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CRB coverage 2007:
CRB decision
SaveTheStreams
Legal options
Markey
Petitions
Copyright law
Canada?
Fred Wilhelms
[2] [3]
JPMorgan analyst
SaveNetRadio
Rehearing denied
SNR.org website
B'casters interests
Day of Silence?
What is "fair"?
House IREA
SX Point/Counter
July 15th D-Day
Hill walk recap
Senate IREA
Hanson/Simson
Offer to SCW
Berman/Coble
100th co-sponsor
File for stay
Noncomm offer
$1 bil admin cost


CRB coverage 2002:
CARP decision
Industry reacts
Industry stunned
Huge RIAA win
SJO editorial
Day of Silence?
Congress support
Day of Silence on!
Press coverage
Day of Silence
Librarian decision
Cuban speaks up
Labels: Die Now!
Forbes coverage
SWSA
SCW license


"The Future of
   Radio" series
1 | 2 | 3 | 4 | 5

"Net radio frontier:
Ad sales" series
1 | 2 | 3 | 4 | 5

UPDATED:
Internet radio
royalty basics


Copyright Law
DMCA
CRB 2007
 Webcast decision







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We'll send you a brief daily summary of each day's stories with a clickable link to the RAIN home page.

 

 


Headline: "Del Colliano to webcasters: take fight to SX, Congress"
From Jerry Del Colliano's "Inside Music Media" blog: "The 'Day of Silence' to attract attention to the unfair treatment of Internet streamers at the hands of the Copyright Royalty Board (CRB) is over.

"Now, it's time to take off the gloves and hit SoundExchange where it hurts them the most — in Congress.

"[T]he 'Day of Silence'... succeeded to the extent that the protest brought the issue into a more general public discussion...

"SoundExchange, meanwhile, has given us a glimpse of their Achilles heel. They want to avoid getting Congress involved in this issue. It's their worst case scenario...

DoS"While the recent protest was being planned SoundExchange made a lightning fast offer to cap streamer's administrative fee structure at $2,500 per organization with royalties still additional [previous RAIN coverage here]...

"SoundExchange, the group that collects the streamers royalty money, wants the administrative fee reduction in return for a signed agreement that proponents of lower rates would abandon their legislative efforts to protest royalties in the future. This fact was not immediately transparent when SoundSXExchange was spinning their offer to Internet radio and Congress...

"Now it's time to hit SoundExchange and the music industry they represent hard where they've indicated they don't want you to go — Congress... After all, it's Congress that helped cause the current dilemma in the first place. SoundExchange doesn't want that.

"From July 15th forward lobbying and pressuring Congress should not be one day, one month or a one year event. It should be an ongoing fight...

"If the Internet streaming business is worth fighting for — and it most certainly is the future — shrewd lobbying and grass roots, gloves-off political maneuvering is a requirement going forward...

"Now, to my friends in the Internet streaming business, get smart and make July 15th the 'Day of Reckoning' — the day SoundExchange and the labels will remember as the day when they went too far.

"Don't settle until Internet streamers receive fair and equal inside music mediaconsideration in royalty fees.

"Don't settle until you win stability — not just measured in years without having to fight new rate hikes — but in increased influence that guarantees you'll pay your fair share and not a penny more."

Read the entire post at Inside Music Media.

 
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There's huge, and growing, demand among consumers for Internet radio (at least during the 9AM-5PM workday), as shown by the rapid growth of our AccuRadio project.

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Headline: "Op-ed: Web radio is invaluable promotion, says indie artist"
From the op-ed section of the Baltimore Sun, by SONiA: "I've spent my entire career making music that transcends fear. In fact, the Baltimore-based band I started with my sister in 1994 is called 'disappear fear'.

"It might come as a surprise, then, that I'm writing now about something a lot of independent artists are scared about these days: the impending death of Internet radio.

"...For a lot of us, broadcast radio is mostly uncharted territory. We've come to rely on the Internet to get the word out, namely Internet radio, through which a lot of us have been able to find a modest fan base...

"Now we're at risk of losing it...

"While the royalty rate increases would mean certain bankruptcy for almost every Webcaster, the effect on indie artists would also be disastrous. Losing Internet radio would mean the loss of our biggest promotional resource.

