
Welcome!
Today's News
Search
Message
boards
Feedback form
Guest essay

Letter
to Mel
LMIV consortium
Overview
5/ 15
Stern stopsets

News
archives
Internet 101
Internet 201
Definitions
Who's Who
Interesting sites

Feb
InfoStream
July
InfoStream
Other

Coherent
Design
Contact
us
Readers' forum
Kurt's essay
Site of
the Week
Fave bookmarks
Vendor
guide
Chat room
|
 |
 |
|
 |
 |
Our
"Submit" buttons (including "Search"
at right) aren't working at the moment. To e-mail us,
use your own e-mail software by clicking here for Kurt
specifically or for Feedback
in general.
|

From
the press release: "Comedy
World, an entertainment network that produces and broadcasts
live talk radio programming, announced it has secured $20.5
MM in series B financing. The financing was led by New
York firm Moore Capital Management, Inc., and included Silicon Valley
venture capital firm Attractor, who led Comedy World's series A
funding in January, 2000...
"A portion of the funds will be used for marketing and
sales activities to secure and implement terrestrial
radio, television and cable syndication opportunities.
"Comedy World recently announced a distribution deal
with Sirius
Satellite Radio Network and partnered with Burly Bear Network,
the premier media and marketing company dedicated to the college
audience, which currently reaches more than 560 universities. The
deals position Comedy World across multiple distribution platforms
and enable the Company to distribute its content to a broad young
adult audience."
Read the entire press release here.
|
Have
an opinion on this subject? Share it! To use your
own e-mail software, click here. |
 |
..
RAIN first reported on
the imminent demise of New Orleans-based webcaster
FastBand GlobalCast back
on September 28th (here).
The company officially shut its doors the next week (reported
here).
RAIN's
reports and analysis on the topic spurred a wave of emails
from former employees and competitors. Christian
Unruh was
kind enough to share his insight on the situation with
RAIN.
xxxx |


BY CHRISTIAN UNRUH
Several
employees of FastBand.com,
and the staff at RAIN, have given their interpretations of
why
FastBand GlobalCast struggled
to stay afloat, and eventually failed.
The business model has been questioned and criticized by
several of the air-staff who competently conducted their airshifts
(4 hours a day.) They looked at the GlobalCast from the
narrow vision of their past experience with
the proven model of AM and FM radio -- namely a specific
format delivered to a carefully researched audience in a static
location.
Yes, FastBand could not have been farther from that model
-- but that does not
prove the model was flawed. The owners of FastBand
were not a huge radio conglomerate or media company but two men
with more nerve -- though perhaps not more ego -- than the jocks
you heard from.

Like many Internet start-ups, they knew theirs would not
be profitable for at least 3 years and they were prepared to go
the distance, selling shares in another company of which they owned
a large percentage: Independent Energy.
When that U.K. company's shares tumbled due to unrelated human error
(see NASDAQ INDYY), they simply
could not raise any more money to continue the vision.
With dot-coms falling out of favor generally, the NASDAQ
slumping and with Napster
facilitating millions of copyright violations, there were parts
of the business model that did not look attractive to any outside
venture capitalists.
To those who asked how you could be a broadcaster, a record
store, a record label, and an Internet music site
all at the same time, I would answer: Look at America
Online, who are soon to be all those things -- and with
even less "focus."
"What is your target demo?" we were asked time
and time again. It's difficult and simple at the same time: "People
who want hip, fun, interesting, informative programming that they
are not getting from cookie-cutter pop and alternative radio stations.
People who have an interest in music and news from other parts of
the world. People who are educated and too cerebral for the embarrassing
blather I hear from most radio DJs."
Our "target demo" was anyone with a computer, anywhere
in the world, who wanted to hear good music from artists regardless
of record label or country of origin.
They could also interact
with the DJ, each other, and the artists we had for interviews and
performances in the studio (Groove Armada,
Goldfinger, Stroke 9, Kittie, Travis, Dido, Chris Perez, Sergeant
Garcia spring to mind).
We were not playing "obscure indie music" but great pop music
from around the world with a smattering of unsigned artists thrown
in -- like David Gray.
The medium was eventually to be six Internet connected studios
(with street and studiocams) operating from different spots around
the globe (starting with New Orleans), giving us a physical presence
and exposure -- as well as a brick and mortar retail store for physical
passersby.
FastBand was closer to realizing the dream than it might
appear. Every day we would receive emails from new listeners literally
all over the globe who could not believe what they had
stumbled upon or heard about from friends. David
Gray was part of our roster before his record deal.
A version of "Who Let the Dogs Out"
was played (I do apologize) and for sale on FastBand 18 months ago.
Had we been able to advertise and market the product
our user base would
have increased exponentially
and the advertising and music sales revenues would have kicked
in about the time we imagined -- still 18 months from now.
In summation, the plan was derailed not because of the high
cost of French Quarter real estate or overpaid jocks -- but unforeseen
circumstances and no contingency plan. We were not even
accepting advertising yet and had just begun to market the site.
I firmly believe people are fed
up with FM radio and are looking for something better.
I am a big believer in XM
Satellite Radio for this reason. I also believe
that eventually there will be other record labels on the web with
their own streamed entertainment channel(s). And lastly, I believe
that while niche, compartmentalized programming is necessary in
most cases...there has to be room for something
that combines the best and most interesting of the new music out
there.
FastBand may prove to have been simply an early attempt that
failed due to inadequate capital and circumstances beyond our control.
======================
Christian
Unruh managed music, band and label relations
for Fastband.com. For the past 5 years he has also worked for independent
record promotion company A.R.M.S. (Alternative Radio Marketing Strategies)
Division. He was Program Director of WZRH and holds a law degree
from Tulane.
|
Have
an opinion on this subject? Share it! To use your
own e-mail software, click here. |

