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WE
HOPE YOU ENJOYED "TEN SCOOPS IN TEN DAYS"
And we've got even more COMING SOON! (Thanks to all
of RAIN's crack team of interns for helping us successfully
live up to this promise.)
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BY
KURT HANSON
As part of a "class project" to build new skills
-- and develop a better understand of the field they're
covering -- RAIN's crack team of Summer interns is currently
in the process of building its own Internet-only
radio station...and we'll share the fruits of what they're
learning here for the next couple of weeks in RAIN.
Step #1: Selecting a format
Although a preliminary, unsolicited vote among the interns
was pretty much evenly split between launching an all-Phish
format and an electronica/trance
format, top RAIN management vetoed both options -- the former
because it would violate the Digital Millennium Copyright Act (DMCA)
and the latter because top RAIN management felt that (A) there
are dozens, if not hundreds, of electronica/trance stations already
available on the Internet, and (2) that format did not seem to be
particularly appropriate for RAIN's target audience of successful
adult radio and Internet industry professionals. (We were concerned
that many RAIN readers are reading RAIN in the morning,
possibly before having enough coffee to resist the allure of trance
music).
Top RAIN management suggested several alternatives, including
a station that would focus on the classic
California-influenced album rock of the late '70s (e.g.,
the Eagles, Joni Mitchell, James Taylor, Jackson Browne, Steely Dan,
and Carly Simon, fashioned after a "California Rock Weekend"
that aired on WDAI/Chicago in June 1977) and a very-tightly-programmed
CHR format. (It appears that a ten-song playlist, repeated
every 40 minutes, would, in fact, be legal per the song- and artist-separation
rules of the DMCA.)
Eventually, on a day in which one of the interns was
making reservations to see the Tony Bennett/Diana Krall double-bill
at the Ravinia outdoor
music festival, we settled
on a format that would feature contemporary
version of pop standards made famous by such singers as
Frank Sinatra, Ella Fitzgerald, and Tony Bennett and more recently
recorded by such artists as Harry Connick, Jr., and Diana Krall.
To some extent,
this format choice was inspired by James Darren's role as 1960s-era
Vegas lounge singer Vic Fontaine during the final two seasons
of "Star Trek: Deep Space Nine,"
which helped introduce such great songs as "Come Fly With Me,"
"The Best Is Yet to Come," "I've
Got You Under My Skin," and "The Way You Look Tonight"
to a new generation.
This format choice seems to makes sense for several reasons: (1)
It's essentially not
available on the FM band in any major market. (2)
It's not the format choice of any stand-alone Internet-only
station that we're currently aware
of. (The closest we can think of is the excellent WABY.com,
for which such titles comprise less than half of their playlist.)
(3) It seems like an appropriate
format for at-work listening,
which seems to the location where most Internet radio listening is
currently occurring.
And, finally and perhaps most importantly, (4)
top RAIN management
owns about 20 CDs appropriate
to the format, which should be enough for RAIN's crack team
of interns to start building a playlist from.
TO BE CONTINUED later
this week in RAIN. (Next step: Building a playlist!)
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Do
you have any advice or questions or comments for RAIN's crack
team of Summer interns? Simply click the headline
at left to bring up a convenient pop-up form! |


BY
PAUL MALONEY
The online presence of what has become an
impressively-successful multifaceted entertainment company for hip-hop
music and culture, TheSource
is an amazing
collection of content and resources for that lifestyle.
Bringing what has become the best-selling
music magazine in America to the Internet would presumably be
a daunting task. Make no mistake, there's nothing on the Internet
(yet) that'll put printers out of business. But The Source Enterprises
(which aside from its eponymous mag, boasts a roster of "The
Source Sports" magazine, "The Source Entertainment"
television production company, a radio network, a retail CD library,
and "The Source Youth Foundation" charitable initiative),
while not replicating the depth of the print magazine, have assembled
a site for their target demo that's engaging and useful.
Exploring the entire site could be an adventure of hours.
There's so much info -- and so much that goes beyond
just the music. Clothes, watches, shoes, electronics, movies, celebrities,
video games, sports, and news -- all aimed at the (mostly) Black,
(mostly) male hip-hop nation.
But lots of destinations have a lifestyle section, often
little more than a catalog page of clothes or gadgets. TheSource.com
has original articles on cutting
edge fashion, and interviews
with the style-makers. The Sports section has a handful of original
pieces, and streaming video of Tampa Bay Buccaneers wide receiver
Keyshawn Johnson during
the photo shoot for the magazine's cover.
And all this
nice, in-depth content is presented beautifully with a high-tech,
yet easy-to-navigate interface.
(Navigating straight from the player or the bar at the top of pages
is a little tough, however, if you don't understand the icons.)
Yes, if you have a 28kbps modem, make a sandwich. But if you have
the capability, the animations and transitions -- not to mention
the video and audio -- are fabulous.
"True
92" is what TheSource
calls their online radio. They use RealAudio technology for their
custom-interface player, which as mentioned, can be used to navigate
the site. Nice stream rate (we were listening at 41.4kbps) and good
sound. And, not having a large personal collection of contemporary
hip-hop myself, I even got to hear the "joints" as they
were recorded (read: obscenities intact).
TheSource sets a pretty high standard for music/lifestyle
sites, both in presentation, and more importantly, content. This
site is terrific even before the music goes in.
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We'll
send you RAIN's e-mail news updates on a regular basis,
plus bulletins when important news breaks. (In addition, we'll
appreciate knowing that you're enjoying our efforts.)
You should be receiving
a confirmation e-mail from us shortly.
Thanks!
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These RAIN readers are responding to last Thursday's article
(here)
on the advent of successful targeted audio
ad insertion (on Salem's Christian
Pirate Radio)...
