Thanks
to all the fine companies
(including those listed below) who agreed to be part
of our recent "RAINVendor Guide (Ver. 2.0)" issue. If
you didn't have a chance to spend time with it yet,
you can access the issue here.
Clear
Channel Radio CEORandy Michaels
will resign that post to head the company's newly-formed New Technologies
division, according to a statement from Clear Channel Chairman and
CEO Lowry Mays late yesterday.
Michaels told the press, "I am excited about the opportunity
to once again look out in to the future and help shape the way we
will adapt to it. I enjoy the challenge and stimulation of breaking
new ground and look forward to this newly created position."
As chief executive of the new unit, Michaels will focus on
interactive, wireless broadband and satellite technologies, said
the press release.
...
... Say what you will about the "Clear Channelization"
of broadcast radio, but Randy Michaels isa classic example
of the showmanship that made radio's competitive battles exciting
and fun in the 60s and 70s.
Being as Randy's a radio guy through and through -- this
is certainly a wild development. But it would be great if we
see him bring that energy and enthusiasm to the Interactive
side. We'll be interested to find out more details of this development.
-- KH ...
From Knowledge@Wharton: "If
you have ever listened to your favorite radio station online or
surfed one of the many web-exclusive streaming audio sites around
the world, you have probably experienced
Internet radio. Web radio stations come in all shapes and sizes;
some boast niche-specific playlists, others promote independent
artists, and still others simply stream simulcasts of traditional
radio programming...
"But the days of independent radio on the Net could
be numbered, say some experts. A recently established royalty fee
payable to record companies may price many small content providers
out of the market, leaving some with no choice but to shut down...
"(Wharton public policy and management professorGerald)
Faulhaber [pictured left] isn’t sure that the Internet
radio business model will survive.
'If it’s not sustainable, there will be wholesale
bankruptcies in the Net radio space. The content providers
won’t shoot themselves in the foot; if they’re wrong and Net radio
players are not able to pay them, they might change
the rates or lose the medium.
But then, it’s not like the music business really is in need of
new channels of distribution. There are plenty of ways to distribute
music – MP3s, AM/FM, satellite, CDs, etc...'
"Michael Mazis, a Wharton graduate and professor of
marketing at American University’s Kogod School of Business, conducted
a survey a few years ago for webcasters and radio broadcasters to
determine whether Internet radio use encourages the eventual purchase
of music.
"'The survey found that among heavier users – those
who listened to Internet radio several hours a week – there was
apretty strong effect. It did
promote the sale of CDs and worked much the way traditional radio
works,' he explains. The majority of those surveyed at the time,
however, were not heavy users, so the overall results did not show
any effect on purchasing habits...
"What’s going to happen depends on whether the royalty
ruling is reversed or modified. 'It’s hard to tell in the long run
where this will go,' says Mazis. 'Even if the economy picks up and
there are more advertising dollars being spent, it will be difficult
for webcasters to survive. Because of the low startup
costs associated with these Internet radio stations, there are a
lot of them. All can’t be profitable; there are too many in the
market.'"
[an error occurred while processing this directive]
From the Wall Street Journal: "RealNetworks
Inc. said it will make the underlying code for the new version
of its
Internet software available to programmers free
of charge in a push to broaden acceptance of its technology
amid intensifying competition with Microsoft Corp.
"RealNetworks, Seattle, said the new software, called
Helix, will allow users to transmit
audio and video programming over the Internet in a variety of formats,
including Microsoft's format --
a breakthrough that could cut costs and simplify delivering multimedia
over the Internet.
"By using Helix, a company can operate a single
server, regardless of the multimedia format, instead of
multiple
programs, RealNetworks Chairman and Chief Executive
Rob Glaser [left] said at a San Francisco event. He
said the company's engineers devised Helix to support other multimedia
formats without violating other company's intellectual-property rights...
"RealNetworks made its commercial Helix products available
Monday, and said it will begin sharing the
code with developers during the next few months."
Read this article in today's Wall Street Journal, or
online here
(subscription required).
Here's feedback on yesterday's USA Today story on Internet radio (here)...
"It's
not because of the campus Internet radio station..."