From InternetNews.com:
"Telecommunications
provider
IDT Corp.,
parent of
Net2Phone Inc.,
revealed Monday that it will shoulder its way into the television
game with the creation of broadband
television channel TV.TV...
"IDT said the TV.TV network
-- which is scheduled to be operational in multiple pilot markets
by the end of the year -- will offer free,
on-demand television supported
by targeted advertising, pay-per-view events and subscription services.
The company said TV.TV will also be a new distribution outlet for
the broadcast, cable and home video industries.
"Accessible through cable
modems, DSL, digital cable set top boxes or wireless services, the
network will feature
archived and live content including
classic and contemporary
television shows,
feature-length
movies, live
performances from
musicals to
sporting events,
animations and
documentaries.
"However, TV.TV will not be
the first to create a broadband entertainment network. The short-lived
Digital Entertainment Network
offered
original programming, as did Pseudo
Programs Inc.,
which filed for bankruptcy earlier this month. Medium4.com
runs
six Internet-only networks with 100 channels -- including many foreign
channels.
ImaginOn Inc. is
streaming 21 channels.
Quokka Sports'
broadband network offers numerous sports programs, and USA
Networks recently
streamed coverage of the U.S. Open. Many others have gotten in on
the act, and even the major networks are testing the waters."
Read the
InternetNews.com
story
here.

From the AP: "The National
Music Publishers' Association Inc. and MP3.com
Inc. have reached a
preliminary settlement that will make more than 1 million musical
compositions available on the popular My.MP3.com.
The three-year agreement calls for MP3.com
to pay up to $30 million to the association's licensing
unit, Harry Fox Agency Inc.,
MP3.com said Wednesday.
The publishing association had sued MP3.com in March over the
use of its members' songs through My.MP3.com, an Internet service
allowing users to listen to music from CDs they already own or which
they purchase from MP3.com's retail partners.
If the settlement is approved by individual HFA music publisher-principals,
NMPA will drop the lawsuit.
Read the story here.
 |
| November
5-7 |
NAB
European Radio Conference, Berlin
|
| November 12-14 |
Canadian Association of Broadcasters
(CAB) "Broadcasting 2000: On-air / On-line,"
Calgary |
| Nov.
28-Dec. 1 |
Radio
Ink Internet Conference, Santa Clara, CA, featuring
a brand-new national study on Internet radio usage
presented by Eric Rhoads & Kurt Hanson |
| February 1-4, 2001 |
RAB 2001. Details coming
soon. |
| xxx |
 |
|
Try
it out! Explore the wide world of
Internet audio by clicking the screenshot above.
|
|
|
.
|
.
|
|
|