NEWS
FLASH (7pm CDT, Thursday): Congressmen Inslee and Boucher
decry decision and are considering legislative response. Click
HERE
to jump down this page to that story.
Other key points: (1) Minimum royalty payment remains $500/year.
(2) Noncommercial broadcast stations get reduced rate of
$.0002/performance for archived programming and first two side channels
(down from CARP's recommended $.0005). (3) Ephemeral copies
royalty reduced from 9% surcharge to 8.8% surcharge (a trivial difference).
(4) "Effective date" of rate is September 1st, so
retroactive payments (back to October 1998) will be due October
20th.
Read the decision on the Copyright Office websitehere.
Excerpts
from the decision follow. "The RIAA/Yahoo!
deal was the best evidence..."
"The Librarian is required to accept the CARPs determination
unless he concludes that the determination is arbitrary or contrary
to the applicable provisions of the copyright law. When aspects
of the CARPs determination are found to be arbitrary or contrary
to law, the Librarian may substitute his own judgment for that of
the CARP, but he will still give deference to those aspects of the
CARPs determination which were not arbitrary or contrary to
law.
"Applying those principles, the Librarian accepted the
CARPs conclusion that the RIAA/Yahoo!
agreement represented the best evidence of what rates would have
been negotiated in the marketplace between a willing
buyer and a willing seller for a license to engage in webcasting
of radio retransmissions and Internet-only transmissions...."
CONTINUED BELOW
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"Significant error regarding
promotional value..."
"However, the Librarian concluded that the CARP misinterpreted
some aspects of the RIAA/Yahoo! agreement. One of the most
significant errors by the CARP was its conclusion that
the parties must have agreed that radio retransmissions have a tremendous
positive promotional impact on
sales of phonorecords an impact that it did not find Internet-only
transmissions have and that this promotional impact explained
the decision of RIAA and Yahoo! to set a higher rate for Internet-only
transmissions.
"In fact, both the broadcasters (who benefited from
the CARPs conclusion regarding promotional value) and RIAA
agree that there was no evidence in the record to support the conclusion
that RIAA and Yahoo! considered and made adjustments for promotional
value for radio retransmissions. The Librarian agreed with the Register
of Copyrights that the CARPs conclusion about promotional
value was arbitrary and was not supported by the evidence in the
record, which provided no basis
for concluding that radio retransmissions provide a promotional
value that Internet-only transmissions do not provide..."
"Percentage of revenues
approach was less desirable for a number of reasons..." "Webcasters and broadcasters asked that the Librarian
reject the CARPs approach and provide them with an option
to pay a rate based on a percentage of their revenues, rather than
a per-performance rate. However, the Panel concluded that a percentage
of revenue approach was less desirable for a number of reasons.
Those reasons included the CARPs conclusion that a per-performance
rate is directly tied to the right being licensed (i.e., the right
of public performance).
"The CARP also observed that due to varying business
models among webcasters, some of which offer features unrelated
to music, identifying the relevant revenue base against which a
percentage should be applied consistently would be complex and difficult.
Finally, the CARP noted that because many webcasters are currently
generating very little revenue, a percentage of revenue rate would
require copyright owners to allow extensive use of their property
with little or no compensation. The Librarian found these conclusions
reasonable and saw no reason to abandon the CARPs per performance
approach..."
...
... The Librarian was constrained
by Congress's instructions
When Congress passed the Digital Millennium Copyright Act
(DMCA) in 1998, they instructed the Librarian of Congress to
set a rate based strictly onwhat
a willing buyer and willing seller would pay.
Constrained by that instruction, this may have been the
only decision the Librarian and the Copyright Office felt could
be made. -- KH ...
Re: Ephemeral recordings: "Webcasters
argued that ephemeral recordings
have no economic value, relying on a 2001 report by the Copyright
Office that was critical of the Section 112 statutory license and
concluded that there was no rationale for the imposition of a royalty
obligation under a statutory license to make copies that have no
independent economic value and are made solely to enable another
use that is permitted under a separate license. But the Register
could not recommend that the Librarian follow this approach, observing
that the Librarians obligation in this proceeding is to apply
the law as it is, rather than disregard the law in favor
of the Registers policy preference.
[an error occurred while processing this directive]
From their press release: "U.S. Reps.
Jay Inslee and Rick Boucherreacted to this evening's determination by the Librarian
of Congress to cut in half royalty fees charged to webcasters. Inslee
and Boucher are also considering legislative action that would more
effectively ensure fair payment to music creators while continuing
to maintain a diverse, innovative Internet medium for music broadcasting.
"Following the Librarian's decision, Inslee [right] and
Boucher [below] made the following statement:
"'We are moderately encouraged that the Librarian of Congress
reduced the rates for Internet-only webcasters to the same level AM/FM
radio Internet broadcasters. We remain very concerned, however, that
this rate will lead to the elimination of
hundreds of small businesses and does not provide a viable
model to serve both the Internet radio industry and recording artists.
"'Unfortunately, these rates are a direct result of
the flawed "willing-buyer/willing-seller" standard that
Congress mandated
the Librarian of Congress use in determining these rates. Instead
of assessing a fair rate, the flawed standard instead requires the
arbitrators to try to replicate willing buyers and willing sellers
in an already flawed marketplace.
"'While the Librarian of Congress clearly went to great
lengths to change the burdensome Copyright Arbitration Royalty Panel
(CARP) ruling, we believe that such a contorted process and poor
outcome can be avoided by changing the
standard guiding the Librarian's decision-making and
removing other obstacles in current copyright law that were identified
by the Librarian.
