 |
 |
TEN
SCOOPS IN TEN DAYS!
We've got a LOT of excellent, exclusive material in
the queue. Look for original reporting on brand-new stories
involving radio and the Internet every day for two straight
weeks in RAIN!
|
BY
KURT HANSON
Following just on the heels of the initial Sonicbox
shipments (see second RAIN story here)
and beating Kerbango
to market by at least several weeks, a Chicago-based firm called
Akoo is accepting delivery
in the next week of several thousand units of its new Kima
Internet audio appliance.
Kima is a two-unit system that allows Internet radio listeners
to wirelessly transmit audio from
their computer's sound card to any selected FM radio in their home.
It uses a 900 MHz transmission between the transmitting and
receiving Kima units (which can be up to 1,000 feet apart) and then
transmits on the 88.3 FM frequency from the second Kima unit
to a nearby FM receiver (up to 6 to 8 feet away from the second
Kima unit). Each unit can be powered by either 4 AAA batteries or
AC power.
The firm expects its first few hundred devices to arrive its
manufacturing plant in China this week -- and a few thousand more
are expected to arrive sometime next week. The current production
order is for 50,000 units between now and year-end, according to
Akoo executives.
Rather than opting for retail distribution this fall, Akoo
plans to sell the Kima units (at a price point of $149.99) through
affiliate partners.
According to Akoo Business Development Manager Anthony Vorres,
numerous Internet radio webcasters -- including Investor's Broadcast
Network, Radio Gogaga, WWW.com, Boombox Radio, TuneTo.com, CyberRadio2000,
QSound, and Choice Radio, plus a "few dozen" terrestrial
broadcasters -- have agreed to promote Kima sales on their sites
in exchange for a 10-20% commission on sales made through their
site.
Akoo has also built an elaborate Internet radio guide to
compliment its Kima device. Visit the Akoo.com
guide here -- or the Kima
product page here.
...
 |
...
The Kima device looks like a nice, simple solution to
the problem of getting Internet radio from your computer into
your home stereo.
Of course, $149.99 is not a trivial price point. If your
stereo is in the same room as your computer, a 30' pair of RCA-jack
cables would do the same job. (Or, for
less money, you could simply buy good speakers for your computer.)
However, if you want to listen to Internet radio in a
different room of your house, Kima may make sense.
Compared to Sonicbox, I like the fact that you don't have
to plug anything into the back of your stereo -- and that you
can move the second unit pretty freely from one radio to another
within your house. What it lacks
is Sonicbox's remote control
feature, meaning that if you're in the other room, you can't
change stations easily.
However, consumers who value simplicity may prefer
the Kima approach. (And it's an attractive design, too.)
... |
|
Have
an opinion about this device? Share it with other
RAIN readers! (Thanks to the work of RAIN's crack
team of interns, clicking the headline at left should bring
up a nice pop-up form.) |
Part one of a two-part series:

BY RALPH SLEDGE,
RAIN intern
The age of Internet radio is
speeding towards us like a brick through a coffee straw: it's almost
here, but
it's taking the last few inches slowly and painfully, one small
chipped-off flake at a time. It seems like such a good idea:
but a few technological barriers exist which, until they are removed,
will keep Internet radio from seeing widespread acceptance.
However,
there is a technology on the horizon that may looks well-poised
to address the issues that plague Internet radio. The technology
comes in a form of the Internet appliance.
Let's look
at the specific problems first:
The
problems
(1)
The 'Net isn't fast enough. Broadband is just starting
to trickle into home usage, and frequently it seems to be coming
in through a rusty, smelly pipe. ISDN never caught on due to a slew
of technical problems; DSL and cable technology, while better, still
tend to be problematic for many people. I live in Chicago, and I
have a cable modem that couldn't work better: and if I didn't go
with cable, I would have had a host of other broadband providers
from which to choose. Yet in Evanston, a fairly wealthy suburb that
borders Chicago's north side, broadband options are slimmer, and
in Wilmette, slightly farther out, they're slim to none.