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"Ad
agencies are laughing at us
as they get sweetheart deals..."
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I
have to respectfully disagree with your analysis that targeted
advertisement delivery is the crucial element to successful webcasting
business models. What evidence is there that people who consume
Web media want to be intimately known
to the company serving up their advertising? Do you think your Web
content is so compelling that they will offer up the demo data needed
to make such a concept work on a mass market basis? Look how much
damage came about in the supposedly-accidental goof-up around privacy
with the RealJukebox.
The mere numbers that would be necessary in terms of listeners
and impressions -- even with premium rates -- would mean that only
the largest webcast entities could expect to survive in the long
haul. That reeks of the current stench of radio group ownership.
Webcasting is an industry that will thrive because it isn't well
understood by the stodgy old boys of big radio.
For almost five years, I have been involved in this industry
and one thing is clear to me from all of the experience our company
has tucked under its belt: people want to hear unique,
compelling content. And they want to hear it the way
they are used to consuming radio, even though it comes out of the
computer speakers. The opportunity to make a business in this industry
successful must first be based upon delivering something that other
broadcast media isn't doing. Then, by having a unique marketplace,
you can offer advertisers the opportunity to access a strong psychographic,
which is ultimately going to be far easier to do than having demos
based on region, age, sex and other marketing preferences.
Stellar Networks' flagship GAYBC Radio Network (www.gaybc.com)
has spent less than $50,000 in the past year on promotion. Yet,
we are one of the top-2 Talk/Personality Internet-only radio channels
according to Arbitron's most recent ranking. Gays and Lesbians are
a very appealing vertical psychographic. But, there are hundreds
of other niches that will ultimately be winning keys to advertising
success.
Don't lose sight of the fact that you already have a tremendous
demo -- regardless of sex or geography: your
listeners own $1,000 to $5,000 radios, and spend an average
of $200/year to tune in (ISP
fees). If you just duplicate what radio is already doing, or a CD
jukebox is capable of, why waste your time and your investors money?
Ad agencies are laughing at us as they get sweetheart deals
to reach our lucrative online audiences because we're letting them
run us in circles. Broadcasters and print media outlets have never
had to offer the kind of consumer results that we do. Targeted ad
delivery is a prison wall we are erecting around ourselves because,
like most Web businesses, most in our industry have not learned
how to be . . . patient.
Our opportunity is to be to radio what cable was to broadcast
television. The spot delivery model doesn't need improvement, and
it's just an excuse used by agencies who still don't have a clue
as to how valuable streamies are in general. Time will change that.
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John
McMullen
Chief Programming Officer
GAYBC Radio Network
Stellar Networks, Inc. |
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"We
have a major evolutionary step forward in advertising..."
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RadioWoodstock and WoodstockTV are looking into various methods
of targeted video and audio ad insertion for our 5 full time streaming
audio channels with live DJs and our full time streaming video channel.
Targeted
ad insertion is an example of how Internet radio has a major advantage
over terrestrial stations. The key is that advertisers and agencies
have been working on the targeting concept for TV for some time, but
digital set top box roll-out, necessary for targeting on TV, hasn't
happen as fast as originally thought. Advertisers and agencies already
know how audio and video ads work. So it is a logical migration to
the streaming environment on the Internet, which is delivering on
the promise of targetability before before TV can.
For RadioWoodstock, we added the advantage of being able to
have our live on-air DJs back promote national ads that go to all
listeners. For example, if we air an ad for a new Pontiac Firebird,
our DJs can motivate listeners to go to the Pontiac website by actually
being on the Firebird website and talk about the cool feature that
allows the visitor to manipulate a 360 degree view of the interior
and exterior or be on the PCFlowers.com site and mention how you can
create a gift reminder so you'll never miss Mother's Day or your anniversary
again. The only thing terrestrial radio has that is even close
to this interaction with listeners is to hopefully air an ad for a
store in a local mall when the listener is actually driving to or
near the mall.
Add in the mix the tremendous accountability with the Internet
and streaming media that traditional TV and radio can't even come
close to matching and we have a major evolutionary step forward in
advertising that goes to targeting, one-on-one marketing and beyond.
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Richard Fusco
RadioWoodstock.com |
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"New $5,000 Multimedia Computer System
Downloads Real-Time TV Programs, Displays Them On Monitor"
Read
the news story from The Onion's archives here,
or visit The Onion's current home page here.
(There are actually interesting and valid parallels between
the facts described in this story and Internet radio.)
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| September
12-14 |
Digital
Coast 2000, Los Angeles, featuring a panel on Internet
radio moderated by RAIN's Kurt Hanson |
| September
20-22 |
Gavin.com:
Music on the Net, San Francisco |
| September
20-23 |
NAB
Radio Show, San Francisco |
| Sept.
29-Oct. 1 |
MOBE/Internet
& Technology, Chicago |
| October
5-7 |
Billboard/Airplay
Monitor Seminar, New York |
| October
9-12 |
QuickTime
Live! Conference,
Beverly Hills |
| October 10-12 |
Streaming
Media Europe 2000, London (NEW!) |
| November
5-7 |
NAB
European Radio Conference, Berlin
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| November 12-14 |
Canadian Association of Broadcasters
(CAB) "Broadcasting 2000: On-air / On-line," Calgary
(NEW!) |
| Nov.
28-Dec. 1 |
Radio
Ink Internet Conference, Santa Clara, CA, featuring
a brand-new national study on Internet radio usage presented
by Eric Rhoads & Kurt Hanson |
| xxx |
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Try it
out! Explore
the wide world of Internet audio by clicking the screenshot above.
Miss an issue?
Visit the RAIN News Archives here.
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