became instant paper millionaires; the company raised more than $40 million in operating capital.

(CONTINUED BELOW)

 


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(FROM ABOVE)

"Guessing that Internet broadcasting
might have commercial potential, they assembled what would become Broadcast.com in Cuban's spare bedroom, for less than $5000. Cuban put up $2,995 for a Packard Bell 486 PC, about $1,000 for network equipment, and $60 per month for an ISDN line...

"As e-mail flooded in from office workers in Dallas and homesick Dallas natives everywhere, Cuban and Wagner realized they might actually have a viable business on their hands. They launched a company called AudioNet and started pitching Internet distribution to radio stations and sports teams all over the country. The business model: Content providers interested in expanding their listenership over the Web would pay AudioNet to Webcast their programs. 'We licensed a lot of content for multiple years because nobody else cared about it,' Wagner says. 'I mean, we were creating something that didn't even exist. Internet broadcast rights -- what were those?'...

"I think we have the chance to change the way the world communicates and just make an obscene amount of money along the way." -- Mark Cuban

"Having created a viable revenue model, Cuban and Wagner needed a way to keep competitors out of their territory. So, they began putting together a sizable inventory of Internet programming that Web users would be able to find only at their site. The more content they controlled, the more difficult it would be for potential rivals to enter the market...

"This is the Internet, mind you, so Broadcast.com has yet to make a dime in profits. Although revenue has grown dramatically in the past three years, operating and marketing costs have grown even faster. The company lost $14.9 million last year on revenue of $22. 4 million. And the company's stock prospectus contains this chilling little disclaimer: 'The Company expects to continue to incur significant losses on a quarterly and annual basis for the foreseeable future.'

"Sitting in his modest cubicle on the main warehouse floor at Broadcast.com, Cuban waves a dismissive paw when I bring this up. "That's just lawyer stuff...I think we have a chance to change the way the world communicates and just make an obscene amount of money along the way.'

(CONTINUED BELOW)

 

Thanks to all the fine companies who agreed to be part of our recent "RAIN Vendor Guide (Ver. 2.0)" issue. You can see the entire Guide here. To be part of RAIN's Vendor Guide, please call 312-527-3879. (The "Full service provider" and "Internet radio devices" categories will be featured next time).


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(FROM ABOVE)

"In the looking-glass world of the Internet, where the most successful companies lose more money than their rivals do, all the emphasis is on building a sufficiently high profile that you become one of the coveted "portals," the sites that most people go to automatically whenever they want a given service...

"As Cuban and Wagner never tire of saying, their business strategy is really quite simple: provide compelling content, build barriers to shut out potential rivals, differentiate yourself from the competition. And do it all very, very quickly, because this is the Internet, the world's newest and potentially richest media market, and there are plenty of wealthy competitors drooling over your visibility and market share...

"'We always try to accelerate so there's no room for someone to pass us,' Cuban concludes. "To get to the front of the parade, you jump in front.'"

This column appeared in the May 1999 issue of
Success magazine.

 

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Reader feedback
This feedback is in response to our piece on AFTRA rates for political ads (yesterday in RAIN here)...

"Without FIRST having negotiated the Internet talent rights..."


This is NOT the regular AFTRA rate. AFTRA applies the 300% surcharge only when a broadcast commercial is also scheduled for Internet airplay, without FIRST having negotiated the Internet talent rights. Paragraph 10 of the 2000 agreement very succinctly makes the distinction.

The contract very clearly provides for negotiation of a session fee for an Internet designated commercial. Most of our commercials are run prior to having obtained Internet rights in advance, often by repurposing or re-tracking a radio spot, thus avoiding the 300% penalty.

This issue is extremely important to clarify for webcast sales forces as well as ad agency talent clearance staffs, which might otherwise interpret a surcharge for Internet usage to be onerous and therefore not recommend the use of streaming audio advertising. You would be doing a great service to those of us in the industry selling ads to generate income to meet their RIAA payments and make streaming a profitable enterprise, to clarify this point prominently and swiftly.

