BY
KURT HANSON
Entercom's decision last week to drop streaming for
the final 20 stations
they still offered (see Friday's RAIN, here)
was apparently an "allocation of resources" issue, in that it takes
time, effort, and money to support
streaming properly, and that streaming was perceived by corporate
as serving only a small audience
and with no foreseeable payback.
Well, perhaps. On the other hand, let's
look at the numbers:
According
to "Duncan's Radio Market Guide (2001 edition)," WEEI/Boston
had revenues in 2000 of about $27 million. To make the math
easier, let's guess that this year, they might have $30
million in revenues.
According
to Arbitron, WEEI typically has a AQH audience size of about
20,000 people.
What those two numbers together suggest is the following:
For every thousand AQH listeners that WEEI has, its sales
staff is able to convert those listeners, over the course of
a year, into about $1.5 million
in revenues.
In Arbitron diaries today, webcast
listening
counts as radio listening! Now, here's the key observation in this analysis: From
the point of view of Arbitron's broadcast radio ratings division
today, webcast listeners count as station
listeners!
In other words, if a Boston-area resident receives
an Arbitron a diary and writes in listening to WEEI's stream ( even
as "WEEI via the Internet" or "WEEI.com"),
WEEI gets credit for that listening in Arbitron's
radio ratings book.
According
to the Measurecast numbers for winter, WEEI was streaming
about 240,000 hours of its programming. Applying the "Hanson
Conversion" (drop the last three zeros and multiply by two),
we learn that WEEI's AQH
audience (Mon-Sun 6A-Mid) for its webcast was about 480
people.
(Mathematical note: AQH audience sizeestimate
describes about how many simultaneous
streams WEEI was running at the average moment, making
a slightly generous assumption that all webcast listening occurred
during Arbitron's "broadcast day." We also know general patterns
or Internet radio listenership that suggest that WEEI's midday
at-work streaming audience was probably closer to
1,000 listeners, with much lower listening levels
at night and on weekends.)
If WEEI's webcast listeners were
(A) living in the Boston metropolitan
area (as most probably were, based on what we know about the industry
in general regarding simulcat streams) and (B)
incremental
listeners would not have been listening to the AM signal if the
stream wasn't available, those individuals
are currently worth almost $750,000/year to WEEI!
Of course, both assumptions weren't true for all 240,000
hours worth of streaming but, on the other hand, webcast
audiences are growing, so from
a decision-making point of view, those two points could to some
extent cancel each other out.
What will happen now that WEEI has pulled its stream down?
Some of those listeners will find other, less-convenient ways to
listen to WEEI e.g. turning on the AM radio in their cubicle
again. But some of that listening will go away, and WEEI's Arbitron
ratings will thus be 1% to 2% lower
from now on.
Are radio group heads making
a $200 million mistake? According to the RAB (source: NAB FAQ here),
radio is currently a $20 billionindustry in terms of ad
revenues.
If you're the CEO of a large broadcast group with, say, 10%
of that total, you've got $2 billion
in revenues. If you choose to stream your stations' programming
on the web, you can probably increase your audience sizes across
the group by, on average, about 1%;
conversely, not streaming probably hurts your audience sizes by
about 1%. Thus, the impact to your group of streaming or not streaming
is about $20 million.
(Important note: Again, I am not talking about selling audio
ads in your streams. I am talking here about the fact that mentions
in diaries increase the Arbitron-reported size of your broadcast
audience!)
In this scenario, your total AQH is about 3 million people,
your web AQH would be about 30,000 people, your annual streaming
costs (at, say, $.02/hour) would be about $600/hour (or $4 million/year),
and your gross profit (before other expenses like manpower, royalty
fees, etc.) would be $16 million.
There's some margin there to play with!
"But it's only 1%!" One obvious counterargument to my thesis is that a 1% gain
or loss of audience is unnoticeable in the big picture. But
that argument could be applied to many, many aspects of a station's
operations.
For example, you could replace your ten-year-veteran afternoon
drive air personality with someone cheaper and your full-week numbers
would probably go down by less than 1%. You could drop your co-sponsorship
of various summer concerts and your full-week numbers would probably
go down by less than 1%. You could drop your Fall quarter Auditorium
Music Tests and your full-week numbers for the year would probably
go down by less than 1%.
