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CRB coverage 2007:
CRB decision
SaveTheStreams
Legal options
Markey
Petitions
Copyright law
Canada?
Fred Wilhelms
[2] [3]
JPMorgan analyst
SaveNetRadio
Rehearing denied
SNR.org website
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What is "fair"?
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SX Point/Counter
July 15th D-Day
Hill walk recap
Senate IREA
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File for stay
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CRB coverage 2002:
CARP decision
Industry reacts
Industry stunned
Huge RIAA win
SJO editorial
Day of Silence?
Congress support
Day of Silence on!
Press coverage
Day of Silence
Librarian decision
Cuban speaks up
Labels: Die Now!
Forbes coverage
SWSA
SCW license


"The Future of
   Radio" series
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"Net radio frontier:
Ad sales" series
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UPDATED:
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royalty basics


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Headline: "Register TODAY for RAIN summit"
logoEarly registration for the 2007 RAIN Las Vegas Summit ends tomorrow, April 12.

Click here for our dedicated Summit page to read the growing list of speakers scheduled for the event.

To register for this event, which is selling out fast, simply click on the PayPal button below:

CLICK HERE TO PAY VIA PAYPAL:
Tickets via PayPal are $99 through tomorrow. If you are reserving seats for more than one person, please email us at rainsummit@gmail.com.
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Headline: "Veteran music lawyer urges artists to fight CRB ruling"
Veteran entertainment and music lawyer Fred Wilhelms (pictured) takes SoundExchange's John Simson to task over Simson's public support fred wilhelmsfor the CRB webcast royalty rate decision.

Wilhelms stresses that Simson is exaggerating the artist community support for the rates —and that the CRB rate will significantly harm artists, in terms of both exposure and earnings.

From CounterPunch.org: "Last night, I circulated the following letter among my clients and friends in the recording artist community....  

"It is my firm belief, shared by almost everyone not on the CRB or working for SoundExchange, that thenew rates will severely cripple Internet radio by leaving it in the hands of a small group of well-heeled players... All those great places to hear new and unusual music, and even 'niche' genres like soul, jazz, blues and folk, are in jeopardy of closing down, or moving their operations outside the U.S., where the artists won't get paid for the use of their recordings.

"That is one reason why I believe the new rates hurt artists...

"This letter is intended as the antidote to [SoundExchange Executive Director John] Simson's fevered imagination about how artists feel aboutcounterpunch  Internet radio and the new rates. While I was drafting the letter, David Byrne of the Talking Heads issued his personal rebuttal to the new rates [previous RAIN coverage here]. The group letter just makes his solo into a chorus.

"I figure I will have enough artists sign on by the end of the week to start spreading this around the Internet. I'll keep you posted.

Fred

We are recording artists.

Among us, we have quite a number of gold and platinum records and almost too many awards to count. Some of us have been recording for nearly 50 years. Many of us are recording today, but you wouldn't know it from AM or FM radio. At best, you might hear one or two of our old songs every once in a while on some Oldies station. You never hear our new stuff. 

So we love Internet radio. There are Internet stations that play our older stuff, which is great. Even better, there are Internet stations that play our new songs, and people who have heard them tell us we sound better than ever...

SoundExchange... is saying it thinks there are too many Internet stations, and that maybe the ones that can't make money should be "weeded out" for the good of the artists. We don't understand how having fewer stations playing music can be good for artists. The more stations there are, the more music, and more artists, will be heard. That's just logical...

Don't get us wrong.  We like to be paid for our music. Internet stations should pay a reasonable fee for playing our music... That's a fair solution: They get to play our music. We get heard, and we get paid... That sounds like everyone wins.

These fees should all go through SoundExchange, too, because if they do, we get our share.  That's the law. Under the new system, the label can take the Internet license fees directly, and they don't have to pay the artists anything. Our experience is that if they don't have to pay us, they won't.

We already have heard about some radio services negotiating directly with the labels, and that isn't good news for artists.  SoundExchange has quoted some artists who are defending the high royalty rates, but we suspect those artists don't know the whole story.    

So it is time you let your voice be heard. Call, write, and email your Senators and Congressperson... Let them know you think the new CRB royalty rates will be a disaster for Internet radio, for its audiences and for the artists.

Join us. Together we can save Internet radio now for all of us, now and for future generations of webcasters, audiences, and artists.

CALL, WRITE AND EMAIL YOUR SENATORS AND REPRESENTATIVE



Read the entire article and letter at CounterPunch.org.
 
