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BY PAUL MALONEY
World Music Radio has suspended their streaming, and a
message on the website says the company has taken a summer

hiatus. While some sources have indicated that the company is
in fact in its death throes, board member (and past president)
Arline Lowenthal (pictured below) insists that just a "very
small" amount of funding is necessary to resume operations.
"All of our resources are intact," Lowenthal
told
RAIN. "The website is active, the studios are
intact, and we have 45 DJs standing by. We're in need of a very
small amount of funding -- too small, in fact, to go to lenders.
At that point (of new cash infusion), we'll resume streaming."
A message on the homepage says, "
WorldMusicRadio
is taking a Summer break....This is only for a

period of 3-4 months. We will 'reboot' again in the Fall. We need
time to reorganize and restructure so we can come back stronger
than ever." The site also promises, "We'll be back,
so don't worry -- everything's gonna be alright now."
Lowenthal stressed that she believes her company's situation
is "an opportunity" for other Internet radio entities
"to come aboard and get the best all world music Internet
station for a very small investment."
Lowenthal remains on the company's board of directors with
acting-president Peter Crowheart and secretary Colin Terrey. In
November,
RAIN featured World Music Radio in an "Investment
Opportunity" segment (
here).

From New Media Music: "The RIAA suing Launch.com
and the last two years of suits and threats against many Internet
others, put a chill (its favorite tactic) on financing
and growth for the infant Internet radio industry.
"Prohibitive pricing is being demanded of Web broadcasters
who include preference features with their streaming service,
much as prohibitive pricing was demanded for licenses to the early
Internet music sites like MP3.com, Emusic and ArtistDirect, freezing
their businesses into an uneconomic mode and leaving them dependent
and thirsty, with only older or unsigned artists.
"Professor Lawrence Lessig of Stanford Law School,
an Internet law guru, has taken up this issue in a fine article..."
(Excerpted in RAIN here)
"But market power is not restricted to the RIAA and
its members. The relatively small Internet music
sites like Listen.com,
Launch and Musicmatch
were joined in the Webcasters' suit by the powerhouse subsidiary
MTVi Group of Viacom
Corporation, a media giant up there with AOL and Vivendi Universal.
"As mentioned in an earlier article, Viacom is serious
about tying Internet music subscriptions into their MTV money
machine...
"Professor Lessig is not 'a voice crying in the wilderness'
when a huge media conglomerate wants the same
reasonable pricing treatment from the Majors as the little guys
left on the Internet. MTVi just announced that it wants to work
this out, but the DMCA needs clarification on what is 'interactive'
Webcasting.
"Once fair pricing is established with someone, the
antitrust laws protecting free markets can be invoked by the ones
left out of the 'sweetheart deals' ahead. Oligopolists can't treat
a little guy worse than they treat their perceived equals for
cross-licensing at MusicNet, Duet or MTV."
Read this editorial piece here.
Yesterday, we ran feedback in response to Bob Bellin's
"RAIN Guest Essay" from Monday
(here).
This first piece is from Mr. Bellin, commenting on Live365.com
CTO Peter Rothman's response to the article. Rothman's comments
are highlighted in violet...
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"The
law is limiting the future of webcasting..."
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"Also, he's randomly mixing
ATH, AQH, and share points in his discussion so the calculation
of 0.1 share is completely unclear. AQH and ATH are not equivalent
and can't be directly compared, and neither of them is equivalent
to share points."
I beg to differ. One can take either number and equate it
to share points. Let's not forget that ATH is just another expression
of AQH that Arbitron crafted

to make the paltry audience of even the top rated webcasters appear
larger. ATH is nothing more than is the webcast ratings equivalent
of the old joke about the club owner that lets short people in
free because they make the drinks look bigger.
"You can't predict the future of
Internet radio by simply assuming the future will be like the
past and that's Bellin's entire argument here."
My argument is that the law (the DMCA) is limiting the future
of webcasting by forcing fatal limitations on its programming
and allowing unknown licensing fees to be levied indefinitely.
The future is being thwarted by a one-sided, anti-consumer law
(written by the recording industry) that Congress was hoodwinked
into passing. Fix that and I agree, the future is limitless. Until
and unless the law changes, the future will be like the past...not
because I say so, but because Congress said so.
"I'm betting that Spinner and NetRadio
are in the same ballpark, so
the May AQH for Internet radio as a whole must be in the vicinity
of 20,000 at least."
Expressed as a share of the national radio pie, that number
won't even register, which is my point. A

20,000 AQH is less than the we used to get in AM drive in Greenville,
SC (mkt. #57 at the time) as the number 3 station. Hardly impressive
considering that half of America is online and there are so many
webcasting options available.
"I'm curious about what the
AQH numbers for early FM stations were."
That's a great question/analogy. FM radio's technological
hurdles were pretty much overcome by the early 1960's and they
had no more programming restrictions than their AM counterparts.
Webcasters have significant technological issues to overcome and
aren't allowed by law to do many things that their terrestrial
counterparts can.
It took until around 1980 before FM radio became a viable
business, almost 20 years after the tech problems were surmounted.
What does that say about webcasting's timetable?
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Bob Bellin, CEO
MP3Player.com
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"If
they don't know, how will they come?..."
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(Bellin's) commentary on Internet radio is missing
one piece -- public knowledge, or the lack thereof. Having owned
an Internet radio network for 2 years and created two

Internet streaming conferences (CasterCon and ConXis), I can tell
you that when I tell people about Internet radio, 4 in 5 say they've
never heard of it. Tell them the word Napster and they say, "Oh!
I've heard of that on the news."
Recently I was a guest on "Online Tonight" with
David Lawrence. My numbers increased 25% as a result of that 20-minute
interview. Same goes when RCN Radio Networks was featured in "The
Capital Times" in May -- an increase in listenership occurred.
The analogy of using a karaoke machine on a street corner
is an interesting way of looking at this problem. People walk
down the street, and they hear of your business as you shout it
out over the mic. Public awareness happens.
What is needed NOW is someone to stand on that same street
corner and promote Internet radio.
It has been my goal at RCN
Radio Networks to reach as many media outlets as possible
and let them know about Internet radio. Our marketing campaign
will begin in August with TV and Newspaper advertising.
Bottom line -- if they don't know, how will they come?
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Chris J. Popp
RCN Radio Networks
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