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Entercom drops streaming: In WEEI's case, a $750K mistake?
BY KURT HANSON
Entercom's decision
last week to drop streaming for the final 20 stations they still offered (see Friday's RAIN, here) was apparently an "allocation of resources" issue, in that it takes time, effort, and money to support streaming properly, and that streaming was perceived by corporate as serving only a small audience and with no foreseeable payback.

Well, perhaps. On the other hand, let's look at the numbers:

According to "Duncan's Radio Market Guide (2001 edition)," WEEI/Boston had revenues in 2000 of about $27 million. To make the math easier, let's guess that this year, they might have $30 million in revenues.
According to Arbitron, WEEI typically has a AQH audience size of about 20,000 people.

What those two numbers together suggest is the following:

For every thousand AQH listeners that WEEI has, its sales staff is able to convert those listeners, over the course of a year, into about $1.5 million in revenues.

In Arbitron diaries today, webcast listening
counts as radio listening!

Now, here's the key observation in this analysis: From the point of view of Arbitron's broadcast radio ratings division today, webcast listeners count as station listeners!

In other words, if a Boston-area resident receives an Arbitron a diary and writes in listening to WEEI's stream ( even as "WEEI via the Internet" or "WEEI.com"), WEEI gets credit for that listening in Arbitron's radio ratings book.

According to the Measurecast numbers for winter, WEEI was streaming about 240,000 hours of its programming. Applying the "Hanson Conversion" (drop the last three zeros and multiply by two), we learn that WEEI's AQH audience (Mon-Sun 6A-Mid) for its webcast was about 480 people.
(Mathematical note: AQH audience size estimate describes about how many simultaneous streams WEEI was running at the average moment, making a slightly generous assumption that all webcast listening occurred during Arbitron's "broadcast day." We also know general patterns or Internet radio listenership that suggest that WEEI's midday at-work streaming audience was probably closer to 1,000 listeners, with much lower listening levels at night and on weekends.)

If WEEI's webcast listeners were (A) living in the Boston metropolitan area (as most probably were, based on what we know about the industry in general regarding simulcat streams) and (B) incremental listeners would not have been listening to the AM signal if the stream wasn't available, those individuals are currently worth almost $750,000/year to WEEI!

Of course, both assumptions weren't true for all 240,000 hours worth of streaming — but, on the other hand, webcast audiences are growing, so from a decision-making point of view, those two points could to some extent cancel each other out.

What will happen now that WEEI has pulled its stream down? Some of those listeners will find other, less-convenient ways to listen to WEEI — e.g. turning on the AM radio in their cubicle again. But some of that listening will go away, and WEEI's Arbitron ratings will thus be 1% to 2% lower from now on.

Are radio group heads making
a $200 million mistake?

According to the RAB (source: NAB FAQ here), radio is currently a $20 billion industry in terms of ad revenues.

If you're the CEO of a large broadcast group with, say, 10% of that total, you've got $2 billion in revenues. If you choose to stream your stations' programming on the web, you can probably increase your audience sizes across the group by, on average, about 1%; conversely, not streaming probably hurts your audience sizes by about 1%. Thus, the impact to your group of streaming or not streaming is about $20 million.

(Important note: Again, I am not talking about selling audio ads in your streams. I am talking here about the fact that mentions in diaries increase the Arbitron-reported size of your broadcast audience!)

In this scenario, your total AQH is about 3 million people, your web AQH would be about 30,000 people, your annual streaming costs (at, say, $.02/hour) would be about $600/hour (or $4 million/year), and your gross profit (before other expenses like manpower, royalty fees, etc.) would be $16 million.

There's some margin there to play with!

"But it's only 1%!"
One obvious counterargument to my thesis is that a 1% gain or loss of audience is unnoticeable in the big picture. But that argument could be applied to many, many aspects of a station's operations.

For example, you could replace
your ten-year-veteran afternoon drive air personality with someone cheaper and your full-week numbers would probably go down by less than 1%. You could drop your co-sponsorship of various summer concerts and your full-week numbers would probably go down by less than 1%. You could drop your Fall quarter Auditorium Music Tests and your full-week numbers for the year would probably go down by less than 1%.

For successful radio stations, future gains and losses generally happen in incremental steps like this -- doing a lot of things right. This is one of those steps...and one that will become increasingly worthwhile as broadband penetration continues to increase and national levels of listening to Internet radio continue to rise.