RAIN is brought to you today by:
Save Net Radio

Internet radio may be driven out of business within weeks by a Copyright Royalty Board decision that gives record companies a royalty rate that exceeds 100% of most webcasters' total revenues.

Visit SaveNetRadio.org for links to a petition to Congress you can sign, and to send the message directly to your Representative and Senators that you don't want to lose Internet radio!

 
PETITION UPDATE: Please keep Internet radio alive!
was at over 54,586 signatures as of 1PM CT today (up from 51,000 last Friday). Today's sample signature:
# Name Thanks to Internet radio, have your CD (or music download) purchases (01) gone up, (02) stayed the same, or (03) gone down? Do you feel that the existence of Internet radio helps or hurts the music industry? Other comments
53113 Priscilla Chakwin 01 Helps. If you don't hear the music, how will you know it exists? If you don't know it exists, there goes the whole purchasing thing. Internet radio has much better variety than local radio... If it weren't for internet radio, no one would even have a clue as to what they were hearing. FM radio has largely done away with identifying the music they play.
Internet radio listeners are currently signing this petition to Congress at the rate of several hundred listeners every hour -- with most of them adding insightful comments about their music purchase behavior!  (Read more comments here.) If you'd like to link to this petition from your website, you'll find tools (banner, buttons, PSAs) and links at RAIN's SaveTheStreams.org. Another petition with tens of thousands of additional signatures is available, if you prefer its design, here.
 
Headline: "Portability key to Slacker, not personalization, says CEO"
From USA Today: "Dennis Mudd (pictured) never had to work agdennis muddain.

"He'd lived the great American dream, starting a company with his wife and best friend and selling it seven years later for $160 million...

"Now he's back, as CEO and co-founder of a new digital music company, Slacker...

"Pamela Mudd, Dennis's wife and business partner, describes Slacker as 'Musicmatch  [Mudd's previous company] on usa todaysteroids. It's everything Dennis wanted to do, but the  technology hadn't caught up to his ideas.' Now it has...

"'There's a lot of great Internet radio,but it's (been) stuck on the Internet or your PC,' says Mudd...

"But Mudd says he's targeting the growing audience for Internet  radio...

"Trying to sell digital devices to a consumer base that has shown its allegiance to the iPod has slacker proven futile for companies as diverse as Dell and Intel. Mudd isn't concerned. He doesn't see Slacker as competing directly with Apple or the Internet sites that create customized play lists based on your interests, such as Pandora, Last.fm slackerand even Yahoo Music.

"'I'm selling a portable radio player that can store thousands of songs and get refreshed constantly,' he says. 'That's not their business.'

"Mudd plans to make money by having his Web application ad-supported, offering a $7.50 monthly ad-free premium version and profiting from the sale of the device.

"Slacker's risk is selling the concept of portable online radio to a generation of consumers who have become accustomed to on-demand music via their iPods, says David Card, an analyst at Jupiter Media."

Read the entire article at USA Today.

 

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RAIN coverage of the 2002 CARP royalty rate ruling

Feb. 20, 2002 CARP rec.'s .07-cent fee for radio webcasts, twice that for 'Net only
Feb. 21, 2002 Industry reacts to CARP royalty rates for Internet broadcasts
Feb. 25, 2002 Industry still stunned by CARP arbitrators' recommendation.
Feb. 27, 2002 CARP arbitrators gave RIAA more than they asked for!
April 18, 2002 Mercury News editorial
April 22, 2002 Day of Silence announced
April 23, 2002 More support in Congress
April 25, 2002 Day of Silence is ON!
April 29, 2002 DOS in USA Today, NY Post
May 1, 2002 Day of Silence
June 20, 2002 Librarian Decision
June 24, 2002 Cuban on Yahoo deal
July 11, 2002 Labels to Net radio: Die Now!
October 1, 2002 Forbes coverage (scroll down)
November 15, 2002 Small Webcasters Settlement Act
December 16, 2002 Small commercial webcaster license
 
Upcoming conferences
April 14-19 NAB 2007: Las Vegas, NV
April 16 RAIN Las Vegas Summit '07: Las Vegas
April 24 Leadership Music Digital Summit: Nashville, TN
May 2

Future of Music Coalition D.C. Policy Day: Washington D.C.

September 26-27 NAB Radio Show: Charlotte, NC
October 13

IBS Webcast Conference: Seattle, WA

October 27 IBS Webcast Conference: Chicago
November 3 IBS Webcast Conference: Boston, MA
November 4-6 NAB European Radio Conference: Barcelona, Spain
December 1 IBS Webcast Conference: Fort Lauderdale, FL
December 8 IBS Webcast Conference: Los Angeles

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