For successful radio stations, future gains and losses generally
happen in incremental steps like this -- doing a lot of things right.
This is one of those steps...and one that will become increasingly
worthwhile as broadband penetration continues to increase and national
levels of listening to Internet radio continue to rise.
WEEI's Tom Baker: "I
am concerned
about the e-mails I'm getting..." In this story, I've used WEEI as my example simply because
it was the only Entercom station for which I had access to Measurecast
data. While writing it, I talked briefly to Entercom's VP/GM
for its Boston cluster, Tom Baker,
who told me: "Two things bother me: On the one hand, when we
have too many listeners, the stream goes down. That was annoying.
But I'm also concerned about about all these e-mails I'm getting
from people in office buildings
who say they can't listen to me now."
Overall, Tom seemed inclined to agree with the corporate
decision: "But I still contend that
if people are in love with a radio station, they'll find a way to
listen to it."
(Screenshot above is from the WEEI website)
...
... The bigger picture:
Streaming can
counterbalance radio's long-term audience losses According to national Arbitron figures, the average consumer's
total number of hours of radio listening has been declining
at about 3% per year for several years now. This
is not good.
However, here's a counterbalance: By streaming your signal,
you're offering an opportunity for your listeners to listen
to you in an environment in which they otherwise might not choose
to or might not be able to.
If the industry can mitigate some of these losses, it
seems rational to me to consider doing so. ...
"Being
unable to get radio signal to come in clearly at work..."
I'll be honest, until I tried accessing my favorite AM simulcast
(WEEI-AM/Boston) this morning
at work, I was totally unaware of the current situation. I've been
listening to this simulcast since it was created and also often listen
to music
online via websites such as MP3.com.
Being unable to get a radio signal to come in clearly at work,
my only alternative has been via online broadcasting. Thru it, I've
been introduced to countless new bands
and musical styles which I normally
would not have had access to. If anything, Internet radio has gotten
me to buy more CDs then ever before.
I'm much more apt to buy a CD if I can here a sampling of songs from
it before hand to determine if I like it or not.
You tell me where on the radio to go to hear the latest mixes
by Trance Control, or the latest hardcore from Hatebreed. Still looking?
That's what I thought.
I'm not sure what, if anything I can do to assist in this
matter but feel free to tell me. I've already submitted a letter to
my Congressional representatives. I look forward to reading your newsletters
as I pray fervently for the time when I can again listen to my favorite
music and sports talk simulcasts again.
Stephen
J. Baker Jr.
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From the New York Times: "Within a few weeks
of having an XM Satellite Radio
antenna and receiver installed in the
family minivan, I found myself thinking of the old joke about the
taciturn farmer who loved his wife so much that he almost told her.
XM had lent me the equipment so that I could try its service, which
costs $9.99 a month. I liked what I heard so much that I almost
bought the equipment and subscribed.
"XM, based in Washington, broadcasts 100 channels of
music, news, chat and comedy. A competitor, Sirius
Satellite Radio, based in
New York, is rolling out a 100-channel network of its own that is
scheduled to be available nationwide by the end of this summer.
Sirius is charging $12.95 a month...
"For now, all of Sirius's music channels are free of
commercials; some of XM's music channels run ads (no more than six
minutes an hour, according to its Web site). Industry analysts expect
both companies to have more ads and raise subscription rates eventually
— the same developmental trajectory
followed by cable television as it tried to become profitable. On
the plus side for consumers, the future is also expected to bring
receivers that work equally well with both radio networks; the systems
are now incompatible...
"Why was I impressed but not sold after a one-month
trial? My wife and I enjoyed the service, but we found ourselves
asking, 'Do I really need this?' rather than, 'Can I afford it?'
Given that our minivan has a tape deck and a CD player, it is not
as if we depend on radio to hear music we like."
Read this entire review from Sunday's New York Times
online here.
From the Chicago Tribune: "The battle for the
attention and the spending power of Chicago-area radio listeners
intensifies Saturday with the entry of a second satellite radio
service in Illinois.