WEEI's Tom Baker: "I am concerned
about the e-mails I'm getting..."

In this story, I've used WEEI as my example simply because it was the only Entercom station for which I had access to Measurecast data.

While writing it, I talked briefly to Entercom's VP/GM for its Boston cluster, Tom Baker, who told me: "Two things bother me: On the one hand, when we have too many listeners, the stream goes down. That was annoying. But I'm also concerned about about all these e-mails I'm getting from people in office buildings who say they can't listen to me now."

Overall, Tom seemed inclined to agree with the corporate decision: "But I still contend that if people are in love with a radio station, they'll find a way to listen to it."

(Screenshot above is from the WEEI website)

...
...
The bigger picture: Streaming can
counterbalance radio's long-term audience losses

According to national Arbitron figures, the average consumer's total number of hours of radio listening has been declining at about 3% per year for several years now. This is not good.

However, here's a counterbalance:
By streaming your signal, you're offering an opportunity for your listeners to listen to you in an environment in which they otherwise might not choose to or might not be able to.

If the industry can mitigate some of these losses, it seems rational to me to consider doing so.

...


Reader feedback

"Being unable to get radio signal to come in clearly at work..."


I'll be honest, until I tried accessing my favorite AM simulcast (WEEI-AM/Boston) this morning at work, I was totally unaware of the current situation. I've been listening to this simulcast since it was created and also often listen to music online via websites such as MP3.com.

Being unable to get a radio signal to come in clearly at work, my only alternative has been via online broadcasting. Thru it, I've been introduced to countless new bands and musical styles which I normally would not have had access to. If anything, Internet radio has gotten me to buy more CDs then ever before. I'm much more apt to buy a CD if I can here a sampling of songs from it before hand to determine if I like it or not.

You tell me where on the radio to go to hear the latest mixes by Trance Control, or the latest hardcore from Hatebreed. Still looking? That's what I thought.

I'm not sure what, if anything I can do to assist in this matter but feel free to tell me. I've already submitted a letter to my Congressional representatives. I look forward to reading your newsletters as I pray fervently for the time when I can again listen to my favorite music and sports talk simulcasts again.

  Stephen J. Baker Jr.
 
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NYT review: Given other options, XM is nice, but not necessary
From the New York Times: "Within a few weeks of having an XM Satellite Radio antenna and receiver installed in the family minivan, I found myself thinking of the old joke about the taciturn farmer who loved his wife so much that he almost told her. XM had lent me the equipment so that I could try its service, which costs $9.99 a month. I liked what I heard so much that I almost bought the equipment and subscribed.

"XM, based in Washington, broadcasts 100 channels of music, news, chat and comedy. A competitor, Sirius Satellite Radio, based in New York, is rolling out a 100-channel network of its own that is scheduled to be available nationwide by the end of this summer. Sirius is charging $12.95 a month...

"For now, all of Sirius's music channels are free of commercials; some of XM's music channels run ads (no more than six minutes an hour, according to its Web site). Industry analysts expect both companies to have more ads and raise subscription rates eventually — the same developmental trajectory followed by cable television as it tried to become profitable. On the plus side for consumers, the future is also expected to bring receivers that work equally well with both radio networks; the systems are now incompatible...

"Why was I impressed but not sold after a one-month trial? My wife and I enjoyed the service, but we found ourselves asking, 'Do I really need this?' rather than, 'Can I afford it?' Given that our minivan has a tape deck and a CD player, it is not as if we depend on radio to hear music we like."

Read this entire review from Sunday's New York Times online here.


Sirius has "catching up to do" in uncertain satellite race
From the Chicago Tribune: "The battle for the attention and the spending power of Chicago-area radio listeners intensifies Saturday with the entry of a second satellite radio service in Illinois.

"Sirius Satellite Radio will activate service in Illinois, eight other states and Washington, D.C., bringing its coverage to 37 states, and it plans to be nationwide by July 1.

"The New York-based company is nipping at the heels of the only other player in the field, Washington, D.C.-based XM Satellite Radio Holdings Inc., which went nationwide late last year and has made strides toward building its brand and subscriber base...

