From RBR.com: "Clear
Channel has reacted to AFTRA’s
streaming fee demand for commercials using union talent (see RAINhere)
by suspending all
Internet streams.
"Try to access any Clear Channel station via the Internet
now and all you’ll hear is this message: '...We are working with
both our advertisers and the Recording Industry Association of
America to find a solution to those problems as quickly as possible
so that we can resume our streaming.'
"The reference to RIAA relates to the ongoing battle
over whether broadcasters must pay performance royalties to record
companies for Internet streaming, in addition to ASCAP, BMI and
SESAC payments, which radio stations do
not have to pay for over-the-air broadcasting.
"The straw which broke the camel’s back, however,
was AFTRA’s move last week to collect penalty fees of up to 300%
for spots using union talent which hadn’t been specifically cleared
for Internet use..."
Note that Clear Channel's WorldClassRock.com
and Enigma Digital properties (such as KNAC.com)
are still streaming, as they are "Internet-only's,"
and it has always been understood that commercials on these
stations would be streamed.
From Radio Ink: "The latest setback to streaming radio
on the Internet can actually be one last opportunity
for a handful of Internet companies that provide ad-insertion
services to radio stations. Now, it's just a matter of whether
or not they can tell their stories effectively and whether the
stations now
hitting the streaming dump-switch are of any value to them.
"Ad-insertion companies may have just been handed
a trump card to help them survive. As stations turn off their
streams and wait on the sidelines for another fee decision, ad-insertion
companies can jump in, pitch their product and give these radio
stations a compelling reason to flip the switch back on..."
...
BY KURT HANSON Here's what this situation sounds like to me: I'd guess
that either AFTRA or the Los Angeles chapter of AFTRA signed
a new contract with advertising agencies last summer
regarding talent fees for radio spots. (RAIN's crack
team of interns is trying to research this story right now.)
Even though it was commonly-known at the time that
radio stations were streaming their signals on the Internet,
it sounds as if the agency negotiators let a clause into the
contract saying that talent fees would be increased by 300%
if the spot was used on the Internet. ("Warning, Will Robinson!
Danger! Danger!")
This seems like a ridiculously high increase in compensation
to air talent given that the total number of ad impressions
might go up by perhaps 2%, given the relative size of broadcast
versus webcast audiences, but who knows what the negotiators
were thinking. (Perhaps the agency negotiators were thinking
about making a specific webcast buy -- e.g., NetRadio or Spinner
or Sonicnet -- and were not intending to use professional
L.A.-based talent for such spots.)
Now, months later, AFTRA notices AFTRA talent on a
spot that is being run on a station that streams their programming
on the Web. They demand their 300% increase in talent fees
from the agency.
The agency's knee-jerk reaction is, of course, to
tell radio stations, "Quit streaming our spot!"
Unfortunately, that's easier said than done, since
most broadcasters have not signed up for the technological
solutions from Hiwire, Lightningcast, RCS, etc., that would
permit covering broadcast spots with Internet-only spots.
Without that solution in place, the only way to accomodate
the agency request is to quit streaming entirely. This solution
appeals to the radio stations' corporate finance people because
it has the added advantage of reducing their bandwidth costs!
(And since the stations haven't started charging advertisers
for audio ads yet, there's no short-term revenue loss.)
...
From CNet News.com: "Napster encounters a double whammy
Tuesday afternoon, heading back to court
and facing the prospects of new anti-copying requirements, as well
as a raft of re-energized lawsuits...
"Also on tap Tuesday is a potentially sweeping escalation
of the case against Napster.
Independent musicians and music publishers are asking that several
individual lawsuits against the company be turned into class-action
suits, allowing thousands of other individuals the option to come
aboard.
"The spotlight, however, will be on the most immediate
questions affecting Napster's survival: Does Judge Marilynn Hall
Patel think Napster has followed her instructions far enough in
blocking songs? Given Judge Patel's previous skepticism toward Napster,
some observers expect fireworks."
Read the entire storyhere.
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an opinion on this article?Share it! Simply click
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form.
From the press release: "'The
Village Voice,' the nation's largest alternative weekly
newspaper, today
announced the launch of Voice Radio, an online radio station which
will debut on April 11.
"Unlike anything on the Internet or radio, Voice Radio
breaks traditional rules about music and radio programming by
creating a radio program comprised of premier content for the
web with streaming services provided by StreamAudio.
"Voice Radio, which can be accessed (here),
delivers a smart edgy, lifestyle driven format reflecting the
attitudes and taste of the "Village Voice's" discerning readers.
Music will range from rock to jazz to blues and hip-hop, from
techno to deep house to drum n' bass from blue-beat to back-beat
and beat-box. Additionally, Voice Radio will host live music from
clubs and local venues."
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