June 2, 2000  



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Part two in a series:

BY KURT HANSON
Today is going to be a continuation of Wednesday's "very special issue" of RAIN, as we take an all-day-long look at the features that belong on the ideal radio station website.

If you didn't read Wednesday's introduction to the subject, click the screenshot below to jump to that issue of RAIN. (Yesterday's issue had reader comments on the subject; you can use the arrow to the left of the issue date above to read that issue. (Clicking the RAIN logo at the top of the page always returns you to the current day's issue.))

Today, I'll be writing all day long and uploading fresh, updated editions of RAIN every two hours, adding new features recommended by RAIN readers. To contribute your suggestions and comments, use the "Quick message" form below or, to use your own e-mail software, click here.

First, here's the latest reader feedback:

"Website visitors are the creme de le creme of your P1s..."


Kurt: Based on several research projects I've done on radio station websites the one thing I think everyone is missing is that station website visitors are the creme de le creme of your station's P1s. I've done several focus groups where the respondents knew more about the station than the PD did! The respondents were incredibly forgiving of all of our faults like dead ends , outdated info, and no response to e-mail. In fact one lady said she keeps coming back to the site in hopes that we had fixed the problems.

Streaming was not something that was important to them. They used the website as a brand extention. They wanted info about what we were playing, advertisers, advertiser coupons, artist info, jock info and some way to communicate with them,weather and contests.(We developed a game calle "Scratch For Prizes" that was a game card web visitors could play like a Lottery Ticket using their cursor -- the respondents loved it.) Speed was also very important. They didn't want fancy graphics if it meant longer download time.

In short, I would suggest that before anyone spend time guessing what our visitors want on the "perfect website," there needs to be more research done. After all, most of us wouldn't program a radio station without doing the proper research.

                                           -- Donn Seidholz, Net In Focus


"One of the most compelling emotional components..."


Kurt: Congratulations on a great site, with a voluminous amount of original ideas for radio and the technology of the Internet. As a web developer (and former radio broadcaster), I can see that most radio broadcasters are just barely coming to grips with the dynamics of this new content/delivery system. Your site demonstrates how to think in a different and more expansive way than most broadcasters have been used to...

As far as suggestions for the perfect radio station website: We must remember that, for the music listener, especially women, one of the most compelling emotional components of the radio listening experience involves the lyrical content of a given song. To some people, lyrics convey more emotional meaning than the beat, melody line, or other musical attributes. Some lyrics of pop songs aren't always clearly identifiable (can anybody fully understand the some of the lyrics mumbled by the likes of Bob Dylan or Bruce Springsteen?). Today's music has its examples as well.

A well-rounded radio station web site should have a database of all of the lyrics to every song they play (or more). It should be part of the "song detail" component you mentioned in your June 2nd article. The database should be fully searchable by keywords, just like any other web search... The only administrative issue I can think of regarding the retransmission of song lyrics would be any ASCAP/BMI considerations --and should be covered by a station's existing arragement with those origanizations (after all, we're transmitting the auditory version of song lyrics anyway).

Anyway, best of luck with RAIN!

                                           -- David Tate


"It's almost nonsense to consider the simucast as (an) effective tool ..."


The ultimate website most definately should contain far more than simple simulcasting with its sister broadcast facility. It's almost nonsense to consider the simulcast as any kind of effective tool. If you have a station in College Station, Texas with it's minimum wage jocks and 50% computer-generated programming what will simulcasting accomplish? Nothing!

I hear the same old story from every PD and GM I speak with about the over-priced investment they have made to webcast. "Why, it gives people in our market the opportunity to hear the station in buildings and locations where they normally can't pick up the signal." Yes -- a signal that constantly goes out of phase, re-loads or drops out. In Texas, we call that kind of statement 'horse manure'.

Yahoo Broadcast costs $5,000 a month after an initial investment of $7,500 for a one time set-up. So you gain 100 listeners in the all-metal building that normally couldn't pick up your signal. You're paying $50.00 per listener per month for the increase!

