Thanks
to all the fine companies
(including those listed below) who agreed to be part
of our recent "RAINVendor Guide (Ver. 2.0)" issue. If
you didn't have a chance to spend time with it yet,
you can access the issue here.
BY PAUL MALONEY
The satellite radio industry is taking a beating -- a situation
certainly not helped by the punishment the rest of the U.S.
economy is enduring. New York-based Sirius
Satellite Radio is seeing their stock prices continue to
slide -- down to as low as $1.70 today, while Washington, DC-based
XM Satellite Radio announced
a wider net loss for the second quarter yesterday.
Sirius shares are down again for the fifth consecutive day.
Reuters reports that this level is the lowest for the stock since
December of 1994. The stock has lost more than 40 percent of its
value since July 17, and over 78 percent so far this year.
On Monday, analyst Tim O'Neil criticized the stock, calling
the selection and availability of Sirius-enabled
radios "constrained." Further, he reduced his subscriber
estimates 40 percent to 3,000 for the second quarter and 22 percent
to 78,000 for the year. He estimated Sirius will lose a total of
almost $600 million this year and next.
Sirius reported yesterday that Panasonic will introduce a
series of Sirius satellite receiver products for distribution in
September. The company also announced a deal with Monaco Coach for
equipment in that company's recreational vehicles.
Meanwhile, XM shares are down as well, to as low as $3.50
shortly after the market opened today. That company's shares
have lost more than 73 percent of their value this year. According
to Reuters, over the period of Sirius's recent slump (through yesterday),
XM shares have lost 23 percent of their value. (As of publication,
XM shares had rebounded to about $3.80.)
XM yesterday announced a net second-quarter loss of $117.2
million (compared to a $38.5 million figure for last year), or $1.38
per share. Credit Suisse First Boston analyst Ty Carmichael today
cut its rating on XM to "hold" from "buy."
XM CEO Hugh Panero maintains the company is still on track
to hit the 200,000 subscriber mark by the end of the quarter, on
the way to at least 350,000 by the end of the year. XM's most-recent
subscriber count was 136,718, up 79 percent over the first quarter.
Also, new radios with a second-generation chipset, which
XM says is smaller and can eliminate the need for a receiver separate
from the radio, are slated to hit the market early in fall.
BY PAUL MALONEY XM has announced it will "reshape" its channel
lineup by adding channels for neo-soul, books and drama, folk music,
easy
listening and other formats.
New XM channel offerings will include: "Nashville!"
(contemporary country hits), "The Village" (folk music),
"The System" (electronica), and "The Flow" (R&B,
jazz, hip-hop, and soul). Click the screenshot at right (or here)
to see XM's complete lineup changes.
The satellite radio company has also forged an agreement
with radio content company MediaBay to make that firm's classic
radio programming "RadioClassics"
an XM channel. The RadioClassics channel will feature "Golden
Age" radio programming such as The Bob Hope Show, The Shadow,
The Jack Benny Show, and Gunsmoke.
Available September 3 will be "adult entertainment"
Playboy Radio, XM's first "premium"
channel.
Several stations channels were dropped to make room for the
changes. As reported in today's Nashville Tennessean (here),
it was the heavy commercial load at Country WSIX-FM/Nashville that
made it a candidate for deletion. ''It was a great station,'' XM
programming chief Lee Abrams told the paper. ''It just stuck out
like a sore thumb in our environment.'' Los Angeles CHR KIIS-FM
is the only commercial broadcaster remaining (of four) that XM still
carries.
From Wired: "From the beginning, the Internet
had the whole free-form networking thing down. A packet of data
could hop from
one node to another all the way to its destination. Now a band of
scrappy startups has figured out a way to mimic this model -- with
mesh networks. The technology
has the potential to bypass the telcos
and saturate the nation in cheap wireless
signals...
"The beauty of meshes? They're bottom-up networks that
capitalize on the rise of Wi-Fi
and other open wireless technologies. They shimmer into existence
on their own, forming ad hoc out of whatever's in range -- phones,
PCs, laptops, tablet computers, PDAs. Each device donates a little
processing muscle and some memory. Packets jump from one user to
the next -- finding the best path for the conditions at any given
moment -- and finally skip to a high-bandwidth base station, which
taps into the Internet.
"The result: big boosts to the range and speed of wireless
signals. With the help of, say, 50 meshed PCs, PDAs, and phones,
a typical Wi-Fi network with a 500-foot range can be transformed
into one that extends 5 miles.
In fact, the performance gains and cost savings are so great that
these systems easily undercut today's wireless broadband service.
A good telco plan typically costs $150 a month; a better mesh hookup
will run about $45...
"Mesh could make the wireless Web sexy again. When MeshNetworks
did field trials in Orlando, engineers clocked speeds of up to 6
Mbps, faster than a cable modem. To show off, they took
visitors out on the highway for a little demo: a laptop receiving
streaming video at 70 mph."
... What's this have to do with anything? The final sentence
says it all: "Streaming video at 70 mph."
If users can have Internet access that's faster
and cheaper than a cable
modem in their cars...Internet radio will finally compete
on an almost level playing
field with terrestrial radio (in terms of portability and sound
quality).
We say "almost" because there will still be
the equipment and access fee obstacles to entry (whereas nearly
everyone has a radio, and the programming is free).
Likewise, Internet radio on a wireless 6 Mbps connection
will have no competitive
disadvantage to satellite radio. -- PM ...
From a Wall Street Journal opinion piece by Holman W.