"Rosen contends that most college stations won't owe more than
$500 a year. 'Given our problems with digital piracy on university
servers, it is almost comical that they have the nerve to complain
about $500,' she says."
Rosen's comments betray an ignorance of the way student organizations
and computer networks on colleges and universities
are managed. I am -- sorry, was, I should say -- the faculty advisor
for a college Internet-only radio station. Neither I nor the student
staff nor the Student Senate (which funded the Internet radio studios
and equipment) have anything to do with the way the campus computer
network is managed.
In other words, if other students download illegal music files,
it's not because of the campus Internet radio station. In fact, downloading
illegal music files will continue on college campuses whether Internet
radio exists or not. It isn't beyond the realm of possibility that
such activity will double once Internet radio disappears, as people
seek an alternative to standard commercial radio.
Rosen conveniently uses the vague pronoun "they" to suggest
that campus Internet radio operations are somehow in cahoots with
"fringe" or illegal file sharing sites. Nothing could be further from
the truth.
Ken Bingham
College of Southern Idaho
"When
will the madness stop?.."
On your Silenced by Royalties page, I am sad to add WRVG,
from Georgetown, KY.
WRVG
was similar in style to KPIG in that it had a large and thought-out
playlist, including roots-rock, soul, and reggae, among others, much
of which was not played on "commercial" radio. It included the program
director (Jerry Gerard) from the best radio station my local area
(Gainesville, FL) had ever and will ever hear, WRRX, which had been
bought out in 1998.
Hundreds of people from my area enjoyed hearing a very similar
station online, but can no longer. When will the madness stop?
Rob Richardson
Ed. note: We'll be updating our Silenced by Royalties
section (below) this afternoon.
"Could
be a pretty major 'backfire'..."
This is really a great time for the webcasting industry to
take over the music industry.
Why? Because if stations will come together and create labels
that do not require the non-publishing royalties to be paid, the money
saved can finance new masters (assets) and assure quality music programming.
Plus, new publishing catalogs can be built.
Think about it. Instead of paying the ridiculous royalties,
webcasters create a consortium of new artists in various fields with
consortium owned masters and run the major labels out of business.
Could be a pretty major "backfire" on them.
Phillip Sandifer
... Here is a growing list of webcasters
who, because they don't feel they can manage webcasting royalties
in a viable business, have decided that it's in their best interests
to silence their streams. (We thank them for their hard work
and dedication to their audiences and the industry, and wish
them luck in their future endeavors...)
Have
we missed others? Use the feedback form above or e-mail
us here.
Public stations
now off line
This is from the SOS:
Save Our Streams website, which focuses the struggle
against thewebcasting royalty rates as they pertain to independent
educational and noncommercial stations.
Zydeco to the Bone; Nuevo Wave-O; Jazzeteria; Altrok.com;
Celtic to the Bone; Extra Smooth Symphonie; Melancholia; Qawwali-On-Demand;
60s RnB to the Bone; Just Classic Rock; All Top40 Hits; Piecemeal;
Swing Central; Cafe Twilight; Jazz to the Bone; Drone Sickness;
Gospel to the Bone; Truly Cool, Cool Jazz; 400 Years of Hits
Jazz to the Bone; Hot Bubblegum 100; Dream Chamber; Modern A
Cappella; African to the Bone; Hillbilly Radio; Cajun N Country
to the Bone; X-tra Energy Dance; World Intensity; New Orleans
to the Bone; Modern Rock Hits; Rastaman's Reggae
MainLine Rock; Latin to the Bone; House Party; Love Field; Planet
Musiquarium; The Breakbeat Jungle; Succubus; Bollywood; Club
Reggae; Hyperspace; Murder, Betrayal and Redemption; Top RnB
Hits; ChitrapatSangeet; Resonant Radio; Sweet Revenge
Female Voices; Old Dawg Country; EnginesOfReagan; Lovecats;
Muddy Channel; Movie Music; Adventures In Radio; Truly Alternative;
Alt Songsters to the Bone; Spacerant; Trance-ilvania; Vox Radium;
50s RnB to the Bone; Box O Bone's; Digitalis; darcade; Not AA
Radio; Busted Heart Radio; Shuaku No Bi; Hillbilly Radio; Kickin'
Kountry; Cyberspace Sonata; Solvent Loud Radio