                                           -- Dick Martin



Here's an easy way to send a quick note to any of us here at RAIN. (Or to use your own e-mail software, click here.)

Today's topic: What do you think are the most important elements for a radio station's website?

  Your e-mail address:
  Your name (if not obvious from your e-mail address):
    Kurt, this is deep background -- don't quote me!

        Thanks!




The following table shows some of the features you might want to consider for your website. (An orange box in the left-hand column indicates a feature that I personally believe would be of major value to both you and your website's visitors.)



  Streamed webcast
  "What's Playing" (and what played in the past few hours or days)
  Song detail (biography, discography, link to artist's website, etc.)
  Current playlist -- including song hooks
  Music research (a/k/a "Smash or Trash")
  E-commerce: CD sales
  Local music (MP3s downloads, archived programs, etc.)
  New music under consideration
  Subchannels


  Studio webcam
  "Instant request" form
  Chat room in which listeners can talk with the on-air jock
  Jock photos and bios (with favorite web links and e-mail addresses)
  Bulletin board ("guest book"/"soapbox") for messages to station
  Studio tour (e.g., 360-degree IPIX view)


  Contest entry forms (and rules)
  Loyal listener program
  Screensaver of station logo
  E-mail newsletter (sign-up form)
  Photo album (station events, etc.)
  E-commerce: Station logo merchandise


  Music news (format-specific)
  Weather forecast
  Traffic info
  Concert calendar
  Local events calendar
  Station promotions calendar
  Program schedule (especially weekends and short-form programs)
  Station contact information (phone, fax, e-mail, address, map)


  Visuals (and links) that coordinate with on-air spots
  Ad insertion (Internet-only targeted spots)
  Links to station advertisers
  Spots currently in rotation (on-demand audio)
  E-commerce: CD sales
  E-commerce: Station logo merchandise
  E-commerce: Concert tickets
  E-commerce: Classifieds (e.g., jobs, cars, personal ads)
  "How to advertise on our station" page (also "Why you should...")
  E-mail newsletter (in which you can sell ads)
  Coupons


  Program schedule (especially weekends and short-form programs)
  Archives (on demand) of past weekend programs, interviews, etc.
  Station history (with photos and audio archives) (for legendary stations)
  Jingles (on demand)


  Listener poll
  Trivia games
  Java and/or Shockwave games




Following are examples of some of the features listed above. (We'll be adding more throughout the day.)



One feature that's valued by some of your listeners and gives nice upselling opportunities to your sales department is a page of coupons from various advertisers.

Citium, for example, is a California-based firm that offers
a software package that lets your listeners identify their zip code, the radius from that zip code they're willing to travel, and the product categories they're interested in, then gives them a list of offers for which they can print out the coupons they'd like to use.



WTMX/Chicago, under Bonneville's talented Chicago webmaster Jaime Kartak, offers listeners a chance to see the title, artist, and CD title of every song played in the past couple of days via an easy pull-down menu.






Sites like KKSF/San Francisco take the music log concept one step further by giving the listener the chance to hear song hooks for each of the songs on the music log. ("Yeah! That's the one!") This feature is particularly handy for formats like Smooth Jazz, in that the title of the song is not obvious when you're listening to it.



The example shown above is a product called "Click2Hear" that's sold by Presslaff Internactive Revenue.



There's nothing that says you can't give your listeners a lot of information about every song your play. Here on Dallas's Merge933.net website ("Powered by RadioWave"), every song's CD cover is displayed on the station's home page while the song is playing, and below the CD cover are links to a biography and discography of the artist, plus relevant news, interviews, and photos. (Plus of course the ubiquitous :Buy Now" button.)



It's not scientific -- and it's not representative of your true audience -- but it's a nice "customer service" type feature to offer your website listeners a chance to tell you what they think of the songs you're playing.

Note that this major-market station (WTMX) is currently not getting a lot of votes per song.