Jenkins, Jr.: "About the smartest critique yet of AOL Time
Warner's execution miscues was uttered by Steve
Case,
the company's chairman, who was quoted last week saying, 'During
the Internet boom, we took our eye off the consumer a bit because
we were focusing on commerce and advertising.'
"Yup. While it was clearly a good idea for AOL to help
itself to some of the IPO
money the dot-coms were spreading around, the big fish on the grill
was supposed to be giving AOL a broadband
strategy...
"The continuing problem of broadband is the failure
of any party to dangle something in front of consumers to make it
a 'must-have' service. Almost
by definition that means something exclusive
enough to irritate those who can't offer the same...
"So who's the man to save AOL now? The obvious candidate
is the guy who's done it a dozen times before. Mr. Case just needs
to get over his chairman's title and be willing to make a few people
mad again. Here's how he should proceed:
"Put AOL and Roadrunner together to make AOL Roadrunner...
"Market the new service by offering unlimited downloads
from the Warner Music library.
Throw in content from all Time Inc. publications and make it available
online as soon as it's edited...To quell fears of Napsterization,
remind colleagues that the music industry was singularly vulnerable
because the CD is such a crummy, costly way to deliver popular
music.
"What's been missing from various broadband marketing
efforts so far is a sense that, in Mr. Case's recent phrase,
'membership has its privileges.' Consumers are told to want broadband
but they aren't told why they should want it."
Read Jenkins's entire column in the Wall Street Journal
today, or online here
(subscription required).
"Perfectly
happy to offer my work to Internet radio stations..."
One of the strengths of Internet radio has been artist diversity.
It seems to me that the creation of an online broadcasting industry
operating entirely outside the existing music infrastructure would
be entirely possible.
As an artist, I would be perfectly happy to offer my work
to Internet radio stations broadcasting only unlicensed/unregistered
(not quite the correct term...) music. I suspect a great number of
lesser-known artists would feel the same way.
I'm a little curious that I've heard nothing directly about
such an idea -- am I missing something here?
John McCormick
"Hello,
Capitol Hill? Are you with us?.."
Here’s another dose of “real life”: The recording industry
is the only business that gets its product advertised for free on
the radio.
On the back of the terrestrial broadcasting industry, the record
business has become a multi-billion dollar
operation. As if that’s not enough, along comes the Internet, with
the ability to expose an infinitely larger array of record industry
product to a worldwide audience, tens of thousands of which become
instant record industry customers on a regular basis. Again, this
is all at no charge to record companies.
You’d think they would be appreciative. Instead, the industry
has used its very strong but incredibly ignorant lobbying arm (the
RIAA) to try and legislate the elimination of independent webcasting.
They want an entire broadcast medium all to themselves. America must
not allow this to happen.
Hello, Capitol Hill? Are you with us? Wake up, remove the wool
and see the RIAA for what they really are.
John Schneider, founder
Radiopoly.com
"It's
a punch in the face..."
Ahh...yet another example of the recording industry trying
to slip one by the ignorant, apathetic listeners out there that are
willing to pay $20 for a CD of which they only like one song.
It's a punch in the face how they tried to "lessen the blow"
by cutting the supposed listener/license charges in half, like we're
going to say, "Oh, it's less than it could've been, that's not so
bad."
I personally think the RIAA is after *anyone* they can get
their hands on receiving free music, whether it's public or private
information. How many times have they tried to stop mIRC now? What's
next, the government reading your e-mail looking for copyrighted quotes
so they can charge you for it?
The Internet should be a place where information and ideas
can be *freely* transmitted without the government's prying eyes or
the RIAA looking to make a buck...
Shaun
... Here is a growing list of webcasters
who, because they don't feel they can manage webcasting royalties
in a viable business, have decided that it's in their best interests
to silence their streams. (We thank them for their hard work
and dedication to their audiences and the industry, and wish
them luck in their future endeavors...)
Have
we missed others? Use the feedback form above or e-mail
us here.
Public stations
now off line
This is from the SOS:
Save Our Streams website, which focuses the struggle
against thewebcasting royalty rates as they pertain to independent
educational and noncommercial stations.
Zydeco to the Bone; Nuevo Wave-O; Jazzeteria; Altrok.com;
Celtic to the Bone; Extra Smooth Symphonie; Melancholia; Qawwali-On-Demand;
60s RnB to the Bone; Just Classic Rock; All Top40 Hits; Piecemeal;
Swing Central; Cafe Twilight; Jazz to the Bone; Drone Sickness;
Gospel to the Bone; Truly Cool, Cool Jazz; 400 Years of Hits
Jazz to the Bone; Hot Bubblegum 100; Dream Chamber; Modern A
Cappella; African to the Bone; Hillbilly Radio; Cajun N Country
to the Bone; X-tra Energy Dance; World Intensity; New Orleans
to the Bone; Modern Rock Hits; Rastaman's Reggae
MainLine Rock; Latin to the Bone; House Party; Love Field; Planet
Musiquarium; The Breakbeat Jungle; Succubus; Bollywood; Club
Reggae; Hyperspace; Murder, Betrayal and Redemption; Top RnB
Hits; ChitrapatSangeet; Resonant Radio; Sweet Revenge
Female Voices; Old Dawg Country; EnginesOfReagan; Lovecats;
Muddy Channel; Movie Music; Adventures In Radio; Truly Alternative;
Alt Songsters to the Bone; Spacerant; Trance-ilvania; Vox Radium;
50s RnB to the Bone; Box O Bone's; Digitalis; darcade; Not AA
Radio; Busted Heart Radio; Shuaku No Bi; Hillbilly Radio; Kickin'
Kountry; Cyberspace Sonata; Solvent Loud Radio