The problem
is that listening
to radio over a modem, even one as fast as 56K, might work well
for a while as a novelty, but won't cut
it in the
long run.
Constant problems with "net congestion" make many streams
sound like a poorly-received AM station. Technologies like Napster
are far more popular, because though it might take a while to download
a song, the user ends up with a CD-quality track that she knows
she wants to listen to, ready to be played on demand at any time.
I think
that in the long run,
the only stations to which people are going to want to listen at
any length are ones that are streaming near-CD-quality sound,
and that's only possible over a high-speed connection. And I think
that this may disqualify home ISDN and some DSL, too, because it
needs to be fast enough to stream and handle any other web-surfing
that people want to do at the same time.
(2)
The web needs to be wireless. Radio has been wireless
since forever. The only cords that tie down a radio are the power
cord and the speaker cord, and a boom box with a few batteries can
take care of that problem. And it never ties up your phone line.
To use Internet
radio, users are tied down to a specific spot, and most often
it's the same spot the telephone is (for the modem connection).
That makes it harder, too, to have one Internet radio in the bedroom,
one in the living room, one in the bathroom, etc. There are wireless
networking solutions available -- Apple's
"Airport" technology
is one example -- but most users of these are hit by a limited range,
limited speed, or both. And to make Internet radio viable for real
travel -- i.e. for use in cars, or at the beach -- you can't be
tied to your home computer at all.
(3)
The equipment needs to be simpler to install and
use. I will use an example from one of my earlier Internet radio
attempts:
I went to an
Internet radio site I had heard about, and wanted to hear. It said
I have to download a particular player (or more specifically, an
updated version of a player) that I don't have. I downloaded the
version and tried to install it, but then the installer program
crashed Windows Explorer. I had to reboot. Next, I went to the site
and tried to listen, but the player didn't work. Thinking something
went wrong with the install (because Explorer had crashed), I tried
to reinstall the player. This time my computer
didn't crash, so I tried the site again. The player still
didn't work. I looked around the site and finally found some
fine print that says that the player might not work in my browser,
Netscape Navigator, and that I should download Microsoft's Internet
Explorer. With a sigh, I proceeded to do this. I went through the
40-minute (I am not kidding, and I was using a fast LAN connection)
process of installing IE. I went back to the radio site. Finally,
the station successfully streamed over my high-speed network connection
at a 28.8K rate.
Most users'
experiences won't be quite this painful, but the process of
radio-over-the-computer will never compare to turning on a radio
and tuning it in, or putting a CD in a player. Yes, Internet radio
is more customizable, and people have a much larger choice of stations
and of music. But I'm not sure that, at the moment, the difficulty
is going to be worth it for many people.
The
solutions so far
A
few companies companies (so far) have come up with solutions.
Akoo (see news story above)
will soon be releasing the Kima, a device which broadcasts
the audio streams from your computer to your stereo, via a 900 MHz
transmission to a spare FM frequency.
Sonicbox has released the similar Sonicbox
iM band tuner, which adds a remote that allows users to change channels
without going to the computer.
These devices do solve the bit about being tied down to the
specific place where your computer lives, but
they're not quite computer-less (they rely on the computer to get
the stream), and the range is your home -- not your car, or the
park, or the beach. Nor is the bandwidth problem solved: you are
still limited by the speed of your PC's modem.
Kerbango
is developing an actual PC-less Internet radio (see photo
at left). It's still limited by in-home connection speed, and thus
it's still tied to the home. It might make life a bit easier than
the Sonicbox does simply by bypassing the computer, but even if
it's not released for several more months, the bandwidth issues
I mentioned above will still apply... (To
be continued tomorrow in
RAIN.)
|
We'll
send you RAIN's e-mail news updates on a regular basis,
plus bulletins when important news breaks. (In addition, we'll
appreciate knowing that you're reading our efforts.)
You should be receiving
a confirmation e-mail from us shortly.