Something that would be of interest to your "ultracore" might be a list of upcoming station remotes. (It's unlikely that someone who isn't a big fan of your station is going to make an effort to visit. This is not to say that remotes can''t help you add new listeners -- but those new potential converts would most likely have to be casual passersby.)



It's been an age-old problem for those radio stations that want to own the "new music" or "local music" image: If you actually put such music on your airwaves, you risk significant listenership losses.

The Internet offers the ideal solution -- put new artists on a page of your website, where fans of new music can explore to their hearts' content without bothering the rest of your listeners! You can link to clips of each band's music, to their MP3 downloads, and/or to their websites.

(Incidentally, note the excellent band names on this Japanese site -- The Bufferins, Bump of Chicken, Cinnamon Toast Crunch, Muscle Doggie Grooves, Spoochy, Suitcase Rhodes, The No Parking Style... They sound like band names from a Dave Barry column!)






Your typical listener could care less, but your "ultracore" listeners might enjoy looking for photos of themselves if you put up a "photo album" of shots taken at various station promotions.

This also seems like a good sales opportunity. I would think that sponsorship of the page is an obvious sell to film manufacturers, local camera stores, Internet on-line photo sites, etc.




For your ultracore, you can offer a list of upcoming station promotional events...



To be continued...
Please check back later this weekend.

And remember, we welcome your comments and suggestions. Use the form near the top of this page or click here to use your own e-mail software.




Coming soon.




Coming soon.

"Regarding Mr. Boarman's 'unique' question..."

Regarding Mr. Boarman's "unique" question (here):

"Unique users"
are determined by the identity of the server from where they come. For example, where I work all of us are on one network working through the company's corporate server. If I log on to ESPN.com, the path goes from my computer workstation to the network server then out to ESPN.com. If my officemate also looks at ESPN.com from work, it goes from his computer, through the network server to ESPN.com. On ESPN.com's end, they see two separate user sessions, but because my officemate and I came from the same server source, it sees one address. Therefore we are counted as ONE unique user. (who tuned in twice).

On the other side of this,
I may look at ESPN.com from work then go home an hour later and log on. ESPN.com again sees these as two user sessions, but because I went through two distinct servers, it would count me as TWO unique (i.e., different) users.

The facts we can count on to quantify the activity of our sites are such things as page views, time spent online, user sessions, RealAudio accesses, and other data. But when it comes to distinguishing the individuality of the users behind the keyboards, we can't say for certain who they are, because Internet tracking is done through cookies and computer/ISP coding. Unless users have specific identification assigned to them (e.g., a password) that they are forced to use every time they to your site, you can't tell if it's one person at multiple computers or several different people at those computers. (On the flip side of this, consider schools and universities where hundreds of people may use the same workstation...or households with all family members using one computer!)

The time will likely come when we can determine true unique users, but until the method to gather this information is accurate, our radio stations won't provide the misleading information.

As for a number to shoot for?
Always shoot for more than you have. Work with all departments at all levels -- programming, marketing, clients, your street team, sales, receptionist, etc. You have many avenues to get your URL and the benefits of your site out to the people. Use them all.

I appreciate the ideas
for the ultimate station Website. (What I wouldn't give to have the resources to undertake some of these suggestions!) Thanks, Kurt, for providing the forum for these discussions.


        -- Sonia Highet, Director of New Media, ABC Radio/San Francisco



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June 12-14 Streaming Media East 2000, New York City
June 14-17 R&R Convention 2000, Los Angeles
June 14-17 PROMAX & BDA, New Orleans
July 13-16 Upper Midwest Conclave, Minneapolis
August 3-5 Morning Show Bootcamp, New Orleans
September 20-23 NAB Radio Show, San Francisco
October 5-7 Billboard/Airplay Monitor Seminar, New York
November 5-7

NAB European Radio Conference, Berlin

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If you're looking for new opportunities that involve the Internet, you can take a look at the first three available positions here.

 

 

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Kurt. don't forget that you used a one-pixel GIF after the "Research" line for spacing purposes!
 
     
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