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CRB coverage 2002:
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We'll send you a brief daily summary of each day's stories with a clickable link to the RAIN home page.

 

 

x
DiMA, SX in communication breakdown
According to reports
that are just surfacing, it appears that the Digital Media Association (DiMA) has now rejected the offer made by SoundExchange last Thursday to cap the $500 per-channel minimum fee at $50,000 per year, claiming that an unrevealed condition of SX's offer was that webcasters implement digital rights management (DRM) technology on all of their streams.

A CNet News article (here) says that "in exchange for the cap, [SoundExchange] is calling for Webcasters to
'agree to implement technology related to streamripping...provided such technology is feasible and is available on reasonable terms.'"

The CNet article reports that SoundExchange director John Simson sent a letter to DiMA on Monday claiming that DiMA "mischaracterized" his group's offer to webcasters. (DiMA's characterization of SoundExchange's offer was that webcasters would need to "research, identify, review, and evaluate" such technologies.)

More coverage in DigitalMediaWire here; Wired's Listening Post blog
here.

RAIN will publish a full report on this issue in tomorrow morning's issue.

(RAIN Preliminary Analysis:
This seems to be a near-exact replay of recent brouhaha. Once again, SoundExchange appears to have made an offer to DiMA in front of Congressmen subject to conditions they didn't reveal until the following week. (On July 2, it was revealed that SoundExchange's offer in front of the Small Business subcommittee was effective only through 2008. This week, it turns out that offer made in the Commerce committee roundtable -- which was only conditional on "help" with the streamripping issue -- is actually contingent on mandatory implementation of DRM. "Oh, that's quite different.")
x

Headline: "Rep. Markey takes reins on Net radio negotiations"
From CQ.com: "Not long after a panel of copyright judges decided in March to hike music royalty fees for Internet radio stations, small webcasters began a lobbying blitz on Capitol Hill, saying their business model was in danger.

"The campaign only recently paid dividends: The new fees technically went into effect July 15, but most webcasters are still playing songs — and still paying the older, much lower rates — in part because of efforts by Rep. Edward J. Markey, D-Mass.

"Markey brought webcasters and representatives of the music industry together in last-ditch talks late last week...

"Copyright issues are not under Markey’s jurisdiction as chairman of the Energy and Commerce Subcommittee on Telecommunications and the Internet. But Jessica Schafer, his spokeswoman, said Markey decided to host the Web radio negotiations because 'he does have jurisdiction over the Internet, and he has a longstanding interest in the issue.'

"If anything, Markey has spent much of the past year positioning himself as a key player on emerging technology issues. Schafer said Markey has not taken a side in the negotiations but rather is interested in helping the parties find their own solution...

"While webcasters have been granted what appears to be a temporary reprieve from the new rates, any decisions overseen by Markey would still have to be submitted to the Copyright Royalty Board for its review or be enacted by Congress.

"SoundExchange plans to remand any final deals to the board for it to implement, [spokesperson Richard Ades] said. But many smaller webcasters want a new law in place so that they have more certainty about their legal responsibilities...

"Christine Hanson, [Rep. Jay Inslee's] spokeswoman, said he prefers negotiating to legislating. 'Simply because of the time involved, it just would be a lot faster,' Hanson said. 'But for Jay (pictured above right), the number one thing is reaching an agreeable solution to both sides, where artists feel like they’re being compensated fairly and webcasters can have a sustainable economic model.'”

Read the entire article at CQ.com.

RAIN is brought to you today by:
Save Net Radio

Internet radio may be driven out of business within weeks by a Copyright Royalty Board decision that gives record companies a royalty rate that exceeds 100% of most webcasters' total revenues.

Visit SaveNetRadio.org for links to a petition to Congress you can sign, and to send the message directly to your Representative and Senators that you don't want to lose Internet radio!


From Mediapost: "Radio was
the top-gaining web category in June — up 34% from May to 48.9 million unique monthly visitors, according to comScore MediaMetrix's latest rankings and analysis of U.S. online activity.

"Yahoo! Music led the growth in the category with more than 25 million visitors — up 11% — while AOL Radio rose 11% to 3.2 million visitors, and Disney Music 16% to 1.1. million visitors."

Read the entire article at Mediapost.


We'll send you a brief daily summary of each day's stories with a clickable link to the RAIN home page.


From the Cincinatti Frontier: "WOXY will return to the airwaves here as a high-definition channel when public radio station WVXU-FM starts HD broacasting next month.