Thanks!
|

"How much does Tony Soprano
care about Napster? More
than you might think, according to a series of cartoons that
can be seen starting Monday at Camp
Chaos, a Web site featuring animated shorts." That's
what USA Today wrote in a Monday article.
"In the nine spoofs," USA Today continued, "two
of which go online Monday, with a new one following each Monday, Tony
is convinced by two Warner Bros.
Records (WBR) execs that he must whack Napster because it's
'taking the food out of Sinatra's kids' mouths.' He enlists his crew
to figure out what Napster is and then take it out.
"The series was created after executives at Warner Bros.
Records saw Camp Chaos
president Bob Cesca's animated series poking fun at the legal
efforts by Metallica's Lars Ulrich and James Hetfield to shut
down the music-sharing Napster site.
"Warner Bros. Records bigwigs then asked Cesca to create
a similar spoof featuring The Sopranos, which airs on HBO.
Both Warner Bros. and HBO are owned by Time
Warner."
But then, when RAIN checked out the Camp Chaos site on Monday,
we found no videos. Nothing to be found. Nada
Yesterday,
however, this message appeared on the CampChaos message boards
from Cesca: "Warner asked us to remove the cartoons from the
site because if they were shown anywhere but at last weekend's convention,
they would be 'out of context.'
"Early in the discussions with WBR regarding us making these
bits for their convention, we all agreed
that Camp Chaos would give them a lower rate if we could retain web
rights...
"The 'web rights' discussions were evidently forgotten
about by WBR until, while on their way back from the Atlanta convention,
they discovered that we (believing we were free and clear to post
the cartoons) posted the first two shows on the site.
"So at this point, we're all trying to figure out ways
to get the shows back online..."
Read the entire USA Today article here
or visit the Camp Chaos website here.
|
Simply
click the headline at left! |

Frequent RAIN contributor Bob Bellin wrote in with
some comments on yesterday's piece (here)
by Katz Interactive's Gerry Boehme...
 |
"I
applaud what Katz is doing...but their clients aren't doing
their part..."
|
Gerry's right: The virtually unlimited number of available
audio streams will mean that the audience figures for each one will
be smaller as a result. There are some sobering issues, though, even
within that context:
(1) The overall number of people listening to all Webcasts
is very small. Edison Research's 4% (weekly) of those online number
is the best snapshot I've seen...which amounts to about a 2 rating
nationally. The size of the overall pie should be analogous to radio
and the web even if the size of the pieces aren't. If you could get
the ad community to embrace the concept of looking at the aggregate
numbers (rather than judging individual streams), it still
seems a stretch to get them excited about a marketing vehicle where
the entire audience is so small.
(2) Just because there may be ten thousand available webcasts
doesn't mean that each "station" will garner 1/10,000 of the total
webcast audience. More people will gravitate to the better ones, as
is the case in all media. The Networks still have over 2/3 of the
TV viewing audience despite the fact that 2/3 of America (cable penetration)
have at least ten times as many choices as they did pre-cable.
To that point, the fact that no web stations have emerged as
favorites (even within the context of greater choice) suggests to
me that listeners aren't differentiating between "professionally"
developed webcasts and the homegrown (often programmed out of college
dorms) stations available on Shoutcast and Live 365. From what I've
heard, similar amounts of expertise
are being applied to each -- and the audience has read that loud and
clear. Kurt's analysis from 8/23 of a couple of the bigger commercial
sites provides some specifics as to why.
(3) Sure, Webcasting is new -- but so
is the whole Internet! Net-based applications that consumers
like and are easy
to access (Instant Messaging, Napster, e-mail) are already
household utilities for many. Those that aren't are lagging behind.
