... Please look to our site "Save Internet Radio"
to see how webcasters are fighting to save their industry. Want
to help? Find out what you can do at SaveInternetRadio.org. ...
BY PAUL MALONEY
While CARP participants are concentrating on influencing the
Librarian of Congress through the official channels the law provides,
other webcasters are trying to make lawmakers see their point of
view.
To encourage webcasters to start bending the ears of lawmakers,
Mike Roe and Joslyn Tillar of RadioIO.com
have been
busy assembling a list the members (and their relevant legislative
assistants) of the House of Representatives Subcommittee
on Internet and Intellectual Property issues (in Microsoft
Excel format here).
It's reasonable to assume that these ladies and gentlemen would
probably be the most well-versed in the issues at hand, and most
likely to want to do what they think is best for the new media industry.
The webcasters' idea here is that legislators, though not
officially part of the copyright royalty process, might be convinced
that the pending royalty rates are grossly unfair to the webcasting
industry. Hopefully, if a few were to feel strongly enough about
the issue, they would make an effort themselves to put in a word
with the Librarian of Congress.
Here's their plan: Each webcaster is asked to send a letter
to each member of this House
Subcommittee (with a copy to each respective legislative assistant)
that:
(1) ...Asks the representative to acquaint his- or herself with
the issue,
(2) ...Provides the representative with a synopsis of the issue,
(3) ...Provides the representative with references (Internet pages,
etc.) to additional research material that can be used to deepen
their understanding, and...
(4) ...Should they agree with the webcasting industry's point of
view, requests that the subcommittee member expresses his or her
concern(s) with the arbitrated settlement to the Librarian of Congress,
in the hopes that the CARP recommendations be set aside.
(5) ...Might also recommend to the Librarian a restructuring of
the rate based on webcasters' revenue, or some other method that
allows the industry to survive.
Roe says it's important that webcasters touch base with the
legislative assistants (Legislative assistants are people
within each subcommittee member's office who are responsible for
following specific issues and bringing certain matters to the attention
of the subcommittee member.) as well.
Even telephoning officials to discuss the issue is easier
than one might think, according to Roe's experience. "I have
personally spoken with fifty-plus House members' offices in the
past week. In every instance, I have been able to speak directly
with the legislative assistant on Internet and Intellectual Property
issues."
He said he was astonished to find that not a single legislative
assistant concerned with this topic that he spoke with was familiar
with the issue. "And if the legislative assistant on Internet
and Intellectual Property issues is not familiar with the issue,"
says Roe, "it is a pretty safe bet that their boss is not familiar
with it."
Once again, the list of Representatives and their assistants
is here
(it's an Excel spreadsheet).
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From a Clear Channel press release: "Clear Channel,
like most other major radio programmers, temporarily shut down its
streaming activities in the second half of 2001 due to copyright
arguments and
pending review by the Copyright Arbitration Royalty Panel (CARP).
Late in the fourth quarter [Clear Channel Radio Interactive Vice
President/ General Manager John] Martin took over the Clear
Channel Radio Interactive division and set his staff into
motion to bring approximately 200 stations back streaming by the
first of the year. By that time he expected the copyright issues
to have been resolved.
"The issue, however, is still looming on the horizon.
Martin added, 'The onerous copyright fees that are being considered
are overshadowing the future of streaming. We want to super serve
our loyal listeners...we know the economics need to be worked out
and the business model needs to be fair and work for everyone. The
current
model doesn't achieve that parity. It would be a shame to see this
exciting, new Interactive medium halted in its infancy.'
"Earlier this month, Eddie Fritts, CEO of the National
Association of Broadcasters, echoed many of the same sentiments,
stating, 'The ruling from the Copyright Arbitration Royalty Panel
may have the effect of unintended consequences, in that many radio
broadcasters may reevaluate their streaming strategies. If the powerful
record company interests' goal was to strangle a fledgling new service
to radio listeners, it may have succeeded beyond its own expectations.'"
My name is Ariel Somes. I am 55 years old, disabled, and as
of March 6th, 2002, my doctors told me I may no longer drive
a car. Having said all of that I want to tell you (and anyone
else who will listen) how lost I will be if Internet radio/webcasters
are silenced due to the CARP.
I live in a very small town named Cleveland, MS. I am 100 miles
from the nearest major music store which is in Memphis, TN.
Out here we don't have a choice of three classical radio stations,
six rock n' roll stations, four country and western stations,
etc., like most major cities. We don't even have a store that
offers a wide variety of music here. All we have is the tiny
music department in the local department store. Hence, my "radio
listening pleasure" is quite limited if I turn on the radio.
So what do I do? I turn on my computer in the morning and listen
to www.live365.com and upon occasion several radio stations
that broadcast their music over the air and over the 'Net.
Live365.com is my favorite because when music comes on that
I especially like I can see at a glace the title and artist
and with a quick click of my mouse I am connected to a seller.
There are quite a few CDs that I now own because of that feature.
Most radio stations don't take the time anymore to say who the
artist is that just sang a song, and they certainly don't mention
the title of the CD.
If I had to guess I would say that in the last year I purchased
upwards to $500.00 in CDs just because of the ability to see
who was playing what. Many of those CDs are of music I have
long enjoyed but never owned because I didn't know who the composer/artist
was nor did I know the title of the CD.
I depend on the Internet to purchase just about everything except
groceries. And without exception, the Internet is my ONLY point
of purchase for music.
I can't begin to tell you what a loss it will be for me if sites
like www.live365.com have to shut down because of the CARP.
To say that the quality of my life will diminish is a serious
understatement.
Before I became disabled I was one of America's truckers. I
was outside, always on the go, and certainly on the radio --
CB style. It's been quite an adjustment for me to be indoors
most of the time and 99% less active. The Internet and its music
have been a very, very important part of the success of this
adjustment. I'm not quite sure what I'll do if I lose the beautiful
music that fills my ears everyday. When I found out that I could
no longer work one of the things I said to console myself was
"well, I'll be able to be on the Internet more now and listen
to more of the music I love and increase my music collection."
If webcasters like www.live365.com are silenced not only will
I lose the music, I'll lose the information I need to buy CDs.
For me, that will be tragic. And it will be a loss to my friends
as well because I won't be buying that great piece of music
I just heard for their birthday or Christmas present.
Common sense tells me that I am not the only disabled person
who depends on the Internet for music and/or uses the information
that the webcasters provide to purchase music.
In my opinion, the record companies are shooting themselves
in the foot with this one. Everybody knows that when you hear
a piece of music that you really like, even if you can listen
to it a hundred times on the radio you still want to own it.
Personally I want the CD in my hot little hand so that I can
hear it whenever I want to. I want the ability to play the cut
over and over and over again if I want to. I want the CD so
that I know that no matter what happens I will always have access
to what I find beautiful.
Next week I go in for more surgery. I hope, with all my heart
and soul, that when I am finally able to come home the Internet
music will be waiting for me. Without a doubt, quite a few CD's
that I've bought because I finally learned who the artist and/or
CD title was will go to the hospital with me and make my week
long stay more pleasant than it would be if I had to lay there
in silence.
I really hope that this issue can be resolved. It will be a
terrible loss for everyone if the Internet's music is silenced.
Everyone will lose.