BY PAUL MALONEY The
previously-embattled Scour file exchange site has reemerged
(in beta "testing" form) from CenterSpan, and now includes
an Internet radio feature.
In July of last year, the RIAA (the record industry) and
NMPA (music publishers) filed suit against Scour for copyright
infringements along the lines of Napster. By October, Scour filed
Chapter 11 bankruptcy. The following month, it was announced that
Listen.com was to purchase the file exchange service's assets
(RAIN coverage here). Two weeks later Scour shut down, and announced
that CenterSpan
had entered a competitive (and ultimately successful) bid for
the company (in RAINhere).
The beta site (available here)
is sparsely populated at this time, but Scour promises promotional
music and video selections from the likes of MGM, Universal Pictures,
Virgin Record's 2KSounds
and NBCi will soon be available. Audio files currently available
include music from They Might Be Giants, Violent Femmes, Echo
and the Bunnymen, Jethro Tull, and entire albums from artists
like Kris Kristofferson and Ron Sexsmith.
The radio feature designed by RadioCentral
(which also powers web radio for Earthlink and the A&E Network
site). The feature includes hosted, streaming audio in Rock, Hip
Hop, and Electronic formats. The DJ cut-ins are customized to
not only the site, but the channel ("You're listening to
Scour Rock.").
Interestingly enough, especially given Scour's touchy past
with the RIAA, the radio player includes a "Next" display
which reveals the upcoming artist and song
title. It seems that such a feature would violate the
DMCA, the law to which the RIAA has demanded strict adherence
for compulsory license eligibility.
From
CNet News.com: "Struggling to make new song-blocking
software work, Napster on Monday temporarily stopped all file
trading on its once-popular service.
"The hiatus comes shortly after Napster disabled
old versions of its software. It pushed its members to a new
version that rendered the service all but unusable, blocking
even the most obscure, uncopyrighted works from being traded.
"But people logging on Monday morning were unable
to trade even the few songs left. The company posted a message
on its Web page saying that 'file transfers have been temporarily
suspended while Napster upgrades its databases.'
"The closed doors represent the latest setback for
a service that has become all but irrelevant in the day-to-day
world of online consumer music. Most of the millions of people
that once flocked to Napster on a daily basis have fled for
alternative services."
In an article today regarding the legal face off between
the record industry and webcasters, USA Today cites two interesting
facts of which we were previously unaware. First, the Recording
Artists Coalition has shown support for
webcasters, presumably because they see webcasting as
an effective promotional tool. Second, this is the first time we've
heard the RIAA claim that their hand has been forced
in their suit against alleged "interactive" webcasters
by other webcasters who feel
the playing field isn't level.
From USA Today: "Users aren't downloading
songs for free or trading pirated tracks with friends. But theRecording Industry Association
of America, fresh from court wins against song-swap
service Napster, has turned its legal sights to MTV and other
Internet radio services that let consumers participate in what
they hear...
"Unlike the Napster battle, musicians so far are
siding with the Webcasters.
"'We want to see independent distribution of music online,
and the Webcasters thrive,' says Noah Stone of the Recording
Artists Coalition, formed this year by Don Henley and Sheryl
Crow to look out for the interests of musicians. 'The labels'
controlling this new path and the old path doesn't do the
artists or consumers any good...'
"The battles have been spurred by the rules in 1998's
Digital Millennium Copyright Act, when music labels feared a
new world in which Net users listening to music online could
record crystal-clear copies, eliminating the need to ever buy
a CD again.
"So specific provisions were written into the DMCA,
which MTV, Launch,
Xact and MusicMatch
adhere to:
• Webcasters can't tell users what the next song is.
MusicMatch gets around this by informing who the upcoming
performer is.
• All abide by the rule of playing no more than three
songs from any album, and no more than two consecutively,
within a three-hour block.
• They also can't play more than four songs by a specific
artist within three hours.
"The 'almost-on-demand' music sites aren't big now,
but Net radio clearly is growing. Market research firm Webnoize
says 21% of young Net users
(ages 16 to 24) say they use Net radio as their primary
source
of listening, up from 1% in 1998. Overall, 75.5 million in the
USA currently listen to Net radio...
"The RIAA's Cary Sherman says the trade group was
forced to sue when other Webcasters
complained that Launch, SonicNet and others were
stretching the boundaries. 'It's not fair to have a half a dozen
Webcasters do it differently,' he says...
"The RIAA doesn't think the Webcasters are entitled
to the compulsory license. But recording artists could fare
better under such a deal. If deals are negotiated between labels
and Webcasters, the labels then can pay artists the rate defined
in their contract with the label, 'which could be little or
nothing,' Stone says."
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From
the press release: "Sirius
Satellite Radio announced it filed a $500 million shelf
registration with the Securities and Exchange Commission. Sirius
will use the proceeds of future sales of the securities for
general corporate purposes, including working capital.
"'Currently we have more than enough cash to take
us through the third quarter of 2002. We filed this shelf registration
statement to allow us the flexibility to access the capital
markets in the future; however, the company does not intend
to issue securities at this time,' said John Scelfo, Chief Financial
Officer of Sirius.
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