I applaud what Katz Interactive is doing and believe that their
sales/marketing approach is right on the money, but their
clients aren't doing their part by creating an enticing
product. If they were, their total audience would be bigger and that
total audience number is what represents a failing grade to me, no
the individual ones.. If companies like WWW.com would spend a fraction
(say 1-2%) of their $41 million in financing to find out what the
problems are and address them, Katz Interactive would have more inquiries
than they could handle.
| |
Bob
Bellin
mp3player.com
bob@mp3player.com |
 |
"Does
Gerry see agencies changing their methodology of buying media
based upon CPM?"
|
Interesting
points that Gerry made, but he gave absolutely no insight as
to Katz's compensation or pricing solution when placing Internet-based
buys. sites. How does Gerry and Katz compensate the site that has
only 27 or 339 listeners at one time when an audio, video or banner
ad is delivered?
Also, it seems that Katz still sells the spots on a CPM to
advetisers regardless of the method or reach of delivery. Does Gerry
see agencies changing their methodolgy of buying media based upon
CPM? Has Katz also developed a pay schedule based upon a per-user
basis for specific ad insertion and feed to a user in a unicast
model -- i.e. ad insertion via Engage or iBeam's new individual
ad insertion technology? What type of metric is Katz using that
will compensate a site adequately for a per ad delivered or minimal
audience when a spot runs?
Inquriring minds want to know!
| |
Ted
Kelly
tkelly@intervox.com |
 |
"True,
there is a value -- but..."
|
I
do not agree with Gerry on reporting audience size of net listenership.
True, there is a value -- but 150 AQH Persons at a $20 cpm
is only $3.00 per Webscasting spot!
Keep up the good work!
| |
Jim
Willhight
jw@crcwnet.com |

Several readers also wrote in regarding yesterday's piece
on WWW.com's plans to begin
offering pay radio subscriptions
(here)...
 |
"Every
time they try to serve an audio ad it dumps me..."
|
I
tried listening to WWW.com while at work and found it a very
frustrating experinece. Everytime they try to serve an audio ad
it dumps me. This is a frequent occurence and I am now a faithful
listener of Sonicnet. Now, that's a hip site!!
| |
Mark
lt_investor_2001@yahoo.com |
 |
"Bad
programming is rampant on the Internet..."
|
Programming
is the issue. As we continually point out on our site; The difference
between other Internet Radio stations
and us is programming and audio quality. How else
would you explain a site with no hype doing over 1.5 million users
per month and only 47 channels [as opposed to our competitors with
channels up the ying yang]?
It's the programming and there's no substitution for it -
PERIOD.
Most in this field have hired bad wedding DJs or PDs and
MDs who may have been the big cheese in their P2's and P3's but
like many of them (even in the big swamps) they've never once worked
with PEOPLE who listen to radio nor are they LISTENERS of radio
[in all of its formats].
Bad programming is rampant on the Internet. Format integrity
is always an important part of our philosophy and our traffic shows
it. I shudder to think if we had 200 channels. My God, we'd be at
over 4 million users per month! Hmmmm,
| |
Salvatore
Lepore
CyberRadio2000.com |
 |
"We
will ALL be watching..."
|
Kurt:
We will ALL be watching the first Internet-only subscription
model.
With regard to your pet-peeve on the song ripping -- I agree.
We do EVERY cut by hand in real time - only way to keep it sounding
hot and be accurate with the original intentions of the labels...
Thanks!
| |
Richard
Chadwick
DiscJockey.com |
 |
| September
12-14 |
Digital
Coast 2000, Los Angeles, featuring a panel on Internet
radio moderated by RAIN's Kurt Hanson |
| September
20-22 |
Gavin.com:
Music on the Net, San Francisco |
| September
20-23 |
NAB
Radio Show, San Francisco |
| Sept.
29-Oct. 1 |
MOBE/Internet
& Technology, Chicago |
| October
5-7 |
Billboard/Airplay
Monitor Seminar, New York |
| October
9-12 |
QuickTime
Live! Conference,
Beverly Hills |
| November
5-7 |
NAB
European Radio Conference, Berlin
|
| Nov.
28-Dec. 1 |
Radio
Ink Internet Conference, Santa Clara, CA |
| xxx |
 |
|
Try it
out! Explore
the wide world of Internet audio by clicking the screenshot above.
Miss an issue?
Visit the RAIN News Archives here.
|
|