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CRB coverage 2002:
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UPDATED:
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crb update
Headline: "Mainstream media ramps up Net radio royalty coverage"
BY DANIEL MCSWAIN
If the media attention paid to it in recent weeks is any indicator, the issue of Internet radio royalties has not only grown strong "legs", but it might just begetting ready to run.

Last week, public broadcasters leaned heavily on the topic. On Tuesday,
KCRW hosted a live session with DiMA's Jon Potter, pbsSoundExchange's John Simson, and a spokesperson from Rep. Howard Berman's office debating the merits of the Internet Radio Equality Act [RAIN coverage here].

In Friday's edition of PBS' daily long-form news show "NOW", the topic of Internet radio royalty rates was tackled in a piece titled "Radio Paradise Lost". Webcaster Bill Goldsmith [pictured with wife Rebecca below],whose station
Radio Paradise is funded by listeners "public radio-style", was featured in goldsmiththe segment which underscored the popularity and value of small, independent webcasters to listeners and artists whose online music alternatives are being severely threatened.

The "NOW" segment states that "in the last month, 1 in 5 Amercians has listened to Internet radio. The attraction is the diversity. But despite its popularity, Internet radio is fighting to stay on the air."

John Simson, director of
SoundExchange, says in the program that new royalty rates that his organization supports help to offset the recording industry's difficulties in reconciling increasing consumer desire for digital music with plummeting physical sales.

NOW"We have a dramatically changing marketplace," Simson told NOW. "I hear people saying, 'You know,
people discover new music this way, and they buy more CDs this way.' Interestingly, what we're seeing is a dramatic decrease in the sale of CDs, and we're seeing people consuming music in new ways."

The public broadcast pieces come during a week that also produced a defense of the Internet Radio Equality Act in the Chicago Tribune [RAIN coverage
here], one of the nation's largest newspapers, in addition to coverage from numerous chicago tribunelarge outlets of the contentious "administrative fees" to be collected by SoundExchange that would total more than $1 billion from just a handful of webcasting companies.

Click
here to watch last Friday's edition of "NOW" at PBS.org.
 
RAIN is brought to you today by:
Save Net Radio

Internet radio may be driven out of business within weeks by a Copyright Royalty Board decision that gives record companies a royalty rate that exceeds 100% of most webcasters' total revenues.

Visit SaveNetRadio.org for links to a petition to Congress you can sign, and to send the message directly to your Representative and Senators that you don't want to lose Internet radio!

Headline: "Bands reach potential fans via video game soundtracks"
From a Reuters story in The Boston Globe: "It is a dark time for record labels and mainstream radio, but the people who pick music for video games say there has never been a better time to be an aspiring rock star.

"'There are more opportunities than ever before. I would much rather be a young band right now than 10 years ago,' said Steve Schnur, referring to a time when record companies and radio station owners held the keys to what got heard.

"The worldwide executive of music at Electronic Arts Inc., which is the biggest video game publisher, put a once unknown Southern California band called Avenged Sevenfold in multiple games... The band, also known as A7X, has since gotten a Warner Bros. Records contract...

"Scottish indie rock band Franz Ferdinand crossed the pond, winning U.S. fans after its music was in games like 'Madden NFL 2005,' soccer game 'FIFA 2005' and racing title 'Burnout 3: Takedown,' [screenshot above] said Schnur, who also led the music selection in 'NBA Live 2003' -- the only video game soundtrack to go platinum.

"'We're a new medium that delivers music in a new and interesting way,' said Alex Hackford, artist and repertoire manager for Sony Computer Entertainment America...

"He put (band Stab the Matador) in baseball game 'MLB 06: The Show.' From there, he said, the band got a booking agent and a national tour...

"Music-based games such as Konami's various karaoke titles, Activision Inc.'s 'Guitar Hero' and Sony's 'SingStar' are also an outlet for established groups from the Rolling Stones and Queen to Lynyrd Skynyrd and Deep Purple. Crooner Frank Sinatra, country star Johnny Cash and the Doors were headliners in Activision's 'Tony Hawk Underground 2.'

"'It really underscores the fact that there is no longer a magic bullet that sells a record,' said Celia Hirschman, founder of Downtown Marketing, a music marketing consulting company in San Francisco.

"Video games are a perfect way for consumers to discover new music and for bands, especially those of the post-modern punk, hip hop, funk and heavy metal variety, to reach their typically rabid fan base, she said."

Read this entire story at Boston.com, The Boston Globe's web site, here.


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