"Sirius Satellite Radio will activate service in Illinois,
eight other states and Washington, D.C.,
bringing its coverage to 37 states, and it plans to be nationwide
by July 1.
"The New York-based company is nipping at the heels
of the only other player in the field, Washington, D.C.-based XM
Satellite Radio Holdings Inc., which went nationwide late last year
and has made strides toward building its brand and subscriber base...
"To be sure, Sirius has some catching up to do. Originally
the leader in the race to get satellites launched, it has missed
deadlines on development of its chipset, or the brains of the radio
kits; on the launch of service; and on the shipment of equipment
to retailers.
"'I think this company did a great job in defining the concept,
the vision, in getting a Federal Communications Commission license,
in raising money, in putting a satellite up, but it didn't have
the culture for taking
product to the marketplace,' said Joseph Clayton, who was brought
in as president and chief executive officer last November to turn
things around.
"The company brought in new management and hired a consultant
who worked out the kinks in the technology, he said. Manufacturers
have been pressured to get the product to retailers, and the company
is modifying arrangements with carmakers to try to accelerate its
launch...
"With 200 million cars on the road, the two companies
together will only have to capture about 3 percent of the market
to have viable businesses, noted Robert Peck, an analyst with Bear
Stearns.
'In general, I'm very bullish on the prospects for satellite radio,'
he said, citing the digital quality, breadth of choice and the relative
lack of advertising.
"Others are more skeptical.
"'People like what they have and it costs very little, so
satellite will have to be head and shoulders above -- and I don't
think it is yet,' said Rick Morris, associate professor of radio,
television and film at Northwestern University. The mix will have
to be more than pure music channels and reuse of talk programming
already available on commercial radio, he said."
This article appeared in Saturday's Chicago Tribune.
Read it online here.
This first item is in response to the news that Entercom has
halted all station Internet streaming (in RAINhere)...
"Eight
to ten hours a day..."
This
is a sad day in Internet radio entertainment, as I am a huge fan
of Internet radio from Entercom`s Sacramento`s KRXQ
98 ROCK.
I, as of now, used to listen on the Internet for 8 to 10 hours
a day every day. The decision by Entercom to cancel the service has
left me distraught and hopeless. I hopefully wish the service can
be restored as soon as possible. Thanks.
Rodney
Snell
This is in response to Kurt's article "What the CARP panel
ignored: Royalty rates around the world!" (here),
and coverage of a Washington Post editorial "Columnist says if
'Net radio pays royalty, all broadcasters should" (here)...
"Reasonable
minds..."
Concur on both points Kurt, "performance" webplay/airplay has
a DIRECT benefit to the artist(s) and therefore is more
valuable to them in selling themselves and everything they sell (of
a recording nature and more), and secondly, Mr. Peroraro of the Post
is absolutely correct, anything other than parity among all users
of sound recordings is a "special tax".
Finally, reasonable minds are beginning to prevail.
Bob
Ottaway ClassicalMusicDetroit.com
"Society
is the loser..."
Just wanted to write you guys a note and tell you what a great
addition stations like KLOVE.com,
Air1.com, and MyCPR.com
are to
the web. They give variety that local stations won't provide. I understand
that you have to play by the feds rules and if those rules make it
too expensive to provide web streaming, well, bummer. Society is the
loser since what have become common assets for us all are now taken
away.
Hopefully the tide will turn our way one of these days. Web
stations like these have provided a GREAT service and I for one would
sure miss their availability.
Thanks,
Dennis
From the Wall Street Journal: "Napster
Inc., the Internet music-swapping service that has been entangled
in copyright lawsuits with five record companies since 1999, early
Monday filed
for protection from creditors under Chapter 11 of the Bankruptcy Code.
"The move was expected. Napster has agreed to sell its
assets to Germany's Bertelsmann AG for consideration that includes
$8 million in cash and the assumption of certain liabilities.
"In the Delaware bankruptcy filing, Napster said that
it had assets of $7.9 million and liabilities of $101 million as of
April 30. The amounts don't include contingent, disputed or unliquidated
liabilities for alleged copyright-infringement claims or other claims
asserted against the company in certain pending or threatened lawsuits."
This entire article is in today's Wall Street Journal.
You can read it online here
(registration required).