Thanks
to all the fine companies
(including those listed below) who agreed to be part
of our recent "RAINVendor Guide (Ver. 2.0)" issue. If
you didn't have a chance to spend time with it yet,
you can access the issue here.
A
BBC Radio 4 report on the crisis facing the Internet radio industry
in the U.S. which ran Sunday morning is now archived on the network's
web site.
The report by BBC correspondent Andrew Bomford featured interview
segments with RAIN publisher Kurt
Hanson and Ultimate80s founder David
Landis, as well as soundbites from several leading webcasts
like RadioIO, 3WK and KPIG.com. The news piece centered on the struggle
of small independent webcasters in America, facing almost certain
bankruptcy when sound recording royalties are due.
"It's
just basic mathematics. If you look at what's going to happen
on October 20th when the retroactive fees become due, the total
amount of money due is several times greater than the entire revenue
of the whole industry," says John
Ousby, business development manager at BBC Online, and
formerly with Virgin Radio. "There's gonna be massive, massive
fallout."
Speaking on behalf of copyright owners was Allison
Wenham of the Association of Independent Music in the
UK.
Wenham, who couldn't quite disguise the contempt in her
voice, argued, "You tell me why small, poor, little Internet
radio stations would think of starting a business -- where their
'content' if you like, the thing that they're going to build their
radio station around, is music -- and why they make a wholesale
assumption, that that should be free to air."
... To answer Ms. Wenham's question, if we may, no
webcaster we know made the assumption that the music
would be free. The Digital Millennium Copyright Act was passed
in 1998 -- and from that point, webcasters did indeed know (and
accepted) that they would be liable for sound recording royalties
(unlike traditional radio).
Ms. Wenham seems intent, like her counterparts here in
the US, on perpetuating the myth that webcasters are looking
to be "subsidized," or for a "free ride"
(see Hilary Rosen's comment regarding Beethoven.com here, and any of various arguments made by SoundExchange's
John Simson).
The fact remains that webcasters are willing to pay a
fair percentage of their revenue (as they do to songwriter and
publishing organizations) while they promote artists' and labels'
music for free. Yes, webcasters might use music "to build
their business," but with royalty fees totaling two to
three times revenue, there's really no business there. -- PM ...
The text of RIAA Chairman Hilary Rosen's
speech at last week's Plug.In convention in New York has been published
on the RIAA
website.
RAIN published quotes from Rosen's speech last week (here).
Rosen made several controversial comments during the question-and-answer
session (which is not transcribed on the RIAA site) which generated
plenty of spirited reader feedback -- not the least of which was
her inference that Beethoven.com's Kevin Shively "didn't want
to pay for his music."
This piece, by Politech's Declan McCullagh,
is interesting in that shows that there seems to be some success
in unifying members of the tech community to make leaders in Washington
aware of the issues they face, and to educate them on what can often
be complicated matters. Perhaps the Internet radio industry might
glean some important ideas from how this organization and others
like it operate.
From CNet News.com: "Gigi Sohn
hopes that geeks have become so enraged by recent anti-piracy
schemes that they'll finally want to fight back.
"The 40-year old lawyer, head of the Public
Knowledge nonprofit group here, plans to recruit a ragtag
band of technophiles and train them to become a corps of effective
political activists on the Internet front...
"But e-mail campaigns are easily ignored, and transforming
online ire into effective political action is hardly a trivial task.
It means convincing apolitical geeks to register to vote, contact
their members of Congress when needed, and, perhaps on occasion,
even rally in the streets...
"'We want to build a database in the first six months of
100,000 people,' Sohn said in an interview. 'That's a very, very
high goal, but that is our plan.'
"When a key vote on Capitol Hill is looming, the plan
is that Public Knowledge can activate its network of activists who
will lobby their own members of Congress."
Here is a growing list of webcasters
who, because they don't feel they can manage webcasting royalties
in a viable business, have decided that it's in their best interests
to silence their streams. (We thank them for their hard work
and dedication to their audiences and the industry, and wish
them luck in their future endeavors...)
Have
we missed others? Use the feedback form above or e-mail
us here.
Public stations
now off line
This is from the SOS:
Save Our Streams website, which focuses the struggle
against thewebcasting royalty rates as they pertain to independent
educational and noncommercial stations.
Zydeco to the Bone; Nuevo Wave-O; Jazzeteria; Altrok.com;
Celtic to the Bone; Extra Smooth Symphonie; Melancholia; Qawwali-On-Demand;
60s RnB to the Bone; Just Classic Rock; All Top40 Hits; Piecemeal;
Swing Central; Cafe Twilight; Jazz to the Bone; Drone Sickness;
Gospel to the Bone; Truly Cool, Cool Jazz; 400 Years of Hits
Jazz to the Bone; Hot Bubblegum 100; Dream Chamber; Modern A
Cappella; African to the Bone; Hillbilly Radio; Cajun N Country
to the Bone; X-tra Energy Dance; World Intensity; New Orleans
to the Bone; Modern Rock Hits; Rastaman's Reggae
MainLine Rock; Latin to the Bone; House Party; Love Field; Planet
Musiquarium; The Breakbeat Jungle; Succubus; Bollywood; Club
Reggae; Hyperspace; Murder, Betrayal and Redemption; Top RnB
Hits; ChitrapatSangeet; Resonant Radio; Sweet Revenge
Female Voices; Old Dawg Country; EnginesOfReagan; Lovecats;
Muddy Channel; Movie Music; Adventures In Radio; Truly Alternative;
Alt Songsters to the Bone; Spacerant; Trance-ilvania; Vox Radium;
50s RnB to the Bone; Box O Bone's; Digitalis; darcade; Not AA
Radio; Busted Heart Radio; Shuaku No Bi; Hillbilly Radio; Kickin'
Kountry; Cyberspace Sonata; Solvent Loud Radio