  Bob Nagengast, VP National Sales
Hiwire

Ed. replies: Mr. Nagengast is correct in that when the article was published, it did not include an explanation of advertisers' right to negotiate around the 300% clause with AFTRA. (Mr. Nagengast's original e-mail included the text of Paragraph 10 of the 2000 agreement.)

By qualifying the 300% rate as applying for "originally made for broadcast radio," "broadcast spots that end up in an Internet stream," and "broadcast commercials...(that) wound up in Internet streams;" it was our intention to characterize them as work originally intended only for broadcast play, and which would be streamed without prior AFTRA consent. We hope Mr. Nagengast's contribution dispels any confusion. -- PM


...
Silenced by royalties

Here is a growing list of webcasters who, because they don't feel they can manage webcasting royalties in a viable business, have decided that it's in their best interests to silence their streams. (We thank them for their hard work and dedication to their audiences and the industry, and wish them luck in their future endeavors...)
All80s.com AudioCandy.com BlueMars.org
BrazilCast 1 & 2 Celtic Heritage Webradio Chez Whitey
Entercom stations Good Time Oldies Radio Greater Media stations
GrrlRadio HitRadio.biz Hot Hit Radio
IdahosCast.com KDFC/San Francisco KEOM/Mesquite
KGRK/Cedar Falls KKDV/San Francisco KKNX/Eugene
KKNG/Oklahoma City KKPT/Little Rock KKUP/Cupertino
KMGO/Centerville KOIT/San Francisco KPIG/Freedom
KTPW/Dallas KTRS/St. Louis KTXN/Victoria
KWXY/Cathedral City Lotus Radio stations McClure stations
Midwest Family stations Minion Radio MonkeyRadio.org
MoreMusicRadio.net MYNDFK.com NetRockRadio.com
NextMedia stations OnTheCorner.fm Perkigoth.com
PissMonkey Powerrocks.com Progrock.com
Psychedelic Time Warp Pulverradio.com RadioBoston.com
RadioCentral.com Radio Free Akron Radio Free BD
Radio Free Tiny Pineapple ReggaeTrain.com RKNA: Aural Arcana
SavageRockRadio.com Simmons Media stations SomaFM.com
StarDogRadio.com TagsTrance.com  
The City Radio therockfm.com  
TheVoice The Zoo UCLARadio.com
WAAF/Worcester Waitt Radio Network WCKW/La Place
WellsRadio.net WEST/Easton WGQR/Elizabethtown
WLUP/Chicago WMHB/Waterville WMMR/Philadelphia
WOVRadio.com WRLT/Nashville WRVG/Georgetown
WSBF/Clemson WYYB/Phoenix Yahoo! Radio stations
Have we missed others? Use the feedback form above or e-mail us here.

Public stations now off line
This is from the SOS: Save Our Streams website, which focuses the struggle against thewebcasting royalty rates as they pertain to independent educational and noncommercial stations.
KTAI-TX; KNHC-WA; KAPU-CA; WMUA-MA; WEBR-VA; WDCE-VA; KWJC-MO; WERS-MA; KTSW-TX; WSUM-WI; WSTB-OH; WONB-OH; WXOU-MI; WZIP-OH; WUTK-TN; KETR-TX; WRMC-VT; KSDS-CA; WNYU-NY; WSUW-WI; WEVL-TN; KRCL-UT; WSRN-PA; KXCI-AZ; WUVT-VA; KDHX-MI; WPTS-PA; KBCS-WA; WMHW-MI; KBVR-OR; KXRJ-AR; WDWN-NY
 
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Oct. 1-4, 2002 Streaming Media East: New York, NY
Oct. 20-22, 2002 NAB European Radio Conference: Prague, Czech Republic
Oct. 30-Nov. 2, 2002 CMJ Music Marathon 2002: New York, NY
 

 

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