BY
KURT HANSON
In looking back on old press clippings of the initial negotiations
between Webcasters and the RIAA two years ago (and of course when
I say "press clippings," I mean a Google search), I came
across a striking finding:
The initial debate between the two sides was regarding the
RIAA's request from certain Webcasters for a license fee equivalent
to 15% of gross revenues, which
Webcasters characterized as a "much higher than fair"
amount. DiMA Executive
Director Jonathan Potter (below) was quoted at the time as saying,
"DiMA members' position on that has been, 'Thank you very much,
we'll see you at arbitration" (See Wired News article here).
As it turns out, last week's arbitration recommendation
was in the form of a per-song-streamed fee ($.0014 per
song per listener, or about 2¢/hour
for a 15-song hour) rather than in a percentage of revenues. However,
translated into a percentage of revenues,the arbitrator's decision seems
to give the record companies significantly MORE
than they were initially asking for!
Let's do the math: Broadcast radio is a
$20 billion per year business. America's roughly 200
million listeners (age 12+) listen about 20
hours a week each to radio, on average, according to
Arbitron, suggesting that broadcast radio gets about 4
billion hours per week of listening -- or a little more
than 200 billion hours a year.
Divide 200 billion hours of listening by $20 billion in revenues,
and you'll calculate that broadcast radio's gross revenues seem
to be roughly 10¢/listener-hour.
Double-check: This figure
is consistent with a broadcast radio station running nine
spots at average local/national spot rates of a $10 CPM (i.e.,
1¢/impression) and five spots at network
rates of a $2 CPM (i.e., 1/5 of a cent per impression). The
math seems to check out.
Realize that in today's advertising environment, Webcasters
are seeing revenues per listener-hour that are much,
much lower than
broadcast radio's. Nonetheless, let's make the
optimistic assumption that Webcasters could eventually see the same
kind of revenues that terrestrial broadcasters are seeing. (Although
that seems unlikely given the lack of FCC-imposed scarcity and the
lower number of spots per hour that Webcasting will hopefully offer
listeners.)
Making that optimistic assumption, the arbitrators' recommendation
would be for RIAA license fees that are the equivalent of 20%
of gross revenues! (Note that that's 33%
more than the RIAA was originally asking for.) (RIAA
President/CEO Hilary Rosen is pictured left.)
Worse yet, we imagine that there are very few Webcasters,
if any, who have seen even 2¢/listener-hour
in advertising revenues to date. According to the CARP recommendation,
these Webcasters would owe sound recording license fees, retroactive
to 1998, of more than100%
of gross revenues!
As noted previously in RAIN, representatives from both sides
can continue to press the Copyright Office for proposal changes
for 54 more days.
From ZDNet UK: "The Treasury Department on Wednesday
reacted negatively to a European
Union move to require non-EU companies to impose a tax on
products delivered online to
consumers, such as downloaded software or music...
"On Wednesday, the EU Council of economic and finance
ministers gave its approval to a European Commission proposal on
applying the value-added tax, or VAT, to so-called digital products.
Those products could include computer games and software, as well
as radio or television broadcasting, delivered
online.
"The rule will, for the first time, require non-EU businesses
selling products to EU consumers over the Internet to levy the VAT
tax on purchases. The EU argues that will put non-EU companies on
a level playing field with EU businesses that are required to charge
a VAT tax...
"Late last week, the Treasury warned the EU it did not
agree with the idea. In a statement, Deputy Treasury Secretary Ken
Dam said the Bush administration had "serious concerns" about the
idea and hinted it could take the issue up with the World Trade
Organisation."
MeasureCast and Nielsen Media Research have announced that representatives
from the two companies will participate
in a joint "road show" to tout the benefits of streaming
advertising to ad agencies across the country.
In a joint press release yesterday, the two media audience
measurement companies revealed their plans to meet with media directors
and planning and research executives beginning March 5 in Los Angeles.
Last month, in a RAIN feature story (here),
we reported that Loudeye VP/SalesEd Brunohad embarked
on a similar sales blitz -- and like Hiwire's Bob Nagengast, Lightningcast's
Bill Jaris, and Live 365's Ron Denman -- would "evangelize"
for the medium.Look for a follow-up to that story in RAIN
soon.
In the press release, MeasureCast
CEO Ed Hardy said, "We want to make sure that ad industry executives
responsible for making recommendations to their clients include
streaming media advertising in their media planning mix. With the
aggregation of multiple stations, the streaming audience is becoming
large enough to be included in mass media ad buys."
The trip also has planned stops in Chicago, Minneapolis,
and New York. MeasureCast has a strategic partnership with Nielsen
Media Research and NetRatings to market its products.
"Makes
us eat what we're fed..."
Let's face the bald truth. The Music Industry WANTS to drive
everyone else out of the Internet radio business. Internet radio is
the future; they intend to control it. And they have the money and
the lobbyists to do just that.
Internet radio is clearly the future. Clearly people like
it. And clearly, advertisers eventually must show up where listeners
spend their time.
So when the copyright office caves in to the music industry
and their money and their lobbyists, the future of internet radio
is a series of Muzak sites. Innovation will proceed as slowly and
fitfully, analagous to the lack of innovation and choice their version
of Napster is providing. RAIN will be reduced to commenting
on the various flavors of vanilla as the industry makes us eat what
we're fed.
On top of that, the fees the Music Industry will pay themselves
for broadcasting on stations they control, they will make the artists
pay them as part of the promotional costs scam they have used for
decades to defraud artists of their pay. (Ask Winston Groom, author
of Forrest Gump, confronted with the amazing fact that his royalties
from the film, when it had grossed $329 million, had thus far amounted
to $0, as the movie had still not made a profit, according to the
legendary Hollywood accountants and their own fictions.)
If anyone cares, the CARP ruling is exactly the type of monopolistic
behavior Federal Judge Marilyn Hall Patel was talking about in her
February 22nd Napster ruling.
Steve Follmer
"This
truly bad law..."
I urge everyone who reads RAIN to go to the website
www.anti-DMCA.org for
more information about the depth of this truly bad law, and to become
actively involved in changing the DMCA to allow webcasters the same
freedoms that Terrestrial broadcasters have always had.
Michael-Leonard Creditor, Coordinator
of Programming
World Music Webcast
"Very
shortsighted..."
Traditional radio broadcasters should pick their battles more
carefully. Using the Internet to stream their terrestrial signal is
very shortsighted. Radio's interactive assets can be used MUCH more
effectively and profitably by offering clients "cross-platform programs"
(advertising packages that combine Spot and Web/database together).
Get off the streaming issue already! Radio should start worrying
about realistic revenue producing uses of the Web.
If you'd like to look for a law firm, e-commerce partner, research
firm, or NTR revenue opportunity, click here
to revisit last week's special "RAIN Vendor Guide"
issue!