"WOXY has been an web-only stream since 2004, after Doug and Linda Balogh sold their Oxford radio station.

"But before the sale, WOXY-FM's 'Future of Rock and Roll' was tough to get from Oxford throughout most of Greater Cincinnati and Northern Kentucky. Soon WOXY listeners will be able to hear the station — if they buy a car or home HD radio.

"It's a smart move for Cincinnati Public Radio, which operates... two mulitcast WGUC-HD services, a simulcast of WGUC-FM and a 24-hour jazz channel. Putting WOXY on HD — technically it will be known as WVXU-HD2, with the 'VXU simulcast as WVUX-HD1 — fills a void in Cincinnati radio, and allows Cinci Public Radio to reach a new demographic...

"Neither Richard Eiswerth, Cinci Public Radio GM, or Bryan Jay Miller, WOXY.com, know how many folks have HD radios here now. They hope this new partnership sparks sales."

Read the entire article at the Cincinatti Frontier website.

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Reader Feedback

Here's feedback on yesterday's top story, "Questions remain on legality, danger of stream-ripping," here...

"'Red Herring of the month'..."


SoundExchange's raising of the "stream-ripping" issue at this point in negotiations
with webcasters seems like just a rerun of "Red Herring of the Month".

Some provisions of the DMCA are based on the premise that ANY transmission of music over the Internet is "a perfect digital copy of the original". As any listener can attest, this is still as untrue as it was in 1998. Furthermore, after years of downsampling, dropouts, rebuffering delays and other glitches, that premise is no
longer a misconception, but a conspicuous lie.

 

Art Marriott




"Legislators don't know what's true and don't care..."


"If it turns out that stream-ripping isn't easy or efficient enough to be considered a realistic music piracy danger, why is SoundExchange hanging on this point?"

You are kidding here, right? Have ANY of the Dire Threats To Our Nation and Our Children that the RIAA and its sock puppets have raved about since Edison first scratched a cylinder of wax EVER been true, serious problems?

The truth of their charges is irrelevant. Legislators don't know what's true and don't care what's true. All they need are sound bites that they can use to hang a mask of plausibility on their actions, when in fact the only purpose, ever, is to preserve the revenues and monopolies of the existing corporate media interests.

 

Brad Bulger




"Minor amount of stream recording almost all 'time/place shifting'..."


SoundExchange has once again raised the issue of stream-ripping. My feeling, based on years of interaction with listeners, is that the minor amount of stream recording that takes place is almost all done for purposes of time/place shifting -- such as recording a block of programming onto an iPod for in-car or portable listening.

Yes, it is possible to use stream-ripping programs to accumulate a library of substandard copies of as many songs as you want, and I have no doubt that there are
people out there who do that. But are there significant numbers of people doing it? Enough to cause measurable harm to copyright holders? I tend to doubt it.

Before any concessions are made by webcasters on this issue, I think an impartial
study needs to be commissioned to determine the true extent of such activity. Why
should webcasters implement policies that will cost them money and in many cases
aggravate and alienate their listeners, based solely on the theoretical fears of the
music industry?

The music and motion picture industries have a long history of parading such theoretical fears in front of Congress and technology companies as if they were
established fact -- and in most cases they've been wildly off base.

I see absolutely no reason to take them at their word on this issue.

 

Bill Goldsmith
RadioParadise




"There's always the analog hole..."


As far as staggering the ID3 tags, I know Radioio has been doing this for quite some
time. In any case, there's always the analog hole. There isn't a DRM scheme yet made that can close that for audio.

 

Brian C




"Why should I bother?..."


This stream ripping thing sounds like a bunch of rich lawyers with little to do but nitpick this thing to death.

I have the ability to record streams all day long with my CD recorder, or cassette recorder, just like I did when I used to record from the radio when I was 11 years old.
There is no software in the world to prevent me from doing that. Why should I bother stream ripping anyway, when I can buy the music I hear on the webcast any time I want?

 

Spencer Morton
108 The Rocker Online




"Hit the 'info' or 'buy' button if you want the full song..."


Stream-recording is easy to block. That is a practice that has been going on for a long time.

Put the old fashioned "silent tone" behind the music, and when they play back after trying to record it, it skipssssss like crazy! I have people send me nasty e-mails... they tell me they were "trying to record that song," and I reply back, "hit the 'info' or 'buy' button" if they want the full song.

 

Dade
Rockandroll.fm

 
 
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