"To be sure, Sirius has some catching up to do. Originally the leader in the race to get satellites launched, it has missed deadlines on development of its chipset, or the brains of the radio kits; on the launch of service; and on the shipment of equipment to retailers.

"'I think this company did a great job in defining the concept, the vision, in getting a Federal Communications Commission license, in raising money, in putting a satellite up, but it didn't have the culture for taking product to the marketplace,' said Joseph Clayton, who was brought in as president and chief executive officer last November to turn things around.

"The company brought in new management and hired a consultant who worked out the kinks in the technology, he said. Manufacturers have been pressured to get the product to retailers, and the company is modifying arrangements with carmakers to try to accelerate its launch...

"With 200 million cars on the road, the two companies together will only have to capture about 3 percent of the market to have viable businesses, noted Robert Peck, an analyst with Bear Stearns. 'In general, I'm very bullish on the prospects for satellite radio,' he said, citing the digital quality, breadth of choice and the relative lack of advertising.

"Others are more skeptical.

"'People like what they have and it costs very little, so satellite will have to be head and shoulders above -- and I don't think it is yet,' said Rick Morris, associate professor of radio, television and film at Northwestern University. The mix will have to be more than pure music channels and reuse of talk programming already available on commercial radio, he said."

This article appeared in Saturday's Chicago Tribune. Read it online here.


Have an opinion? Drop us a note! (Or, to use your own e-mail software, click here.)

  Your e-mail address:
  Your name (if not obvious from your e-mail address):
    Kurt and Paul, this is deep background -- don't quote me!

        Thanks!

 


Reader feedback
This first item is in response to the news that Entercom has halted all station Internet streaming (in RAIN here)...

"Eight to ten hours a day..."


This is a sad day in Internet radio entertainment, as I am a huge fan of Internet radio from Entercom`s Sacramento`s KRXQ 98 ROCK.

I, as of now, used to listen on the Internet for 8 to 10 hours a day every day. The decision by Entercom to cancel the service has left me distraught and hopeless. I hopefully wish the service can be restored as soon as possible. Thanks.

  Rodney Snell

This is in response to Kurt's article "What the CARP panel ignored: Royalty rates around the world!" (here), and coverage of a Washington Post editorial "Columnist says if 'Net radio pays royalty, all broadcasters should" (here)...

"Reasonable minds..."


Concur on both points Kurt, "performance" webplay/airplay has a DIRECT benefit to the artist(s) and therefore is more valuable to them in selling themselves and everything they sell (of a recording nature and more), and secondly, Mr. Peroraro of the Post is absolutely correct, anything other than parity among all users of sound recordings is a "special tax".

Finally, reasonable minds are beginning to prevail.

  Bob Ottaway
ClassicalMusicDetroit.com


"Society is the loser..."


Just wanted to write you guys a note and tell you what a great addition stations like KLOVE.com, Air1.com, and MyCPR.com are to the web. They give variety that local stations won't provide. I understand that you have to play by the feds rules and if those rules make it too expensive to provide web streaming, well, bummer. Society is the loser since what have become common assets for us all are now taken away.

Hopefully the tide will turn our way one of these days. Web stations like these have provided a GREAT service and I for one would sure miss their availability.

  Thanks,
Dennis
 

We'll send you a brief daily summary of each day's stories with a clickable link to the RAIN home page.
 

Napster tale reaches Chapter 11, debt at $101 MM before lawsuits
From the Wall Street Journal: "Napster Inc., the Internet music-swapping service that has been entangled in copyright lawsuits with five record companies since 1999, early Monday filed for protection from creditors under Chapter 11 of the Bankruptcy Code.

"The move was expected. Napster has agreed to sell its assets to Germany's Bertelsmann AG for consideration that includes $8 million in cash and the assumption of certain liabilities.

"In the Delaware bankruptcy filing, Napster said that it had assets of $7.9 million and liabilities of $101 million as of April 30. The amounts don't include contingent, disputed or unliquidated liabilities for alleged copyright-infringement claims or other claims asserted against the company in certain pending or threatened lawsuits."

This entire article is in today's Wall Street Journal. You can read it online here (registration required).
 
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Sept. 12-14, 2002 NAB Radio Show 2002: Seattle, WA
Oct. 1-4, 2002 Streaming Media East: New York, NY
Oct. 30-Nov. 2, 2002 CMJ Music Marathon 2002: New York, NY

 

 

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