From the Wall Street Journal: "To cast a wider net for
job seekers, one online recruitment service is trying a new medium:
urban radio stations.
"Jobcityusa.com,
a New York job board, shares programming and ads with three New York
radio stations that have mainly African-American listeners. The stations
and the website are owned by Emmis Communications...
"Jobcityusa
supplies programming to the stations in exchange for air time.
It says the radio presence helps it reach about four million people
a week -- 75% of them from minority groups 'often missed by traditional
recruitment efforts...'
"The radio stations air career-advice shows based on content
jobcityusa produces for the
Internet, including 10-minute call-in and e-mail chats with recruiters
about job-hunting. Targeted commercials for jobcityusa air on the
stations [and] the Web site carries ads for the radio stations..."
Read the full story in WSJ.com (subscription required)
here.
Apparently
the site design (and back-end) is licensed from a Cleveland-based
firm called JobOptions,
which also has deals with Xoom, EarthLink, Deja.com, and others.
According to the press release announcing the deal earlier
this year, the stations are providing $4 million in advertising.
Incidentally, that press release begins with the sentence,
"More than three million minority radio listeners in
the New York Tri-State area -- New York, New Jersey, and Connecticut
-- are searching the Internet daily to find jobs on a new
partnered website, www.jobcityusa.com."
This was, of course, a TOTAL LIE (unless every single
one of the three stations' listeners was using the site the
moment it launched, which seems unlikely. The week that sentence
was written, actual site usage was probably closer to a few
hundred people than three million people).
RAIN
talked with FastBand
Founder, President and CEO Andrew Spanswick
yesterday, who disputed All Access's take on the changes
happening with his firm's New Orleans-based GlobalCast
channel.
Spanswick confirmed that as part of a change in strategy
to give a reduced emphasis to non-music-related talk, the station
did in fact choose not to renew Executive Producer David Ervin's
contract. However, of the two producers on Ervin's staff, one left
for personal reasons
and the other was transfered to an on-air position, Spanswick claimed.
In addition, Spanswick told RAIN that record producer Paul
Fox and his staff did not, in fact, "exit," but would
be continuing to work with FastBand in some capacity.
Regarding the report that the station would scale back to
a 12N-12M weekday-only live schedule, Spanswick said that was categorically
untrue. (In fact, the morning shift today did, in fact, have a live
on-camera jock and the station is promoting a live weekend-long
feature this weekend.)
Visit the FastBand GlobalCast website here.
Regarding ClevelandHits.com
(see original story here),
various readers are writing in, including Hits Network president
Mike Hilber...
"It
comes as a shock to me how comparatively inexpensive it is..."I
In answer
to "A RAIN Reader" about the size of our sales staff
here at clevelandhits.com and how will I measure their success,
my answer is this:
As a former broadcaster, it comes as a shock to me how comparatively
inexpensive it is to build
a radio station when you don't have a 75 million dollar license
that comes along with it.
Therefore my goals for the Internet station comparatively are much
less than even a small market broadcast station. I want to make
a profit and, more importantly, build the network of 83 stations.
The network will probably become more valuable than the stations
profitability. By the time I get through building the network, high-speed
access will become the norm and at that point I will have 83 Internet
TV sites.
So right now we are building goals that reflect our expenses. They
are doable. Streaming is hot and when you can combine an audio delivered
spot with the visual advantages of an interactive site advertisers
take a much stronger look at you. The main reason is even if the
site is minimized the commercial message is still delivered. What
is the real value of a page view if an Internet user hits a commercial-free
jukebox site...?
"Local
radio stations can easily combat this approach..."I
Local radio
stations can easily combat this approach by providing great web
sites and stream their own stations music to reach their target
audience who may be listening to hits.com. In other words, why go
to ____hits.com to hear CHR when you can already get it on your
favorite local CHR station?
RAIN
reader
Reprinted from yesterday's afternoon edition: Ex-record exec named COO of Napster From Streaming Magazine: Napster announced that Milton Olin
has been appointed its Chief Operating Officer.
Mr. Olin comes to Napster from another Internet startup company, FirstLook.com,
where he was Senior Vice President of Business Development. Prior
to that, Mr. Olin was Senior Vice President of Business & Legal Affairs
for A&M Records. Mr. Olin was previously a partner in the Los Angeles
law firm of Mitchell, Silberberg & Knupp. Read the piece in Streaming
Magazinehere.
We'll
send you RAIN's e-mail news updates on a regular basis,
plus bulletins when important news breaks. (In addition, we'll
appreciate knowing that you're reading our efforts -- and
you'll hopefully appreciate reminders to read RAIN.)
You should be receiving
a confirmation e-mail from us shortly.
Thanks!
I always scope
out the "competition" and the ClevelandHits idea sounded interesting,
so imagine my dismay
(and competitive delight) to discover another fine mess the terrestrial
radio mind declares as internet radio.
Terrible looking site -- so busy I get a headache. Our sales manager
describes it as a trip to Coney Island on a budget. But the worst
problem is that the audio quality is so bad at 28.8 that I couldn't
hear anything. It was buffering so badly that every syllable
was garbled and totally unintelligible. It even timed out on me. I'll
try out our ISDN connection later and see if this makes a difference.
Maybe this is an opening day problem, but I tend to think they're
putting all their money into marketing (and press releases), and absolutely
nothing into content, design, or audio quality. And letting your listeners
program your content? Korn into Britney Spears? Keep
up the good work, guys.
I despair that terrestrial radio will ever "get" internet radio. But
at the same time, I'm delighted that they don't. Give us "amateurs"
a chance to build our audiences!
Yesterday, RAIN wrote: "How many salespeople do you have?
And what kind of experience do they have? MH: 'I have four so far
and will eventually replace myself as a sales manager. They have a
little bit of radio station experience. But actually they're more
Internet savvy.'"
My question to Mike: What overall qualitites was he looking for and
how will he measure their success from a sales perspective?
"Whenever I start thinking that I am not living
up to my potential, I remind myself of the old farmer and
his fight to the death with the insane pig. It's an exciting
story, and it takes my mind off all this 'potential' business."
Buy
this fine book from Amazon here.
(RAIN doesn't have an affiliate deal with Amazon
or anything. It's just a great book.)
xxx
Try it
out! Explore
the wide world of Internet audio by clicking the screenshot above.
Ad insertion
Automation systems
Conferences
Content providers
Custom music channels
E-commerce partners
E-mail management
Internet radio hardware
NTR revenue opportunities
Other services
Ratings
Research (web-based)
Spot sales
Streaming audio formats
Streaming providers
Website design
If you are a vendor
and would like to knowmore
about sponsoring a button and link in this guide, please call RAIN
at 773-975-9454 or send an e-mailHERE.
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Kurt.
don't forget that you used a one-pixel GIF after the "Research"
line for spacing purposes!
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