"This becomes obvious when you look at the market. Right now, independent artists make up less than 10% of what's played on broadcast radio. On Internet radio, we make up about 37%.

us capitol dome"And as much I appreciate royalties as an artist, a bump in royalties means little to indie singer-songwriters if it also means the death of our biggest source of exposure. If Internet radio dies, there won't be any royalties to pay.

"The reality is, if our leaders in Congress allow these new royalty rates to go into effect — and it's within Congress' power to decide — it will make it much harder for independent artists like me to get off the ground to find their audience. What's worse for music lovers is that with such high fees, online radio will start to look a whole lot more like broadcast radio: a limited number of artists, a limited number of genres and a lot of bored music fans...

"Killing Internet radio would stifle this innovation just as it would stifle the indie labels and bands fighting to be heard, the Webcasters fighting to stay alive balitmore sunand the listeners just trying to find something new...

"For us, Internet radio has become essential. A world without it can only be described as scary."

Read the entire op-ed at the Baltimore Sun.


We'll send you a brief daily summary of each day's stories with a clickable link to the RAIN home page.


Reader Feedback

"7.5%... would be the highest royalty paid by any class of broadcaster..."


If anyone reading this has been swayed even slightly by the music industry
propaganda on the royalty issue, I think two facts neatly refute their lies and
distortions:

1. The 7.5% of gross revenue rate that would be set by the legislation that the RIAA is so aghast about would be the highest royalty paid by any class of broadcaster in the U.S., and among the highest anywhere in the world.

The music industry's characterization of the rate proposed by the IREA as "unfair to artists" or an example of "corporate greed" is simply absurd.

2. SoundExchange has been challenged many times, by numerous people (including
myself) to give ONE example of a webcaster currently online in the U.S. who could
operate successfully under the CRB rate structure. They have never done so, because
there are no stations that meet that criteria.

The ONLY rationale they can give for the fairness of the CRB rates is that "the judges say that they're fair". It's impossible for them to use any real-world examples to illustrate their fairness, because no such examples exist.

 

Bill Goldsmith
Radio Paradise



...
x
Actually, nowhere in their decision do the CRB judges contend that their determination is "fair." Under the standard established in the DMCA, "fairness" is not a criterion for the their decision. -- KH
x


"I have yet to meet any artist who agrees with the CRB decision..."


Over the last few months we have been working with Live365 to get the word out to our fellow musicians, producers and artists about the CRB rate hikes. We have opened our studios doors to any and all artists who may wish to voice their opinion in the form of a recorded PSA, but may not have studio time available to them. During this process I've met many artists who initially knew nothing about what was going on, but I have yet to meet any artist who agrees with the CRB's decision to raise the royalty rate for internet radio.

This IS something that's supposed to benefit artists right? All the artists I spoke to believe they are getting fair compensation for their music being played on internet radio already and all would rather not lose this valuable form of exposure to what is obviously simple greed. We all know this has nothing to do with the artists getting fair compensation.

We would all rather have the exposure and support that internet radio provides than a higher royalty rate which (if anything at all) is what amounts to little more than a few days grocery money per annum for most of us. For these extra couple of bucks a year THOUSANDS of stations will be forced out of business, therefore decreasing even more any extra profit we artists might have seen. Totally LOSE LOSE situation... there is absolutely no benefit in this for ANYONE as I see it.

I thought you might like an opportunity to hear what artists have been saying in some of the PSA's that we have recorded. These are free for anybody to broadcast should they so wish.

HR_2060_PSAs / HR2060_PSAs_COUNTRY / HR2060_PSAs_DANCE / HR2060_PSAs_ELECTRONICA / HR2060_PSAs_DJs__MUSICIANS / Live365_PSAs_Evolve

 

Red Broad
Evolve.




"I nearly fell off the pile of money I've made as a small webcaster..."


"SX demands webcasters abandon current & future legislative efforts" [RAIN's top story here]

I nearly fell off the pile of money I've made as a small webcaster when I read this...

 

Gene Savage
BlackLightRadio.com




"I want to get paid, but I also want to be played..."


I have an internet radio program and I am also a performing songwriter.

I've been using a phrase in some writing I've done on this issues to different people and groups (including a letter I sent today to a SoundExchange staff person that I met at the Northeast Regional Folk Alliance last November).

As a performing songwriter, "I want to get paid, but I also want to get played". I like that, if I could be so modest. Internet radio is the best avenue I and other independent artists have of getting played music played, and maybe even purchased!

 

Ray Naylor

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