"We will be considering legislation to change the standard
from "willing-buyer/willing-seller" for Internet radio
to the traditional fair market formula used by other CARPs. In addition,
we want to ensure that all future Carps must take into consideration
small business concerns and
allow effective participation of small, niche and noncommercial
entities. We believe these standards will allow for the development
of a viable Internet radio industry and ensure that artists, writers,
and record labels are fairly compensated.'
"The 'willing-buyer/willing-seller' standard requires
that the CARP establish royalty rates for Internet radio based on
market transactions between the record labels and the Internet broadcasters.
There has only been one such transaction
in the marketplace since the law was passed, and that contract was
terminated prematurely by the webcaster. Therefore, the CARP did
not have enough information on viable contracts from which to make
a rate determination."
RIAA
claims unhappiness with decision The import of this decision is that artists and
record labels will subsidize the webcasting businesses of multi-billion
dollar companies like Yahoo, AOL, RealNetworks and Viacom. The
rate, which cannot be squared with the decision of the arbitration
panel, simply does not reflect the fair market value of the
music as promised by the law. This decision will certainly reinforce
the steadfast opposition of copyright owners to compulsory licensing.
Statement by Cary Sherman, President, Recording Industry
Association of America (RIAA). (Hilary Rosen was recently promoted
to Chairman)
Webcasting
Royalty Rates Sliced in Half
Good breaking news story from Internet.com click
screenshot at right.
Want
to re-read Kurt's May 17 & 20 essay, "RIAA may
win the battle but lose the war"?
What's
next?
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"'Percentage-of-revenue
model was the right decision here..."
Don't expect radio broadcasters to be jumping for joy over
this decision. In fact, don't be surprised to see more broadcast
groups follow Entercom's lead and pull their streams.
At these rates (essentially unchanged from the original CARP
decision), there's no incentive for terrestrial radio to stream. How
do you, as a broadcaster justify paying about $100/year PER LISTENER
(plus bandwidth costs) just to get your programming on the Web? I
don't have the numbers handy, but it's a pretty safe bet that it costs
a LOT less to reach listeners with radios.
Mel Karmazin is looking like a genius now for not allowing
Infinity to stream their stations.
The "percentage-of-revenue" model (used for ASCAP
and BMI rates) was the right decision here. But as you've noted, the
LOC had its hands tied by the DMCA. That's too bad.
Rich Petschke
RIS Solutions
"'So
the establishment can reap the benefits'..."
The final decision's rate is still high enough that, with the
retroactivity of incumbents' liability to 1998, it is basically telling
all the pioneers of this new medium, "Thanks very much for pioneering
efforts. Now you can roll over and die so the establishment can reap
the benefits."
Art Marriott
Seattle, WA
"More
boring, badly-done radio..."
I can't believe the RIAA would have the GALL to respond that
they are "unhappy" with today's ruling. Anybody knows when
you go to negotiate you ask for twice what you're willing to live
with. I guarantee there is some back slapping and cigar smoking going
on somewhere above Wall Street, while I myself begin the process of
dismantling something I've spent thousands of hours building.
Even with my small devoted audience, this rate is FAR beyond
my ability to pay, and they know that. It simply means one day, somewhere,
one more listener will be forced to listen to more boring, badly done
radio being produced by some corporate giant.
This decision breaks my freaking heart.
Michael Monahan
atlantabluesky.com
"Efforts
to change the DMCA will be strengthened..."
Well, folks, the Librarian of Congress's ruling is in and with
the exception of the reduction of rates for Internet-only webcasters,
it is not significantly different from the CARP decision. I expect
the following to occur as a result of this decision:
(1) Many webcasters and broadcasters will abandon
webcasting altogether; (2) Many webcasters and some broadcasters will declare
bankruptcy because
of the nature of the proposed fees; (3) Many webcasters and broadcasters that remain will start
charging you
to listen to them; (4) Some Internet-only webcasters with the means to do it will
move offshore to
Grand Cayman or some other place where US copyright laws do not apply;
and (5) A battle royale will ensue between broadcasters and the
recording industry in court and in Congress as efforts are mounted
to reform the DMCA.
While I am disappointed with these rate rulings, I see two
positive things coming out of them. First, the efforts to change the
DMCA will be strengthened; and (2) it appears the logging requirements
have been minimized.
Ted Chittenden
"They
are throwing away an opportunity for growth..."
One good thing that could come of this decision is the emergence
of independent artists and labels as the primary keepers of Internet
radio. This could start a revolution against the 5 ruling labels that
are charging too much for most broadcasters to pay.
They are throwing away an opportunity for growth, and the
smaller labels and independent artists will be more than happy to
come in and fill in the void.
Fawn McDonald
Austin Alternative Radio Transmissions
"Is
history repeating itself?.."
Yikes! We were warned, but the news still stuns us, is history
repeating itself?
I just read a book detailing how radio pioneers were pursued
by music publishers wanting fees. In the Fall of 1922, a group
of early broadcasters met in an empty courtroom in Chicago's Federal
Court Building. The single purpose was to provide a united front against
ASCAP's demands for royalty payments on the music they were playing.
The new group eventually became the NAB (National Association of Broadcasters).
A Federal Judge ordered the radio stations to pay the copyright
holders for the music they played on their stations. Later, in 1932,
ASCAP shocked the still-fledgling radio industry by announcing an
increase of 300 percent in fees.
It seems history is repeating itself and found this small book
interesting in the light of
current events.
Allan Winters
Sunlite Broadcasting
"Congress
take notice!.."
Well, an ill-conceived law and a poorly constructed arbitration
method have smacked the Internet-radio listening public in the face
with a wet fish. Time to clean up the mess.
Congress take notice: I'm going to vote only for a representative
and senators who take swift action. The rest of you, you're outta
there!